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Lord of the Flies (Penguin Great Books of the 20th Century) by William Golding
Book Summary InformationAuthor: William Golding Edition: Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 1999-10-01 ISBN: 0140283331 Number of pages: 192 Publisher: Penguin (Non-Classics)
Book Reviews of Lord of the Flies (Penguin Great Books of the 20th Century)Book Review: Descent into Maelstrom Summary: 5 Stars
// SPOILER BELOW //
Let's start from the end. The rescuing naval officer averts his gaze and gives the boys a few minutes to regroup their emotions and sense of becoming, their understanding in what it is they're doing, and what does he do? He "wait(s), allowing his eyes to rest on the trim cruiser in the distance." And that's the final sentence in the book. After all the madness that's taken place on the island we're left with a "trim" cruiser, a symbol of modern man, modern achievement and modern man's very propensity to conflict; we witness the complex machinery, that ship, used to deter and keep it in check. (for I see the ship as generally good) But how does that ship come about? Throughout the book the boys try to build better things, things like TVs and radios, futile endeavors on an island. The accomplishments to which they strive are inextricably connected with history, with accomplishments that have come before us, with a fire passed down generation to generation. We inherit, we do not continually reinvent the wheel.
But what if we had none of that? What if there were no streets beneath our feet and no maps delineating mankind's established purpose and order? -- Here begins Lord of the Flies.
Lord of the Flies is a fast paced narrative written with an exacting eye for detail and natural images. The book is filled with a rich symbolic system that does not distract but adds to the pleasure of the read. The characters are depicted vividly and uniquely. And the entire plot and progress of the book runs with a profound momentum that carries you along, barrels out of control and splinters into a multitude of meanings and interpretations and a grand sense of experience.
The book exists both on the level of character struggle - especially between Jack and Ralph - and on the level of a continuum of events that lead to situations that offer statements about our true or original nature. Effectively, Jack is subsumed by the island and its primitiveness. He paints his face to resemble another of its brutal and amoral powers. He draws others towards him, first with his charisma then with a more diabolical magnetism, where as Simoneneric say to Ralph as he pleads for their reason: "It's a tribe" and "Never mind what's sense. That's gone." Justice and truth has become ceremony and worship of the chief.
When the conch is smashed into a thousand pieces we ask, what is it that exactly has been lost? Something precious and past down through the ages, some force of light for man in the universe's surrounding darkness. Some point of cohesion among men. A reason, a simple reason for we as the human race. Then Ralph panics and runs through thickets and woods and eventually stumbles into a clearing and finds himself face to face with the Lord of the Flies, the bleached skull of a pig - white where before the conch had gleamed white; it's sick face deriding his attempts at escape, a cavity filled with a new amorality that fuels the primitive maw that swallows up these kids until, like Percival Wemys Madison, they forget even their provenances, even their names.
One further piece of symbolism. As the fire roars and the savages cry in their chase, it is "as though the forest itself were angry with him, a somber noise across which the ululations were scribbled excruciatingly as on slate." On slate? Are these boys creating a new schoolroom, one of fear and brutal reckonings? Developing a new rite of initiation, but something unmastered and unbequeathed, unlike any of the schoolrooms from which they were snatched.
Summary of Lord of the Flies (Penguin Great Books of the 20th Century)William Golding's compelling story about a group of very ordinary small boys marooned on a coral island has become a modern classic. At first it seems as though it is all going to be great fun; but the fun before long becomes furious and life on the island turns into a nightmare of panic and death. As ordinary standards of behaviour collapse, the whole world the boys know collapses with them?the world of cricket and homework and adventure stories?and another world is revealed beneath, primitive and terrible. Lord of the Flies remains as provocative today as when it was first published in 1954, igniting passionate debate with its startling, brutal portrait of human nature. Though critically acclaimed, it was largely ignored upon its initial publication. Yet soon it became a cult favorite among both students and literary critics who compared it to J.D. Salinger's The Catcher in the Rye in its influence on modern thought and literature. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies has established itself as a true classic. William Golding's classic tale about a group of English schoolboys who are plane-wrecked on a deserted island is just as chilling and relevant today as when it was first published in 1954. At first, the stranded boys cooperate, attempting to gather food, make shelters, and maintain signal fires. Overseeing their efforts are Ralph, "the boy with fair hair," and Piggy, Ralph's chubby, wisdom-dispensing sidekick whose thick spectacles come in handy for lighting fires. Although Ralph tries to impose order and delegate responsibility, there are many in their number who would rather swim, play, or hunt the island's wild pig population. Soon Ralph's rules are being ignored or challenged outright. His fiercest antagonist is Jack, the redheaded leader of the pig hunters, who manages to lure away many of the boys to join his band of painted savages. The situation deteriorates as the trappings of civilization continue to fall away, until Ralph discovers that instead of being hunters, he and Piggy have become the hunted: "He forgot his words, his hunger and thirst, and became fear; hopeless fear on flying feet." Golding's gripping novel explores the boundary between human reason and animal instinct, all on the brutal playing field of adolescent competition. --Jennifer Hubert
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