On Chesil Beach

On Chesil Beach
by Ian Mcewan

On Chesil Beach
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Book Summary Information

Author: Ian Mcewan
Edition: Paperback
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2008-06-10
ISBN: 0307386171
Number of pages: 224
Publisher: Anchor

Book Reviews of On Chesil Beach

Book Review: Tight With Emotional Suspense
Summary: 5 Stars

As in his previous book SATURDAY, Ian McEwan expands a short amount of time into book length through an intense exploration of the emotions of the characters. This time around, the time frame is even shorter, a mere evening between Edward and Florence, on their honeymoon the night of their wedding. Although we begin in a small room where the newlyweds are dining, it is the next room, with the four poster bed waiting, that brings the tension to the fore. You see, our new husband and wife have, to put it simply, seriously divergent attitudes and expectations about the consummation of their relationship.

Edward can barely hold himself back from pouncing on his beautiful wife, who only hours ago had vowed, in front of numerous witnesses - and in a church, no less - that `with my body, I thee worship.' Florence, however, is a different matter. She is a true character study whose feelings on the matter go way, way beyond wedding night jitters. The thought of the act of penetration is not merely repulsive physically, but repulses and terrifies her at the deepest core of her being. If she did not exactly lie at the altar, she simply lacked the willpower to be more honest with herself long before the two ever got there.

McEwan's writing is captivating, drawing the reader into the intricacies of the relationship between Edward and Florence, as well as their backgrounds and personalities that provide the context of it. The action unfolds at an agonizingly slow pace, with McEwan drawing very narrow margins for emotional error. As in SATURDAY, one cannot help but be struck at how even a small decision has such large emotional consequences.

ON CHESIL BEACH takes place in 1962, prior to the sexual revolution. Yet it is difficult to imagine how that revolution would have produced a different outcome. Yes, Edward and Florence could not communicate, both wound tight within the cultural expectations of the time. Yet the problem obviously goes much deeper, to the issue of exactly what is not being communicated. Perhaps at a later date, the events of the book would never have taken place, as their incompatibility would have come to light long before it reached this point. Setting the book at a later date would have made it more unrealistic. And although painful to read at times, ON CHESIL BEACH's realism is all too stark. I highly recommend it.

Also recommended: Saturday

Summary of On Chesil Beach

In 1962, Florence and Edward celebrate their wedding in a hotel on the Dorset coast. Yet as they dine, the expectation of their marital duties weighs over them. And unbeknownst to both, the decisions they make this night will resonate throughout their lives. With exquisite prose, Ian McEwan creates in On Chesil Beach a story of lives transformed by a gesture not made or a word not spoken.
Such is Ian McEwan's genius that, despite rambling nature walks and the naming of birds, his subject matter remains hermetically sealed in the hearts of two people.

It is 1962 when Edward and Florence, 23 and 22 respectively, marry and repair to a hotel on the Dorset coast for their honeymoon. They are both virgins, both apprehensive about what's next and in Florence's case, utterly and blindly terrified and repelled by the little she knows. Through a tense dinner in their room, because Florence has decided that the weather is not fine enough to dine on the terrace, they are attended by two local boys acting as waiters. The cameo appearances of the boys and Edward and Florence's parents and siblings serve only to underline the emotional isolation of the two principals. Florence says of herself: "...she lacked some simple mental trick that everyone else had, a mechanism so ordinary that no one ever mentioned it, an immediate sensual connection to people and events, and to her own needs and desires...."

They are on the cusp of a rather ordinary marital undertaking in differing states of readiness, willingness and ardor. McEwan says: "Where he merely suffered conventional first-night nerves, she experienced a visceral dread, a helpless disgust as palpable as seasickness." Edward, having denied himself even the release of self-pleasuring for a week, in order to be tip-top for Florence, is mentally pawing the ground. His sensitivity keeps him from being obvious, but he is getting anxious. Florence, on the other hand, knows that she is not capable of the kind of arousal that will make any of this easy. She has held Edward off for a year, and now the reckoning is upon her.

McEwan is the master of the defining moment, that place and time when, once it has taken place, nothing will ever be the same after it. It does not go well and Florence flees the room. "As she understood it, there were no words to name what had happened, there existed no shared language in which two sane adults could describe such events to each other." Edward eventually follows her and they have a poignant and painful conversation where accusations are made, ugly things are said and roads are taken from which, in the case of these two, the way back cannot be found. Late in Edward's life he realizes: "Love and patience--if only he had them both at once--would surely have seen them both through." This beautifully told sad story could have been conceived and written only by Ian McEwan. --Valerie Ryan

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