Playing Bach on the Keyboard: A Practical Guide

Playing Bach on the Keyboard: A Practical Guide
by Richard Troeger

Playing Bach on the Keyboard: A Practical Guide
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Book Summary Information

Author: Richard Troeger
Brand: Amadeus Press
Edition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2003-10-01
ISBN: 1574670840
Number of pages: 300
Publisher: Amadeus Press
Product features:
  • Published by Amadeus Press 300 Pages
  • A Practical Guide by Richard Troeger
  • Author: Richard Troeger

Book Reviews of Playing Bach on the Keyboard: A Practical Guide

Book Review: Directs the examination to the nonspecialist player
Summary: 5 Stars

In Playing Bach On The Keyboard, keyboardist and Bach specialist Richard Troeger takes a new look at the Bach keyboard music available - but directs his examination to the nonspecialist player, bringing in historical background and discussions of musical applications of the styles and instruments Bach employed. From the importance of notational details in understanding the composer's intentions to changes in norms between Bach's period and modern times, Playing Bach On The Keyboard provides classical musicians with a wonderful survey of issues in Bach's music

Summary of Playing Bach on the Keyboard: A Practical Guide

In this concise and accessible volume, a noted keyboard artist and Bach specialist takes a fresh look at the performance of J. S. Bach's keyboard music. Addressing the nonspecialist player, Richard Troeger presents a wide range of historical information and discusses its musical applications. The author shares accounts of the musical styles Bach employed and the instruments he knew. In direct and pragmatic terms, he clarifies the importance of notational and style details as guides to the composer's intentions, particularly emphasizing changes in notational norms between Bach's time and the present. Troeger offers core information on dynamics, articulation, tempo, rhythm, ornamentation and accompaniment. He considers controversial issues as well, establishing the importance of the clavichord in Bach's milieu and examining the link between baroque music and rhetoric - a dramatic relationship that can bring great vitality to performance.

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