Naked Clay: Ceramics Without Glaze

Naked Clay: Ceramics Without Glaze
by Jane Perryman

Naked Clay: Ceramics Without Glaze
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Book Summary Information

Author: Jane Perryman
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2008-10-28
ISBN: 0812220560
Number of pages: 192
Publisher: University of Pennsylvania Press

Book Reviews of Naked Clay: Ceramics Without Glaze

Book Review: Great Book! a Must Have for Potters!!!!!
Summary: 5 Stars

This is one of the best books about contemporary ceramic practice, it has beautiful photos and great information. The book contains a small intro talking about the tradition of ceramics without glazes through history, mainly during the XX century. Then it has like 30 great interviews with potters arrownd the world that work without glazes, excellent artist choises. If you are just a little interested in pottery as a way of life, as an complete and fulfilling art, buy this book, you will get highly inspired!!!!!!

Summary of Naked Clay: Ceramics Without Glaze

A growing number of ceramic artists now choose not to glaze their work. Instead, they use an unglazed?naked?surface to express their ideas and concerns. From slips and terra sigillata to burnishing, engobes, oxide washes, and additions to the clay body, there is a wide range of techniques artists can employ to achieve the finishes they desire. As these techniques are suitable for a broad spectrum of processes, subject matter and context (from slipcasting to handbuilding, from high to low firing temperatures, from figurative to conceptual, from domestic to public), the scope of the work produced by the artists represented in this book is enormous.

In Naked Clay Jane Perryman not only presents the finished ceramics and techniques of an international group of artists, she also investigates their ideas and areas of inspiration to further an understanding of their work. Each artist presented here has a unique style and way of working, but they are all connected through their committed relationship to the material and their desire to express their ideas using "naked" clay.

This beautifully illustrated book will inform and inspire not only students, professionals, and teachers, it will fascinate collectors and, indeed, anyone with an interest in contemporary ceramics.

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