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Mystic River by Dennis Lehane
Book Summary InformationAuthor: Dennis Lehane Edition: Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 2003-07-22 ISBN: 0060584750 Number of pages: 416 Publisher: William Morrow Paperbacks
Book Reviews of Mystic RiverBook Review: A River Of Dead Souls Summary: 5 Stars
This book produced a fine film by Clint Eastwood and Oscar winning performances by Sean Penn and Timothy Buttons, together with a great cast.
The book is a dark appraisal of the human soul, and how it cannot transcend into something else. We are what we are. Although the lives of the lower middle-class has always been strained, Lehane's characters are always in a state of clinical depression, sometimes momentarily relieved by psychotic episodes, that produces a shred of dignity and relief for them. If this were a true representation of one of the trans-metropolitan areas of Boston, then you would be having suicides on a production line level. However, Lehane's people seem just a wee bit too lazy to kill themselves. This is an interesting twist on the class system, in which where you live determines your place in the world, and the characters actually believe it. And in this case, the neighborhood will kill you before it lets you go. There are no heroes waiting in the wings, or in the oily waters of the Mystic River. He has the style of leading up to a character preparing to do some-thing, halting, and giving a page (and half) of background, before continuing, this can be annoying, but then his breezy writing will get us back where he stopped before this tangential excursion. And it is in the amoral Jimmy "Flats" Marcus who turns out to be the most human of all the characters, and the most successful. Lehane has created a character of Shakespearean proportions in "Jimmy Flats," but this King Lear is a survivor, who recognizes his judgmental and emotional errors, lives with them, and moves into the future. Or we can go further back in time and compare Mystic River with Aeschylus' Agamemnon, with Jimmy as Clytaemestra, Katie as Iphigeneia, and Dave as an unwitting Aga-memnon, and even Val Savage as Aegisthus, who gloats over a murder. Lehane's writing is smooth and fast, in this dark book, about senseless dark crimes, giving birth to more of the same years later, that add more darkness to the characters' useless lives. If you have seen the film, you basically get the book, but this book is worth the reading. Lehane's narrative is strong as his story is unforgiving, he makes us think what other horrors lurk beneath the surface of the Mystic River.
Summary of Mystic River When they were children, Sean Devine, Jimmy Marcus, and Dave Boyle were friends. But then a strange car pulled up to their street. One boy got into the car, two did not, and something terrible happened -- something that ended their friendship and changed all three boys forever. Twenty-five years later, Sean is a homicide detective. Jimmy is an ex-con who owns a corner store. And Dave is trying to hold his marriage together and keep his demons at bay -- demons that urge him to do terrible things. When Jimmy's daughter is found murdered, Sean is assigned to the case. His investigation brings him into conflict with Jimmy, who finds his old criminal impulses tempt him to solve the crime with brutal justice. And then there is Dave, who came home the night Jimmy's daughter died covered in someone else's blood. A tense and unnerving psychological thriller, Mystic River is also an epic novel of love and loyalty, faith and family, in which people irrevocably marked by the past find themselves on a collision course with the darkest truths of their own hidden selves. Ever since blasting onto the literary scene with the Shamus Award-winning A Drink Before the War, Dennis Lehane has been the golden boy of noir. His Patrick Kenzie and Angela Gennaro novels are marvels of tight pacing, dialogue so good it gets under your skin and stays there, with dead-on portrayals of working-class Boston neighborhoods. Sure, he's the oft-proclaimed, hard-boiled heir to Hammett and Chandler, but Lehane also takes a page from the Hemingway school of hyper-intense writing. He pares away and pares away until he's left with the absolute essentials--and then those essentials just explode off the page. In his five Kenzie-Gennaro novels, the detective duo is at the nexus of Lehane's big bang. Darkly funny and just this side of jaded, Angie and Patrick move through Dorchester's bleak streets with an assurance born of familiarity. It's impossible to imagine these streets without the pair, or to imagine the pair away from those streets. Mystic River, then, arrives as a bit of a gamble, as Lehane moves from the sharp edges of portraiture to the broader strokes of landscape. No Angie, no Patrick: this neighborhood is on its own. It's not any prettier and certainly no friendlier, and its working-class façade still barely masks the irresistible tug of violent ways, means, and ends. Twenty-five years ago, Dave Boyle got into a car. When he came back four days later, he was different in a way that destroyed his friendship with Sean Devine and Jimmy Marcus. Now Sean's a cop, Jimmy's a store owner with a prison record and mob connections, and Dave's trying hard to keep his demons safely submerged. When Jimmy's daughter Katie is found murdered, each of the men must confront a past that none is eager to acknowledge. Lehane tugs delicately on the strands that weave this neighborhood together, testing for their strengths and weaknesses; this novel seems as much anthropological case study as thriller. By turns violent and pensive, Mystic River is vintage Lehane. How good is it? You may go in missing Angie and Patrick, but after a few pages you won't even realize they're gone. Lehane's noir is still black magic. --Kelly Flynn
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