Night Shift (Signet)
by Stephen King
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Book Summary Information
Author: Stephen KingEdition: Mass Market Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1979-02-01
ISBN: 0451170113
Number of pages: 352
Publisher: Signet
Product features:
- ISBN13: 9780451170118
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Book Reviews of Night Shift (Signet)
Book Review: King's first collection of masterful short stories
Summary: 5 Stars
One thing that has always distinguished Stephen King among his peers is his commitment to the short story. You don't find many novelists writing short stories these days, but King has always excelled in the area of short fiction, and I daresay the discipline involved in telling a story in a relatively small number of pages has helped make him such a successful writer of long fiction. Night Shift, which was first published in 1976, is the first of King's short story collections, bringing together twenty stories originally published in such disparate magazines as Cavalier, Penthouse, and Cosmopolitan (yes, Cosmopolitan) in the early to mid 1970s. These stories have given birth to a surprising number of film adaptations, but I would urge you not to judge these stories in advance by the quality of films such as Children of the Corn, The Mangler, Sometimes They Come Back, and The Lawnmower Man (especially The Lawnmower Man, as the film has nothing whatsoever to do with King's story).
There is a lot of variety to be found in this collection, as King delivers much more than a sequence of horror stories. The horror is there in droves, of course, but so are stories of a general bent that show just how effective a writer King is when he wanders away from the dark forces usually driving his imagination. The Woman in the Room, for example, is a rather tender story of a son struggling with his mother's impending death, while I Know What You Need and The Man Who Loved Flowers display romantic sensibilities of a truly engaging nature.
The book opens with Jerusalem's Lot, a thoroughly Lovecraftian exploration of the early history of this infamous little hamlet; told in the form of letters and steeped in Mythos lore, it is the type of tale that could have been written by a member of the original Lovecraft Circle. One For the Road also centers on Jerusalem's Lot; it's unusual to set a vampire story against the backdrop of a severe New England blizzard, but this proves to be one of the most effective stories in this collection. Rats, traditional horror favorites, play a part in a couple of stories, particularly Graveyard Shift with its rat-infested subterranean levels containing monstrosities that can no longer be considered mere rats.
The Ledge is, to me, the most uncomfortably effective story in the collection, mainly because it ruthlessly exploits my own fear of heights. Quitters, Inc., though, stands head and shoulders above the other nineteen stories; brilliant in its conception and development, it details a brutally surefire way to quit smoking. Children of the Corn is also a masterful tale; the film adaptation elaborately expounds upon the idea, but the core of the story and the mysterious horror of He Who Walks Behind the Rows is given a glorious birth in these pages. Sometimes They Come Back gave birth to two less than exhilarating films, but the original story is vintage Stephen King, with three dead youths returning to high school to finish the deadly job they started years ago. Then there is The Boogeyman which builds upon the palpitating fear that has touched every child scared of the dark; I can picture King grinning wickedly as he was writing the twisted final lines of this tale.
Battleground holds special meaning for me as this was the first Stephen King story I ever read - believe it or not, we actually read this in my advanced English class in seventh grade. Some regard it as a weak contribution to Night Shift, but the story is a lot of fun despite its rather unbelievable nature. The Lawnmower Man is more than weird enough to be memorable. Some people also don't care for The Last Rung on the Ladder, but I think it is a wonderful little story; the human element takes precedence over any overt horror, and some people prefer their monsters to be external to themselves. The Man Who Loved Flowers is masterfully done, an idyllic look at a young man in love that takes a deliciously insidious turn at the end. I Know What You Need is similarly executed; this account of a young lady who finds true love (or so she thinks) in the most unlikely of potential mates calls to mind the psychological mastery of Shirley Jackson.
There are no bad stories in this collection, but a few don't live up to the standards of the rest. Strawberry Spring is a little disappointing, as this story of a serial killer who comes in with the fog of unusual New England weather is quite predictable. I Am the Doorway, with its touch of alien horror, isn't as good as I think it might have been, Gray Matter is the equivalent of Creepshow's The Lonesome Death of Jordy Verrill, The Mangler offers nothing special, Night Surf is a pale shadow of its cousin The Stand, and Trucks runs out of gas rather quickly.
All in all, Night Shift delivers a shockingly good collection of short stories from the hand of a masterful story teller plumbing the depths of his horror-laden imagination while at the same time tapping into his immense knowledge of human nature and popular culture to produce tales of fiction that will appeal to a wide range of readers.
Summary of Night Shift (Signet)
Twenty excursions into horror-from the master.From the depths of darkness, where hideous rats defend their empire, to dizzying heights where a beautiful girl hangs by a hair above a hellish fate, this chilling collection of twenty short stories will plunge readers into the subterranean labyrinth of the most spine-tingling, eerie imagination of our time.
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