Not Much Fun: The Lost Poems of Dorothy Parker

Not Much Fun: The Lost Poems of Dorothy Parker
by Stuart Y. Silverstein

Not Much Fun: The Lost Poems of Dorothy Parker
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Book Summary Information

Author: Stuart Y. Silverstein
Edition: Paperback
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2001-07-10
ISBN: 0743211480
Number of pages: 256
Publisher: Scribner

Book Reviews of Not Much Fun: The Lost Poems of Dorothy Parker

Book Review: She called them 'verses' -- but they're more potent than verse
Summary: 4 Stars

She was a Rothschild --- just not the right kind. Her mother died a month before her fifth birthday, her hated stepmother died when she was nine, her father died when she was 20.

Born lucky, you might say.

It should be no surprise that Dorothy Parker had a close relationship with alcohol (great quantities, taken in small sips, so she was always drinking but never completely smashed). Or that she had bad luck in love (two husbands committed suicide). Or that she'd fail at suicide on four separate occasions (once she slashed her wrists, but only after ordering dinner to be delivered, thus guaranteeing that she'd be found alive).

Dorothy Parker was one of the most celebrated writers of her time, but she's much better remembered for her big mouth. Day after day, she sat with America's greatest wits at the Round Table in the bar of New York's Algonquin Hotel and quietly devastated the all-male group with her one-liners. She was as much a symbol of the 1920s as the flapper, the flivver and F. Scott Fitzgerald.

Or so the legend has it.

The fact is, Dorothy Parker had no trust fund. She was a working writer. And much of her work involved --- try imagining a career like this now --- poetry. She sold her first poem to Vanity Fair in 1915 for $12, a tidy sum back then. And she wrote about 330 more during her life; over thirty years, that's a poem every other week.

She downplayed her poetry. She said she wrote "verses" --- not poems. And they weren't, she noted, original: "I was following in the exquisite footsteps of Miss Edna St. Vincent Millay, unhappily in my own horrible sneakers."

Her poetry was collected at the peak of her fame. It has since languished. A decade ago, "Not Much Fun: The Lost Poems of Dorothy Parker" appeared. As with many things Parker, don't believe the title.

Is Parker a great poet? By no means. But she was one of the first American women to speak her mind --- her smart, contrarian, troubled mind --- openly on the page, and that gives her a certain historical import. And, setting aside all serious considerations, she's just plain fun. Fun and funny.

The book opens with a poem about...bridge. ("Didn't you hear what I bid?") It moves on to "Any Porch," a pastiche of overheard conversations. ("I really look thinner, you say?") She decries "the lady in back," who invariably ruins her night at the theater. She touches on every popular subject, even psychotherapy: "Where a Freud in need is a Freud indeed/we'll always be Jung together."

Parker's stock in trade is the last line that dramatically reverses the energy of the poem --- and slaps the reader in the face. Thus, a poem about Hollywood ends: "The streets are paved with Goldwyn." Well, how else?

And there are many poems that are just droll jokes:

Oh, life is a glorious cycle of song,
A medley of extemporanea;
And love is a thing that can never go wrong;
And I am Marie of Romania.

And:

Razors pain you; Rivers are damp;
Acids stain you; And drugs cause cramp.
Guns aren't lawful; Nooses give;
Gas smells awful; You might as well live

If Parker were only cleverness and verve, she'd be worth a paragraph in a chapter on the `20s. What makes her poems interesting is that her pain shows through the wit. In a great poet, this is no big deal; when the poet in question is paying her rent with her poems, it means something that she goes beyond froth. As, here:

When all the world was younger.
When petals lay as snow.
What recked I of the hunger
An empty heart can know?
For love was young and cheery,
And love was quick and free;
Tomorrow might be weary,
But when was that to me?

But now the world is older,
And now tomorrow's come.
The winds are rushing colder,
And all the birds are dumb.
And icy shackles fetter
The brooklet's sunny blue--
And I was never better;
But what is that to you?

"I don't care what is written about me so long as it isn't true," Parker once said. But in addition to poems that tell more than she may have intended, "Not Much Fun" includes an introduction, by Stuart Y. Silverstein, that's so amusingly annotated it's almost a biography. Together, they give a rollicking and touching picture of a woman you'd never want to be --- but would surely want to know.

Summary of Not Much Fun: The Lost Poems of Dorothy Parker

During the early years of her career, while struggling to "keep body and soul apart" (as she ruefully put it later), Dorothy Parker wrote more than three hundred poems and verses for a variety of popular magazines and newspapers. Between 1926 and 1933 she collected most of these pieces in three volumes of poetry: Enough Rope, Sunset Gun, and Death and Taxes. The remaining poems and verses from America's most renowned cynic make up this volume. Eclectic and exuberant, these 122 once-forgotten gems display Parker's distinctive wit, irony, and precision, as she dissects early-twentieth-century American urban life and gleefully skewers a rich array of targets that range from personal foible to popular culture. With an authoritative, immensely entertaining, and critically acclaimed introduction by Stuart Y. Silverstein, Not Much Fun is an essential addition to the Dorothy Parker library and a welcome gift to her many admirers and devoted fans.


A succinct, yet enlightening introduction and footnotes with quintessential Dorothy Parker anecdotes and quotes serve as brilliant foundation for this collection of "lost" poems. In fact, they are pieces that Parker discarded as not fit for publication, and Parker enthusiasts will notice that many foreshadow more-polished later versions. Though Parker once described her verse as "horribly outdated--anything once fashionable is dreadful now," it's clear that even her "unfit" works are far from dreadful.

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