Nikon Creative Lighting System Digital Field Guide
by J. Dennis Thomas
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Book Summary Information
Author: J. Dennis ThomasEdition: Paperback
Audio: English (Published)
Format: Bargain Price
Published: 2007-01-10
ISBN: N/A
Number of pages: 224
Publisher: Wiley
Book Reviews of Nikon Creative Lighting System Digital Field Guide
Book Review: All in one place
Summary: 5 Stars
This is my second purchase of a field guide book. The first was for the Nikon D60 and now this one - Nikon creative lighting systems. I would not have purchased a second field guide book if I had not found the first one a good addition to my growing pile of references. The (CLS) flash management system can become very very expensive and a bit confusing as to what you really need and the best use of your hobby budget. The field guides are well put together, all information in-one-place, easy to understand books that helped me make my choices. I was interested in using minimal flash set-up's for home-photography portraits and macro images. The book covered everything and more than I needed to know about Nikon flashes, applications, set-up, backgrounds, equipment and flash lighting in general. There is no one perfect photography book and I would not claim this book attempts to cover every detail concerning the use of flash lighting. But, the field guides are easy to read, and often the first that I pick up when I need a quick refresh or reference. I would certainly recommend them to a friend.
Summary of Nikon Creative Lighting System Digital Field Guide
Use every amazing option your Nikon CLS offersLight is the essence of photography. The Nikon Creative Lighting System lets you create the same lighting patterns with a portable, detached, wireless system that professionals achieve using cumbersome and expensive studio equipment. This practical guide is like having an expert at your elbow. It's packed with information about the CLS as well as tips, tricks, and recommendations for lighting a dozen different shooting situations. Take it on every shoot and get the most from your CLS.
* Know all about the features and functions of the SB-800 and SB-600
* Get insider tips for creating flawless portrait lighting and staging the best poses
* Set up masters and remotes, flash modes, channels, and groups
* Choose equipment for a wireless studio
* Use the ideal exposure and Speedlight system settings for shooting events, nature, sports, groups, portraits, or products
Visit our Web site at www.wiley.com/compbooks
Nikon Creative Lighting System Photography Techniques
Amazon-exclusive content from author J. Dennis Thomas
| One-Speedlight Portraits One of the things I like the best of the Nikon CLS is how fast and easy it is to get great portraits with just one Speedlight. For this portrait of Kristin I used an SB-900 off camera and triggered it with an SU-800. I used a shoot-through umbrella for diffusion and the light was placed at a 45º angle to the model. The stand was fully extended and the light was angled down for a Paramount or Loop lighting pattern. Setting up the CLS was simple. I switch the SB-900 to Remote mode and set it for Group A, the SU-800 was set to TTL. After a few test shots I decided to dial down the FEC to ?1 EV. The image was shot with a D700 and a 50mm f/1.4G. I chose Manual exposure 1/60 at f/4 ISO 400.  (Click on image to enlarge) | Soft-Light Close-Ups This is another example of a very simple yet effective lighting technique. For small things such as these raspberries using an overhead light that is very close up give you a nice soft light (the larger the light source in relation to the subject the softer the light is). Setting the light off to the side a bit helps to bring up the contrast which gives a more detailed three-dimensional look. Tis was done with one SB-800 and a shoot-through umbrella placed about 12 inches from the subject. For this shot I used the built-in flash of a D300s to trigger the off-camera SB-800. I set the SB-800 to Group A and the ¬¬¬¬mode to TTL. When shooting with a white background the metering system usually tries to underexpose the image (meters generally try for 18% grey). After a couple of test shots I ended up with a FEC of +2 EV. The image was shot with a D300s and a 105mm f/2.8G VR. Manual exposure 1/60 at f/8 ISO 200.  (Click on image to enlarge) |
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