Merce Cunningham: The Modernizing of Modern Dance

Merce Cunningham: The Modernizing of Modern Dance
by Roger Copeland

Merce Cunningham: The Modernizing of Modern Dance
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Book Summary Information

Author: Roger Copeland
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2003-12-18
ISBN: 0415965756
Number of pages: 320
Publisher: Routledge

Book Reviews of Merce Cunningham: The Modernizing of Modern Dance

Book Review: Superb tour through the 20th century -- and beyond
Summary: 5 Stars

What an extraordinary book! Copeland does not just tell the story of one figure, even though Cunningham is a great figure central to just about every artistic movement of the last 70 years. Copeland also relates in lucid prose how each of those movements arose, what made it tick, and how its legacy affects us today. After the "culture wars" of the 1990s, there were very few individuals left standing who could both appreciate and criticize the twists and turns of modernism and post-modernism. Copeland is among this saving remnant. If you are looking for a strong-minded, witty, engaging, eloquent Virgil to guide you through the Inferno and Purgatory of art since the 1930s, look no further. Copeland's your man.

Summary of Merce Cunningham: The Modernizing of Modern Dance

Merce Cunningham and the Modernizing of Modern Dance is a complete study of the life and work of this seminal choreographer/dancer. More than just a biography, Copeland explores Cunningham's life story against a backdrop of an entire century of developments in American art. Copeland traces his own experience of Cunningham's dances-from the turbulent late '60s through the experimental works of the '80s and '90s-showing how Cunningham moved dance away from the highly emotional, subjective work of Martha Graham to a return to a new kind of classicism. This book places Cunningham in the forefront of an artistic revolution, a revolution that has its parallels in music (John Cage, and the minimalist composers who followed him), painting (Jaspar Johns, Robert Rauschenberg), theater (the "happenings" of the '60s), and dance itself (the Judson School of dancers). An iconclastic and highly readable analysis, this book will be enjoyed by all those interested in the development of the American arts in the 20th century.

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