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Liberace: An American Boy by Darden Asbury Pyron
Book Summary InformationAuthor: Darden Asbury Pyron Edition: Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 2001-06-01 ISBN: 0226686698 Number of pages: 512 Publisher: University Of Chicago Press
Book Reviews of Liberace: An American BoyBook Review: Liberace Unveiled Summary: 5 Stars
Unquestionably there are few authors in the historical profession who write biography as impeccably as Darden Asbury Pyron. Pyron once orated in class "In order to write biography you must eat, sleep, and breath the person's life." Pyron's biography of Liberace is a masterpiece. Some critics find his style dry and lacking in substance. Those readers themselves achieved only a superficial understanding of the pianist and of the author's prose. Pyron offers a balanced perspective of the artist and manages to allow readers not to judge Liberace, but to understand his life, circumstances, and the atmosphere in which he existed under duress and pressure for so long a time. It is a wonder that Liberace remained free from the ill-health effects usually suffered by those under immense personal and societal pressure. Only his contraction of HIV and brief scare from potential renal failure significantly derailed the artist. This biography reveals the tragedy of the pianist's life and piecemeal assembles the development of a real entertainer, a genuine American "hero" or sorts. Liberace was not a sexual hero as so much of his identity seemed suspended in air and never definitively revealed, but he was a man of integrity and someone of true character. Pyron magnificently illuminates the many shades of Liberace, the different gradations of his soul, and allows readers to take the journey of Liberace's life and times with him.
Summary of Liberace: An American BoyMore people watched his nationally syndicated television show between 1953 and 1955 than followed I Love Lucy. Even a decade after his death, the attendance records he set at Madison Square Garden, the Hollywood Bowl, and Radio City Music Hall still stand. Arguably the most popular entertainer of the twentieth century, this very public figure nonetheless kept more than a few secrets. Darden Asbury Pyron, author of the acclaimed and bestselling Southern Daughter: The Life of Margaret Mitchell, leads us through the life of America's foremost showman with his fresh, provocative, and definitive portrait of Liberace, an American boy.
Liberace's career follows the trajectory of the classic American dream. Born in the Midwest to Polish-Italian immigrant parents, he was a child prodigy who, by the age of twenty, had performed with the Chicago Symphony Orchestra. Abandoning the concert stage for the lucrative and glittery world of nightclubs, celebrities, and television, Liberace became America's most popular entertainer. While wildly successful and good natured outwardly, Liberace, Pyron reveals, was a complicated man whose political, social, and religious conservativism existed side-by-side with a lifetime of secretive homosexuality. Even so, his swishy persona belied an inner life of ferocious aggression and ambition. Pyron relates this private man to his public persona and places this remarkable life in the rapidly changing cultural landscape of twentieth-century America.
Pyron presents Liberace's life as a metaphor, for both good and ill, of American culture, with its shopping malls and insatiable hunger for celebrity. In this fascinating biography, Pyron complicates and celebrates our image of the man for whom the streets were paved with gold lamé. Historian Darden Asbury Pyron's engrossing biography of Liberace (1919-87) pays America's most popular and pilloried pianist the one tribute he probably never expected: it takes him seriously. "Liberace seemed to me a kind of emblem of modern America," Pyron writes in his preface, "overflowing with both [its] virtues and [its] vices." He makes a persuasive case for this idea in a text that smoothly blends critical theory, historical background, and a lucid narrative of his subject's life. Born Wladziu Valentino Liberace, the youthful piano prodigy chose to become a showman rather than a serious musician, livening up the classical repertoire with pop favorites and attracting swooning female fans who adored his outrageous costumes and garish accessories like the famous candelabra. He was flamboyantly swishy yet never publicly admitted he was gay, even when dying of AIDS; he genuinely believed in the conservative, Catholic, Midwestern values of his immigrant parents, even as his private life belied them. Pyron dismantles the façade of lies and evasions behind which Liberace concealed his driving ambition as well as his sexual orientation, but this is a fundamentally sympathetic portrait. Refusing to acknowledge the boundaries between high and low culture, conducting his life with a weird mixture of hypocrisy and sincerity, Liberace, the author concludes, "was born and died an American boy." --Wendy Smith
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