Oedipus the King ( Oedipus Rex )

Oedipus the King ( Oedipus Rex )
by E A Sophocles

Oedipus the King ( Oedipus Rex )
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Book Summary Information

Author: E A Sophocles
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2006-09-24
ISBN: 1599869519
Number of pages: 104
Publisher: Filiquarian Publishing, LLC.

Book Reviews of Oedipus the King ( Oedipus Rex )

Book Review: Immortal Play, Questionable Edition
Summary: 5 Stars

Oedipus the King has been an immortal world literature classic for nearly 2,500 years. Long considered the greatest Greek tragedy, it was hailed by Aristotle as the tragedy par excellence, and in the millennium plus since only Shakespeare's greatest work has even approached it. It remains a model of what tragedy should be; deftly plotted and perfectly executed, it has a sympathetic protagonist, a crushing climax, sublime poetry, and a wealth of meaningful themes. The play remains on the very short list of incomparably and undeniably great world literature masterpieces - one of the six or so best works ever. It is essential reading for everyone.

Perhaps the aspect that has always spoken most strongly is the character of Oedipus. The archetypal tragic hero, He is one of literature's most thoroughly sympathetic personages. Whatever his faults, he is far more sinned against than sinning; his rise from humble background to king is matched only by his even more awe-inspiring fall. Arrogant, haughty, and somewhat impulsive, he has distinct flaws, but they only make him more human; we feel for him because we see his profound humanity. However ostensibly different from us, he has the indisputable human core necessary for a truly moving character. His downfall's pathos is near-unbearable; it is hard to see a man so truly broken and heavily suffering. The play is valuable for showing the nadir to which people can sink, bringing out life's inherent tragedy with incredible force and emotion.

The story itself is also key. The original audience knew the Oedipus story well, and it has continued to be so famous that most will know a lot before reading, but Sophocles portrays it with such skillful mastery that it affected Athenians with mesmerizing power and continues to do so. A tighter plot or more perfect execution could not be conceived; no one has ever made better use of foreshadowing or dramatic irony, and the breathtaking climax has rarely even been approached. The story is put together with almost mathematical precision, and the close is simply devastating. The totality of bitterly ironic events that comes down on Oedipus is so crushingly malevolent that it shows the absolute worst that can happen to a person. For this reason among many others, the play remains the consummate tragedy.

The work's lasting value may be due primarily to its extraordinary dramatization of numerous weighty themes. All Greek tragedies were broadly philosophical in a way later plays - to say nothing of current ones - rarely are, but this is again the top example. It most famously deals with fate and has indeed never been matched for showing fatalism's dark possibility and potentially fatal consequences. However, this has also been exaggerated, because a close reading clearly shows that Oedipus himself inadvertently caused his downfall; this is what makes him a tragic hero. Denying the conventional depiction may seem strange, but it after all makes him more relatable. As far as we know, we are not victims of venomous fate but are fragile beings suffering from limitations we are unable to overcome. The play in any case has other important themes: the creation and enforcement of taboos, questions of political succession and family relations, pride vs. humility, etc. That Sophocles was able to do all this in a work of less than two thousand lines - not even half of Hamlet - is a testament both to his genius and to ancient Greek art's essential concision.

There are few works for which reviews are more superfluous; the real question is what translation to get. Robert Fagles' is undoubtedly the best for current readers. It is not that prior ones are inaccurate, but inevitable language changes have made them ever less readable; some may think them more stately, but they lack Fagles' flow and readability. All one need do is compare his rendering of the famous closing speech to prior ones; his is so much more immediate yet also more poetic. Dedicated Greekless readers will of course want several, but neophytes should start with Fagles, the only version most will ever need.

Translation aside, the question of what edition to get is also important. The play is well worth reading on its own, but many versions pair it with Antigone and Oedipus at Colonus, Sophocles' other two Theban plays. The former is nearly as great as Oedipus the King, and the latter has great merit, meaning the trilogy is ideally bought complete. Standalones are hard to justify unless one wants a deluxe edition with Greek text, extensive criticism, or some other bonus, but the important thing is of course to read the play in some form.

Summary of Oedipus the King ( Oedipus Rex )

To Laius, King of Thebes, an oracle foretold that the child born to him by his queen Jocasta would slay his father and wed his mother. So when in time a son was born the infant's feet were riveted together and he was left to die on Mount Cithaeron. But a shepherd found the babe and tended him, and delivered him to another shepherd who took him to his master, the King of Corinth. Polybus being childless adopted the boy, who grew up believing that he was indeed the King's son. Afterwards doubting his parentage he inquired of the Delphic god and heard himself the word declared before to Laius. Wherefore he fled from what he deemed his father's house and in his flight he encountered and unwillingly slew his father Laius. Arriving at Thebes he answered the riddle of the Sphinx and the grateful Thebans made their deliverer king. So he reigned in the room of Laius, and espoused the widowed queen. Children were born to them and Thebes prospered under his rule, but again a grievous plague fell upon the city. Again the oracle was consulted and it bade them purge themselves of blood-guiltiness. Oedipus denounces the crime of which he is unaware, and undertakes to track out the criminal. Step by step it is brought home to him that he is the man. The closing scene reveals Jocasta slain by her own hand and Oedipus blinded by his own act and praying for death or exile.

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