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Pop Goes the Weasel by James Patterson
Book Summary InformationAuthor: James Patterson Edition: Mass Market Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 2000-10 ISBN: 0446608815 Number of pages: 480 Publisher: Grand Central Publishing
Book Reviews of Pop Goes the WeaselBook Review: Slippery foes and heartbreaks galore, the usual mayhem if you're Alex Cross... Summary: 5 Stars
The fifth installment of the amazing series doesn't disappoint, if anything it makes me want to get back into the complex lives of these strong characters the moment that last page is turned. These books have a tendency of sucking me in hard and fast and making my mind wander around the story line even when I'm not reading it. I think there are sixteen or so books now in this series and I am always trying my best not to peak at what they are about, spoilers galore can happen, so I try my best to know as little as possible about each before I start reading it. James Patterson did a great job of creating the Cross family, making the reader care and worry about them, after all when a detective is being stalked and harassed by crazed psychopaths his family fall prey to them as well, making me stressed out but completely absorbed into the plot.
This time the nemesis is not only dangerous and blood thirsty but seems to have no regard for his own life, the games is tastier when the stakes are ultra high, making Alex's life extra complicated, his good deeds seem to be turning on him when a suspect turns the tables, making a mockery of the trail, making people question whether Alex caught the right guy. Never mind that the evidence points to the truth, the dirty game of lies and deception has reached new levels, making this a tasty and intense read. The killer plays a game with 3 other shady characters, throwing dice to pick their next victim and ways of disposing them, whether the killings are random or planned, they send shockwaves through all the pages. Peace and quiet never lasts long at the Cross house, no matter what great things develop. At one point something happens to one of the characters that made me recoil in shock, adding an extra ounce of worry to the whole story line, I absolutely loved the ending and I won't pretend that I wasn't close to tears reading it. Well a few tears but still...I'm a softie deep down there somewhere. This book was really fun and crazy and thrilling and all the good things one looks for in a thriller. As always I recommend reading in order to get the most out of all the delicious mayhem that twists harder and harder with each novel. Patterson had managed to keep a hum over the whole tale with someone's tragedy and it really made the book better than I expected, I can't wait to read the next.
- Kasia S.
Summary of Pop Goes the WeaselDetective Alex Cross is back-and he's in love. But his happiness is threatened by a series of chilling murders in Washington, D.C., murders with a pattern so twisted they leave investigators reeling. Cross's pursuit of the killer produces a suspect, a British diplomat named Geoffrey Shafer. But proving he's the murderer becomes a potentially deadly task. As Shafer engages in a brilliant series of surprising countermoves, Alex and his fiancee become hopelessly entangled with the most memorable nemesis Cross has ever faced. Likened to a "young Muhammad Ali," Alex Cross, the Porsche-driving profiler, doctor, detective, and father of two has seen his fair share of vicious killers. From a bloodthirsty butcher who came after his family (Cat and Mouse) to a devilish duo working cross-country (Kiss the Girls), Cross has managed to outmaneuver all of his enemies. Until he meets the Weasel. A series of killings in the forgotten, crime-infested ghettos of southeast D.C. has sent Cross and his 6'9" 250-pound partner, John Sampson, in search of the "Jane Doe" killer. However, their racist, tyrannical boss George Pitman orders them to stay out of the southeast and investigate the high-profile murder of a wealthy white man. Cross already has suspicions that the murders are linked, but when Sampson's ex turns up in an abandoned southeast warehouse kicked to death, the two detectives carry on with their original investigation. Meanwhile, Cross's longtime love, Christine (Cat and Mouse), has taken prominence in his life, and it looks as if the two will finally get hitched--with one glitch: Cross puts everything he loves in jeopardy as he obsessively goes after the Weasel. Akin to a slick Hollywood action flick, Pop Goes the Weasel doesn't have time for meaningful character development or thoughtful moral analysis. And it doesn't need to. Its winning formula is based on short scenes (chapters average about 3 pages), addictive plot progression, and mean dialogue: "Sampson sighed and said, 'I think her tongue is stapled inside the other girl. I'm pretty sure that's it, Alex. The Weasel stapled them together.' I looked at the two girls and shook my head. 'I don't think so. A staple, even a surgical one, would come apart on the tongue's surface.... Crazy glue would work." --Rebekah Warren
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