Lolita

Lolita
by Vladimir Nabokov

Lolita
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Book Summary Information

Author: Vladimir Nabokov
Edition: Paperback
Audio: English (Original Language); English (Unknown); English (Published)
Published: 1989-03-13
ISBN: 0679723161
Number of pages: 336
Publisher: Vintage
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Book Reviews of Lolita

Book Review: It was really good!
Summary: 4 Stars

It begins with Humbert Humbert, an old pervert who has a crush on this 12 year old girl and begins to form a relationship with her. What makes this book brilliant is the psychological depth and it's allusions to great literature. This book really delves into it's theme and is has the complexity of an ocean. Nabokov writes with a fluidity and grace of language that it helps give us an understanding about who H.H is. And even though we hate H.H, we are still enthralled by the narrative which although it is appalling, it is quite interesting.

Summary of Lolita

The hilarious and tragic story of Humbert Humbert, a middle-aged Russian man who feels passion only for young the "nymphet" Dolores Haze, whom he renames Lolita.
Despite its lascivious reputation, the pleasures of Lolita are as much intellectual as erogenous. It is a love story with the power to raise both chuckles and eyebrows. Humbert Humbert is a European intellectual adrift in America, haunted by memories of a lost adolescent love. When he meets his ideal nymphet in the shape of 12-year-old Dolores Haze, he constructs an elaborate plot to seduce her, but first he must get rid of her mother. In spite of his diabolical wit, reality proves to be more slippery than Humbert's feverish fantasies, and Lolita refuses to conform to his image of the perfect lover.

Playfully perverse in form as well as content, riddled with puns and literary allusions, Nabokov's 1955 novel is a hymn to the Russian-born author's delight in his adopted language. Indeed, readers who want to probe all of its allusive nooks and crannies will need to consult the annotated edition. Lolita is undoubtedly, brazenly erotic, but the eroticism springs less from the "frail honey-hued shoulders ... the silky supple bare back" of little Lo than it does from the wantonly gorgeous prose that Humbert uses to recount his forbidden passion:

She was musical and apple-sweet ... Lola the bobby-soxer, devouring her immemorial fruit, singing through its juice ... and every movement she made, every shuffle and ripple, helped me to conceal and to improve the secret system of tactile correspondence between beast and beauty--between my gagged, bursting beast and the beauty of her dimpled body in its innocent cotton frock.
Much has been made of Lolita as metaphor, perhaps because the love affair at its heart is so troubling. Humbert represents the formal, educated Old World of Europe, while Lolita is America: ripening, beautiful, but not too bright and a little vulgar. Nabokov delights in exploring the intercourse between these cultures, and the passages where Humbert describes the suburbs and strip malls and motels of postwar America are filled with both attraction and repulsion, "those restaurants where the holy spirit of Huncan Dines had descended upon the cute paper napkins and cottage-cheese-crested salads." Yet however tempting the novel's symbolism may be, its chief delight--and power--lies in the character of Humbert Humbert. He, at least as he tells it, is no seedy skulker, no twisted destroyer of innocence. Instead, Nabokov's celebrated mouthpiece is erudite and witty, even at his most depraved. Humbert can't help it--linguistic jouissance is as important to him as the satisfaction of his arrested libido. --Simon Leake

Nabokov, Vladimir Books

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