On Directing Film

On Directing Film
by David Mamet

On Directing Film
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Book Summary Information

Author: David Mamet
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1992-01-01
ISBN: 0140127224
Number of pages: 128
Publisher: Penguin (Non-Classics)

Book Reviews of On Directing Film

Book Review: An arrow in the quiver of any fine writer.
Summary: 5 Stars

Mamet's plays have been known for exposing gender miscommunication(Oleanna, Sexual Perversity in Chicago), investigating what drives the common man (Glengarry Glen Ross, American Buffalo) and bringing to light our fears and desires (The Duck Variations, Edmond). He has a style of theatre attributed to him, identified by blue collar, swearing, seedy characters. When NYPD Blue premiered it was referred to, by some, as Mamet TV. It is easy to watch a Mamet play and forget that the playwright is a poet and he, at times, writes in iambic pentameter.

However, he isn't just a playwright. Mamet has directed movies (Things Change, We're No Angels, Oleanna, House of Games), written movies (The Postman Always Rings Twice, 1981), adapted plays (An Enemy of the People, The Cherry Orchard) and has written criticism on the art of the theatre and writing for it.

The title of On Directing Film is misleading. A better title would be, For the Director Who Writes. Mamet spends a great deal of time in the book, it is structured around lectures he gave at Columbia University in 1987, explaining how to trim a script to its core so the best, and most coherent story can be told through film. Often his students will mention camera angles or camera movements to complete an emerging story they are developing, but Mamet is quick to reduce the lecture to the field which he knows well. Writing. He always returns to the script and how that should be structured so an excellent story can be told. Filming the script, the easy part, is for later.

Mamet draws from Hitchcock to Hemingway to Aristotle to explain what makes a good story work and how that can be applied to writing the script. On Directing Film should be mandatory reading for all students, formal or informal, of creative writing.

Summary of On Directing Film

Calling on his unique perspective as playwright, screenwriter, and director of his own critically acclaimed movies, House of Games and Things Change, David Mamet illuminates how a film comes to be. He looks at every aspect of directing?from script to cutting room?to show the many tasks directors undertake in reaching their prime objective: presenting a story that will be understood by the audience and has the power to be both surprising and inevitable at the same time.

Based on a series of classes Mamet taught at Columbia University's film school, On Directing Film will be enjoyed not only by students but by anyone interested in an overview of the craft of filmmaking.


According to David Mamet, a film director must, above all things, think visually. Most of this instructive and funny book is written in dialogue form and based on film classes Mamet taught at Columbia University. He encourages his students to tell their stories not with words, but through the juxtaposition of uninflected images. The best films, Mamet argues, are composed of simple shots. The great filmmaker understands that the burden of cinematic storytelling lies less in the individual shot than in the collective meaning that shots convey when they are edited together. Mamet borrows many of his ideas about directing, writing, and acting from Russian masters such as Konstantin Stanislavsky, Sergei M. Eisenstein, and Vsevelod Pudovkin, but he presents his material in so delightful and lively a fashion that he revitalizes it for the contemporary reader.

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