Neutral Milk Hotel's In the Aeroplane Over the Sea (33 1/3)

Neutral Milk Hotel's In the Aeroplane Over the Sea (33 1/3)
by Kim Cooper, Kim Cooper

Neutral Milk Hotel's In the Aeroplane Over the Sea (33 1/3)
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Book Summary Information

Author: Kim Cooper
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2005-11-28
ISBN: 082641690X
Number of pages: 104
Publisher: Continuum

Book Reviews of Neutral Milk Hotel's In the Aeroplane Over the Sea (33 1/3)

Book Review: Surprising answers to FAQ's
Summary: 5 Stars

The story of the creation of Neutral Milk Hotel's masterpiece "In The Aeroplane Over The Sea" is interesting in itself--especially if you're a music lit junkie--but just as interesting (and mysterious) is what came after. After the album's release in February '98 and the subsequent tour to promote it, NMH mastermind Jeff Mangum has recorded precisely...nothing. He just disappeared from the music map even quicker than he appeared. This has of course led to all sorts of wild speculation--chief among them that Mangum has gone insane Syd Barrett-style and is incapable of resuming his career. Writer Kim Cooper's history of the Neutral Milk Hotel enigma answers that particular FAQ and many others as well, but be warned--the answers are more surprising, and surprisingly mundane, than you can imagine.

Since this book is part of Continuum's 33 1/3 series--short books about the making of famous or influential popular music albums--the scope is limited somewhat. In this case, Mangum is the main "character," although many of the people who know or worked with him are interviewed. Interentingly enough, Mangum himself declined to be interviewed directly, but we are told he supports the book nonetheless. Those hoping to see the complete lyrics for "Aeroplane" will also be disappointed, but there is at least one web site that has them (thank you Google!). Despite these seeming shortcomings, the narrative told here is clear, precise and illuminating. In one chapter, Cooper speculates about what the lyrics might mean, which the reader can choose to ignore, although for me it clarified some areas that I found problematic.

For instance, while I'm a huge, even obsessive, fan of the album, the first time I heard it I got a bit worried by the beginning of "The King of Carrot Flowers Part II & III," where Mangum sings "I love you Jesus Christ..." Now, as a proud and unrepentent atheist, this is bound to be a problem for me. Cooper acknowledges that this "is the spot where aggressively non-Christian listeners have to make a conscious decision to stay with the music." Before this book, I'd have to basically ignore that part to fully enjoy the album. Cooper makes clear, however, that whatever Mangum's beliefs are, and no matter how earnest and sincere (and they are), Mangum's approach to Christ is very different than the fundementalist lunatics who are currently ruining this country for everyone else. In fact, in his embrace of a wide array of music, thought and philosophy, Mangum is something like a Christian Buddhist, if that makes any sense. Of course, if you expect it to make sense, then this definitely isn't the album for you, and Cooper's book won't help you any. For fans and fence-sitters alike, this book is essential reading, however.

Now, about Mangum's vanishing act. In the final chapter, Cooper delves into what caused it and even raises the possibility (however remote at this point) of his return. The short version is that Mangum just felt like doing something different, and just decided not to "ride the circus wheel," as one lyric goes. While this thought has occured to many different musical geniuses, like Kurt Cobain, Mangum's exit is definitely more peaceful, and not as final. The example of Soft Machine founder Robert Wyatt is mentioned; during his mid-70's peak, he disappeared for several years, only to return more prolific than ever. I guess you could also throw in Patti Smith, who at one point left her solo career behind to become a full time desperate housewife. Whether Mangum will choose to follow suit (except for the housewife part, of course) is anyone's guess, including Cooper, but the very mention of that in this book is tantalizing. In the meantime, fans can satisfy themselves with this short but fascinating book, and as always with the small but brilliant body of work that Mangum has provided.

Summary of Neutral Milk Hotel's In the Aeroplane Over the Sea (33 1/3)

Of all the recordings to emerge from the Athens-via-Denver collective called "Elephant 6", Neutral Milk Hotel's second album is the one that has worked its way under the most skins. "Magnet" magazine named it the best album of the 1990s, and "Creative Loafing" recently devoted a cover story to one fan's quest to understand why bandleader Jeff Mangum dropped out of sight soon after "Aeroplane's" release. The record sells steadily to an audience that finds it through word of mouth. Weird, beautiful, absorbing, difficult, "In The Aeroplane Over the Sea" is a surrealist text loosely based on the life, suffering and reincarnation of Anne Frank, with guest appearances from a pair of Siamese twins menaced by the cold and carnivores, a two-headed boy bobbing in a jar, anthropomorphic vegetables and a variety of immature erotic horrors. Mangum sings his dreamlike narratives with a dreamer's intensity, his creaky, off key voice occasionally breaking as he struggles to complete each dense couplet. The music is like nothing else in the 90s Indie Underground a psychedelic brass band, its members self-taught, forging polychromatic washes of mood and tribute. The songs stick to one narrow key, the images repeat and circle back, and to listen is to be absorbed into a singular, heart-rending vision.

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