Northanger Abbey (Norton Critical Editions)

Northanger Abbey (Norton Critical Editions)
by Jane Austen

Northanger Abbey (Norton Critical Editions)
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Book Summary Information

Author: Jane Austen
Editor: Susan Fraiman
Edition: Paperback
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2004-10-19
ISBN: 0393978508
Number of pages: 384
Publisher: W. W. Norton

Book Reviews of Northanger Abbey (Norton Critical Editions)

Book Review: Northanger Abbey (Penguin Classics)
Summary: 4 Stars

I watched the recent BBC version of the Northanger Abbey story first and loved it. I'm a Jane Austen fan who hasn't read all the novels but I'm working on it. So I got the novel to see how it compared. It was great! I love her humor - tongue in cheek and so witty. But the thing I really want to comment favorably about is the Penguin Classics edition. I get so much background and insight and explanatory information from these editions. I've read 3 of them now and they are marvelous. I've read quite a few novels from this era and it is really helpful to have notes to refer to in the back that explain things.

Summary of Northanger Abbey (Norton Critical Editions)

Northanger Abbey, written in Jane Austen's youth and posthumously published, is arguably her most mysterious, imaginative, and optimistic novel. This Norton Critical Edition is the most extensively annotated student edition available. \ "Backgrounds" features material carefully chosen to enhance readers' appreciation of the novel, including biographical commentary, early works and correspondence related to : Northanger Abbey, and excerpts by Ann Radcliffe, Frances Burney, and William Wordsworth, among others, tracing Austen's connection to her Romantic contemporaries.

"Criticism" collects thirteen assessments of : Northanger Abbey from a wide range of voices and periods, including essays by Margaret Oliphant and Rebecca West and critics Patricia Meyer Spacks, Claudia L. Johnson, Lee Erickson, and Joseph Litvak.

A Chronology and Selected Bibliography are also included.

About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.


Though Northanger Abbey is one of Jane Austen's earliest novels, it was not published until after her death--well after she'd established her reputation with works such as Pride and Prejudice, Emma, and Sense and Sensibility. Of all her novels, this one is the most explicitly literary in that it is primarily concerned with books and with readers. In it, Austen skewers the novelistic excesses of her day made popular in such 18th-century Gothic potboilers as Ann Radcliffe's The Mysteries of Udolpho. Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers all figure into Northanger Abbey, but with a decidedly satirical twist. Consider Austen's introduction of her heroine: we are told on the very first page that "no one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine." The author goes on to explain that Miss Morland's father is a clergyman with "a considerable independence, besides two good livings--and he was not in the least addicted to locking up his daughters." Furthermore, her mother does not die giving birth to her, and Catherine herself, far from engaging in "the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush" vastly prefers playing cricket with her brothers to any girlish pastimes.

Catherine grows up to be a passably pretty girl and is invited to spend a few weeks in Bath with a family friend. While there she meets Henry Tilney and his sister Eleanor, who invite her to visit their family estate, Northanger Abbey. Once there, Austen amuses herself and us as Catherine, a great reader of Gothic romances, allows her imagination to run wild, finding dreadful portents in the most wonderfully prosaic events. But Austen is after something more than mere parody; she uses her rapier wit to mock not only the essential silliness of "horrid" novels, but to expose the even more horrid workings of polite society, for nothing Catherine imagines could possibly rival the hypocrisy she experiences at the hands of her supposed friends. In many respects Northanger Abbey is the most lighthearted of Jane Austen's novels, yet at its core is a serious, unsentimental commentary on love and marriage, 19th-century British style. --Alix Wilber

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