Pittsburgh: A New Portrait

Pittsburgh: A New Portrait
by Franklin Toker

Pittsburgh: A New Portrait
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Book Summary Information

Author: Franklin Toker
Edition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2009-09-20
ISBN: 0822943719
Number of pages: 528
Publisher: University of Pittsburgh Press

Book Reviews of Pittsburgh: A New Portrait

Book Review: Post-Industrial Pittsburgh: A First Portrait
Summary: 5 Stars




I was a fan of Toker's original "Portrait" published in 1986. His "New Portrait" differs in two ways. The more technical, architectural parts have been removed to a second publication, his (also excellent) "Buildings of Pittsburgh", and the illustrations and general layout of the "New Portrait" are much improved with numerous color plates. But some things, thankfully, have stayed the same. One is the topographical arrangement which allows the reader to see Pittsburgh's architecture within the context of the city's overall development. The other is Toker's enthusiasm for his subject. Sometimes while reading I had to ask myself: "Can it really be that good?" Since Toker's professional credentials as an architectural historian are beyond reproach, his judgments always command respect even when they seem to border on boosterism. And he displays his opinions so openly that he always provokes the reader (at least, he did me) to reflect and react. That makes reading this book a very lively and stimulating exercise. This is no ordinary glossy guidebook or civic celebration. Toker's discussion raises important issues about the future of Pittsburgh and its buildings. First, a recurring theme is how hard Pittsburghers have been on their past. A local documentary producer labeled one of his programs "Things that aren't there anymore", and that's certainly true of Pittsburgh. Even now, with better preservation efforts, it's evident that much excellent architecture is still in imminent danger. Second, the first "Portrait" was published as Pittsburgh was just beginning its post-industrial transition. Now, 23 years on, we can see some results, remarkably most clearly in the once heavily industrialized Mon Valley. Two large real-estate developments there now occupy two former steelmill sites in Homestead and the South Side. They are what Paul Goldberger calls "para-urbanism": complete communities (neighborhoods?) with residences, stores, restaurants, theaters, and hotels (but not churches). Toker likes the South Side Works which is well integrated (architecturally) into the older, blue collar community, but he hates the Waterfront at Homestead which is clearly suburban. Another, smaller development is now underway within the city itself, Bakery Square in East Liberty. Perhaps, this is the new way forward for post-industrial Pittsburgh? It'll be interesting to read Toker's "take" in 20 years in his "Newer Portrait"!














Summary of Pittsburgh: A New Portrait

From its founding in 1758, Pittsburgh has experienced several epic transformations.  It began its existence as a fortress, on a site originally selected by George Washington.  A hundred years later, and well into our own time, no other American city was as intensively industrialized, only to be later consigned to ?rustbelt? status.  Remade as a thriving twenty-first-century city and an international center for science, medicine, biotechnology, and financial services, Pittsburgh is now routinely acclaimed as one of the most promising and livable of America's cities.  Franklin Toker shows us why.

Toker highlights this remarkable story of urban reinvention by focusing on what makes Pittsburgh so resilient and appealing - its strong neighborhoods and their surprisingly rich architectural history.   The many unique, lively urban communities that make up Pittsburgh are a treasure trove of every imaginable style of structure, from Victorian to Bauhaus, Gothic to Art Deco, and from Industrial to Green.  These ordinary homes expressed the aspirations of people who came from around the world to settle in Pittsburgh, while they built the city itself into an economic powerhouse.  With the wealth generated by this everyday work, local captains of industry could build their own monumental additions to Pittsburgh's urban landscape, including two of America's greatest buildings: H. H. Richardson's Allegheny Courthouse and Frank Lloyd Wright's Fallingwater. 

With accessible prose, Toker examines Pittsburgh in its historical context (from Indian settlement to postmodern city), in its regional setting (from the playgrounds of the Laurel Highlands to the hard-working mill towns dotting the landscape), and from the street level (leading the reader on a personal tour through every neighborhood).  Lavishly illustrated with photos and maps, Pittsburgh: A New Portrait reveals the true colors of a truly great American city. 

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