Pandora (New Tales of the Vampires)
by Anne Rice
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Book Summary Information
Author: Anne RiceEdition: Mass Market Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1998-12-26
ISBN: 0345422384
Number of pages: 368
Publisher: Ballantine Books
Book Reviews of Pandora (New Tales of the Vampires)
Book Review: excellent!
Summary: 5 Stars
This book is a masterpiece.It reveals the tale of the beautiful pandora.It is definitely a must read.
Pandora is born with the name Lydia in the Roman Republic a few years before the birth of Christ to a Senatorial family. She is tall, with rippling brown hair and gold-brown eyes. She meets Marius for the first time when he is twenty-five and she is ten, and falls in love with him. Marius has the same feelings and asks Pandora's father for her hand in marriage. Unfortunately, his proposal is rejected and the two are not to meet for many years after.
Pandora's father holds a high rank as a Senator. But when a new emperor takes power, her family is betrayed by her own brother and killed. Only Pandora and her traitorous brother survive the massacre, and she is taken to Antioch (after changing her name) by a man who was very close to her father. There she meets Marius again, fifteen odd years after they first met. Unbeknownst to her, Marius is now a vampire.
She eventually finds out what Marius has become, and also that he protects and hides the Queen and King of all Vampires. The two care for the Royal Couple together for awhile before a vampire, Akabar, tries to steal the Queen's powerful and ancient blood. Marius and Pandora prevent him from carrying out his plan. To spite Marius, Akabar drains Pandora to the point of death. In order to save her, Marius is forced to make Pandora into a vampire. The pair stay together for the next two hundred years before arguing and separating.
The next time they meet again is in a Dresden ballroom in the early to mid-1700's. Marius tries in vain to make Pandora leave her companion and fledgling, Arjun, and come back to him.
The next and last time that they meet is in 1985, when she is among thirteen vampires who survived Akasha's killing spree and gathered at Maharet's house in the Sonoma compound to battle against Akasha. Pandora remains quiet and withdrawn throughout the whole ordeal, staring out the windows and saying little, rousing herself only once to say that Akasha is trying to justify deplorable "reasons" for a holocaust.
Like many of Anne Rice's vampires, Pandora is portrayed as a morose, despairing immortal who initially wanted immortality but soon regretted her choice and turns into a dark, indifferent cynic. Lestat thinks that Pandora was troubled in some deep, fundamental way even before she became a vampire because she's the only vampire who doesn't receive visions of Maharet and Mekare in her dreams. During the confrontation in Sonoma, when Akasha directly asks Pandora to join with her or die, Pandora merely responds in a quiet, indifferent voice that she can't do what Akasha is asking of her and stoically accepts the idea of being killed.
Even after Akasha herself is destroyed and the thirteen vampires regroup in Armand's Night Island in Florida, Pandora still acts withdrawn from her fellow vampire kin, watching music videos all day long and completely ignoring Marius, who dotes on her lovingly. There is no sense of recovery or security in her as there is with the other vampires, and she departs from Night Island alone, still just as morose as ever.
enjoy...Nigel
Summary of Pandora (New Tales of the Vampires)
Anne Rice, creator of the Vampire Lestat, the Mayfair witches and the amazing worlds they inhabit, now gives us the first in a new series of novels linked together by the fledgling vampire David Talbot, who has set out to become a chronicler of his fellow Undead.The novel opens in present-day Paris in a crowded café, where David meets Pandora. She is two thousand years old, a Child of the Millennia, the first vampire ever made by the great Marius. David persuades her to tell the story of her life.
Pandora begins, reluctantly at first and then with increasing passion, to recount her mesmerizing tale, which takes us through the ages, from Imperial Rome to eighteenth-century France to twentieth-century Paris and New Orleans. She carries us back to her mortal girlhood in the world of Caesar Augustus, a world chronicled by Ovid and Petronius. This is where Pandora meets and falls in love with the handsome, charismatic, lighthearted, still-mortal Marius. This is the Rome she is forced to flee in fear of assassination by conspirators plotting to take over the city. And we follow her to the exotic port of Antioch, where she is destined to be reunited with Marius, now immortal and haunted by his vampire nature, who will bestow on her the Dark Gift as they set out on the fraught and fantastic adventure of their two turbulent centuries together.
From the Hardcover edition.
Anne Rice fans will greet Pandora: New Tales of the Vampires, the first of her new vampire chronicles, as hungrily as the Fang Gang facing a fresh new neck. Our heroine, Pandora, a senator's daughter in Augustus Caesar's day, flees to Antioch when her family gets killed and discovers the antidote to stern Roman rationalism in the occult wisdom of the East. "Something attacked my reason," Pandora writes. "The very thing the Roman Emperors had so feared in Egyptian cults and Oriental cults swept over me: mystery and emotion which claim a superiority to reason and law."
Pandora gets her sexy vampire initiation at the fangs of handsome Marius (who later inducted Rice's famed vampire Lestat). Pandora tells how a nice Roman girl became a vampire in modern Paris, but mostly the book celebrates the sights and sounds (and philosophical bloodlettings) of the classical world. Pandora is more like Robert Graves's sublime I, Claudius than Rice's The Complete Vampire Chronicles.
Yet Pandora is a logical extension of Rice's work, and Pandora is a combination of her past vampire heroes and the nakedly, horrifyingly autobiographical heroine of Rice's 1997 novel Violin. Now, Violin is remarkably messy, but it captures the volcanic passion that erupts in her best work--Rice calls it "a study in pain." Pandora is really a dramatized debate between passion and reason, which Pandora calls "male reason." She teases her vampire mentor: "Marius guarded his delicate rationality as a Vestal Virgin guards a sacred flame. If ever any ecstatic emotion took hold of me, he [would] tell me in no uncertain terms that it was irrational, irrational, irrational!" (To hear how close Pandora's voice is to her passionate creator, listen to the 1997 audiocassette Interview with Anne Rice.)
Rice's research gives fresh blood to her storytelling. Even her chronic third-act problem scarcely slows down this brisk romp of a novel. Pandora has intellectual thirst as well as blood lust, and she conveys the high old time Rice obviously had imbibing historical lore. "It is fun to read these mad Gnostics!" exults Pandora in the early Christian era. It is also fun to read this mad Pandora. Anne Rice hasn't been this fun to read in years.
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