Liberace: An American Boy

Liberace: An American Boy
by Darden Asbury Pyron

Liberace: An American Boy
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Book Summary Information

Author: Darden Asbury Pyron
Edition: Hardcover
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2000-06-15
ISBN: 0226686671
Number of pages: 512
Publisher: University Of Chicago Press

Book Reviews of Liberace: An American Boy

Book Review: A Thousand Words in Search of an Editor
Summary: 1 Stars

One of the more incoherent biographies of recent times, this tract begins with the flaw of wanting to be metaphorical. Wally Liberace was an enjoyable high-camp entertainer, who appeared at a time when you could cause controversy wearing white tails in a classical recital. The author takes a wildly discursive journey through post-war America, trying to draw curious parallels with the entertainer's career (and hookum Cluade Bristol philosophy, which extolled mind mastery to overcome every problem including physical disability), and America's own story of upward mobility and unlimited opportunity for anyone with a dream. A writer with better judgement would have not over reached but simply told this as the story of an ambitious entertainer who made it big by offering class to people with little taste during a time of post-war austerity, then parlayed this into visual controversy ("topping himself" with ever greater extravagance) after the initial novelty wore off. The prose is choked with philosophical discursion and rhetorical questions, none of which are developed or answered, which belong in an undergraduate tutorial on identity theory. At one point, the narrative stops as the author conducts a tail chasing exposition on sexual identity that goes on for several pages. What a competent prose stylist could have said in a brief chapter goes on for dozens of pages. Like his subject, the wordsmith seems more intent on putting on a show than providing a coherent narrative. This book won't shed much light on the club career before the television series, how the performer created the act and the personae, and is silent about the attempt by management to turn him into a bandleader at one stage.
To the unwary, this big, imposing book might look like it offers a substantial, even definitive account. Don't be fooled.

Summary of Liberace: An American Boy

More people watched his nationally syndicated television show between 1953 and 1955 than followed I Love Lucy. Even a decade after his death, the attendance records he set at Madison Square Garden, the Hollywood Bowl, and Radio City Music Hall still stand. Arguably the most popular entertainer of the twentieth century, this very public figure nonetheless kept more than a few secrets. Darden Asbury Pyron, author of the acclaimed and bestselling Southern Daughter: The Life of Margaret Mitchell, leads us through the life of America's foremost showman with his fresh, provocative, and definitive portrait of Liberace, an American boy.

Liberace's career follows the trajectory of the classic American dream. Born in the Midwest to Polish-Italian immigrant parents, he was a child prodigy who, by the age of twenty, had performed with the Chicago Symphony Orchestra. Abandoning the concert stage for the lucrative and glittery world of nightclubs, celebrities, and television, Liberace became America's most popular entertainer. While wildly successful and good natured outwardly, Liberace, Pyron reveals, was a complicated man whose political, social, and religious conservativism existed side-by-side with a lifetime of secretive homosexuality. Even so, his swishy persona belied an inner life of ferocious aggression and ambition. Pyron relates this private man to his public persona and places this remarkable life in the rapidly changing cultural landscape of twentieth-century America.

Pyron presents Liberace's life as a metaphor, for both good and ill, of American culture, with its shopping malls and insatiable hunger for celebrity. In this fascinating biography, Pyron complicates and celebrates our image of the man for whom the streets were paved with gold lamé.

"An entertaining and rewarding biography of the pianist and entertainer whose fans' adoration was equaled only by his critics' loathing. . . . [Pyron] persuasively argues that Liberace, thoroughly and rigorously trained, was a genuine musician as well as a brilliant showman. . . . [A]n immensely entertaining story that should be fascinating and pleasurable to anyone with an interest in American popular culture."?Kirkus Reviews

"This is a wonderful book, what biography ought to be and so seldom is."?Kathryn Hughes, Daily Telegraph

"[A]bsorbing and insightful. . . . Pyron's interests are far-ranging and illuminating-from the influence of a Roman Catholic sensibility on Liberace and gay culture to the aesthetics of television and the social importance of self-improvement books in the 1950s. Finally, he achieves what many readers might consider impossible: a persuasive case for Liberace's life and times as the embodiment of an important cultural moment."?Publishers Weekly

"Liberace, coming on top of his amazing life of Margaret Mitchell, Southern Daughter, puts Darden Pyron in the very first rank of American biographers. His books are as exciting as the lives of his subjects."?Tom Wolfe

"Fascinating, thoughtful, exhaustive, and well-written, this book will serve as the standard biography of a complex icon of American popular culture."?Library Journal

Historian Darden Asbury Pyron's engrossing biography of Liberace (1919-87) pays America's most popular and pilloried pianist the one tribute he probably never expected: it takes him seriously. "Liberace seemed to me a kind of emblem of modern America," Pyron writes in his preface, "overflowing with both [its] virtues and [its] vices." He makes a persuasive case for this idea in a text that smoothly blends critical theory, historical background, and a lucid narrative of his subject's life. Born Wladziu Valentino Liberace, the youthful piano prodigy chose to become a showman rather than a serious musician, livening up the classical repertoire with pop favorites and attracting swooning female fans who adored his outrageous costumes and garish accessories like the famous candelabra. He was flamboyantly swishy yet never publicly admitted he was gay, even when dying of AIDS; he genuinely believed in the conservative, Catholic, Midwestern values of his immigrant parents, even as his private life belied them. Pyron dismantles the façade of lies and evasions behind which Liberace concealed his driving ambition as well as his sexual orientation, but this is a fundamentally sympathetic portrait. Refusing to acknowledge the boundaries between high and low culture, conducting his life with a weird mixture of hypocrisy and sincerity, Liberace, the author concludes, "was born and died an American boy." --Wendy Smith

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