Lolita
by Vladimir Nabokov
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Book Summary Information
Author: Vladimir NabokovEdition: Paperback
Published: 1989-03-13
ISBN: 0679723161
Number of pages: 336
Publisher: Vintage
Book Reviews of Lolita
Book Review: A road movie of the mind
Summary: 5 Stars
Praise be to Graham Greene, who was not only an interesting novelist (e.g. The Quiet American), but he also has the merit of saving Nabokov's Lolita from obscurity. When the book found no publisher in the US, it was first brought out by a shady Parisian company that specialized in erotic books in the English language. That was a tourist attraction in Paris. For reasons unknown to me (why would Greene even know the series? he had other oddities about his character), Greene took notice of the book and named it as one of the best books of the year in a magazine article in the UK. That was the beginning of the road to fame and riches for Nabokov, including an Oscar winning, but lousy movie.
I admit I have not read Lolita recently, but I did at least twice some time ago, and I read his movie script in the LoA volume. Why do I review it now? Simply because J. talked me into it. Women can be persistent.
J did not like Lolita because she saw it as pedophile porno. I am aware that one can read the book that way. Actually most of the first buyers must have been looking for that, but most of them were badly disappointed.
Sure, the book is about a pedophile, but Nabokov never told us a straightforward story. One must be prepared to encounter mystifications and traps and double meanings.
Lolita's main text body is the alleged memoir of a man who has died in jail, where he was held for murder. We learn only late into the story who the victim was. Oddly, he was not in jail for rape and kidnapping, which he freely admits to in his text.
The hero is a decadent middle aged European of a cultured background. He has come to New England as a professor for literature. He is a pedophile, who can only 'love' pre-puberty girls. Nabokov's original title for the book was Kingdom by the Sea after E.A.Poe's poem. Humbert Humbert (the name should tell us that we can't expect clear sailing on meanings) settles down and meets a woman with the kind of daughter that he fancies. He marries her to get at the child. The woman dies (don't necessarily believe the version of her death that HH tells us), he kidnaps the girl Dolores, rapes her, and goes on the road with her, moving from place to place all over the US, settling here and there briefly, always running away before attachments can be formed. And still there comes a time when Lolita runs away from captivity.
What is the book about? It is also a little bit about pedophilia, sure, but it is mainly about an immigrant's experience of the US. Nabokov wrote about his own observations with his New England university environment, and to a large extent he wrote about his long car trips across the US on his butterfly hunts. The places where HH stays with Lolita are Nab's own stations, where he stayed with his wife, who drove the car.
HH is not a man who can be believed. He twists his tale to his liking, and even his admissions of wrongdoings with the girl have a strong smell of self-saving euphemism. The man is a self-centered egomaniac.
Lolita is not my favorite Nab-book, actually, but it is well worth reading more than once.
Summary of Lolita
Despite its lascivious reputation, the pleasures of Lolita are as much intellectual as erogenous. It is a love story with the power to raise both chuckles and eyebrows. Humbert Humbert is a European intellectual adrift in America, haunted by memories of a lost adolescent love. When he meets his ideal nymphet in the shape of 12-year-old Dolores Haze, he constructs an elaborate plot to seduce her, but first he must get rid of her mother. In spite of his diabolical wit, reality proves to be more slippery than Humbert's feverish fantasies, and Lolita refuses to conform to his image of the perfect lover.Playfully perverse in form as well as content, riddled with puns and literary allusions, Nabokov's 1955 novel is a hymn to the Russian-born author's delight in his adopted language. Indeed, readers who want to probe all of its allusive nooks and crannies will need to consult the annotated edition. Lolita is undoubtedly, brazenly erotic, but the eroticism springs less from the "frail honey-hued shoulders ... the silky supple bare back" of little Lo than it does from the wantonly gorgeous prose that Humbert uses to recount his forbidden passion:
She was musical and apple-sweet ... Lola the bobby-soxer, devouring her immemorial fruit, singing through its juice ... and every movement she made, every shuffle and ripple, helped me to conceal and to improve the secret system of tactile correspondence between beast and beauty--between my gagged, bursting beast and the beauty of her dimpled body in its innocent cotton frock.Much has been made of Lolita as metaphor, perhaps because the love affair at its heart is so troubling. Humbert represents the formal, educated Old World of Europe, while Lolita is America: ripening, beautiful, but not too bright and a little vulgar. Nabokov delights in exploring the intercourse between these cultures, and the passages where Humbert describes the suburbs and strip malls and motels of postwar America are filled with both attraction and repulsion, "those restaurants where the holy spirit of Huncan Dines had descended upon the cute paper napkins and cottage-cheese-crested salads." Yet however tempting the novel's symbolism may be, its chief delight--and power--lies in the character of Humbert Humbert. He, at least as he tells it, is no seedy skulker, no twisted destroyer of innocence. Instead, Nabokov's celebrated mouthpiece is erudite and witty, even at his most depraved. Humbert can't help it--linguistic jouissance is as important to him as the satisfaction of his arrested libido. --Simon Leake
Awe and exhiliration--along with heartbreak and mordant wit--abound in Lolita, Nabokov's most famous and controversial novel, which tells the story of the aging Humbert Humbert's obsessive, devouring, and doomed passion for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America. Most of all, it is a meditation on love--love as outrage and hallucination, madness and transformation.
Nabokov, Vladimir Books
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