Lulu In Hollywood: Expanded Edition by Louise Brooks
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Book Reviews of Lulu In Hollywood: Expanded Edition
Book Review: Worth the money
Summary: 5 Stars
Louise Brooks is a gifted writer who lets you in on what Hollywood was really like in the 20's and 30's. It makes you realize what a publicity machine Hollywood was, and how the myths they created about their star properties are still in evidence today. If you're a fan of the golden age of movies this book is a must.Book Review: Brooksie in Hollywood...
Summary: 4 Stars
If she knew how captivating her writing was she may not have wasted so much time with a broken heart. A well written synopsis of some of her mis-adventures. Lending insight to how she viewed others and herself. With and without grace.Book Review: A distant view of harmless shadows
Summary: 3 Stars
I first read LULU IN HOLLYWOOD long ago but I did not see Louise Brooks in a full-length feature until I bought PANDORA'S BOX on DVD a couple of years ago. I believe you have to see her on film to truly "get" her. While I don't agree at all with the French proclamation, "There is no Garbo, there is no Dietrich, there is only Louise Brooks", I was impressed by her performance and her intensely charismatic and erotic/quixotic presence. She should've become a superstar after this - but the times and her own idiosyncrasies were against her. She faded into obscurity, alcohol, poverty, ill-fame till the 1950's.
LULU IN HOLLYWOOD is of most interest to Brooks aficiondos. I recently re-read the book and enjoyed it - but this time around I was more aware of the ax Brooks was grinding. Most of her essays are ostensibly about Hollywood stars and creatures of the movie business, but she is really writing about herself and what she writes is telling. Brooks had earlier written of herself that she was "selfish and stubborn" with a "rotten temper", and that's obvious, but she is also cleverly observant. While I agree with another reviewer that she tends to generalize and ramble, she can be poetic:
"...he reduced reality to exclude all but his work, filling the gaps with alcohol whose dim eyes transformed the world into a distant view of harmless shadows." ("The Other Face of W.C. Fields")
More than the book, I recommend the Criterion Collection's PANDORA'S BOX DVD package. The film is a classic. Brooks is captivating and the viewer instantly understands the uproar that ensued when the film and the star were rediscovered. This set includes the TCM production, LOOKING FOR LULU, Kenneth Tynan's profile, a 70's interview with Brooks herself, etc. Lots of extras.
I highly recommend LOUISE BROOKS, the 1989 bio by Barry Paris. It's extremely thorough and well-written. Paris is very even-handed in his treatment of Brooks. He provides much background and documentation but leaves conclusions to the reader.
Book Review: sharp but rambling
Summary: 3 Stars
This book will be helpful for anyone interested in silent film. Brooks' insights about certain aspects of Hollywood are original. She has no fear of revealing some of the ugliest secrets of the past, and also has valuable things to say about why she believes certain directors and players created works of art. However, in my opinion she could have been a better writer if she'd had more education and/or editorial experience. Some of her essays are rambling and disorganized, and a number of her claims are unsupported. (e.g., that many actresses were pulled from the screen not because of the arrival of sound, but because they couldn't live up to Garbo, p.88.) She also tends to make bold generalizations (e.g., "Every actor has a natural animosity toward every other actor"), which, depending on whether you agree with them, are either smart and charming or arrogant and imprecise.
Some of Brooks' cleverest comments are reported in the introduction by Kenneth Tynan, not in her own writings. My favorite was her joking suggestion that she and Marlene Dietrich write each other's memoirs: "'Lulu' by Lola, and 'Lola' by Lulu".
Note: this is a collection of essays, which don't necessarily follow a sequence. The brief history of her family and childhood given in the first chapter fooled me into thinking this book would be an autobiography, but Brooks leaves much of her own story untold. (In fact, the epilogue is titled, "Why I Will Never Write My Memoirs.") Tynan's introduction fleshes out a little more of Louise Brooks' history, but fans will probably want to keep looking for other writings and biographies after they've read this one.
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