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King Dork by Frank Portman
Book Summary InformationAuthor: Frank Portman Edition: Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 2008-02-12 ISBN: 0385734506 Number of pages: 368 Publisher: Delacorte Books for Young Readers Product features: - ISBN13: 9780385734509
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Book Reviews of King DorkBook Review: A high school outcast. Summary: 5 Stars
King Dork
Tom Henderson is King Dork, an outcast in his high school and pretty much in his entire life. He and his fellow outcast Sam Henderson spend their time creating imaginary punk rock bands and trying not to get beaten up by their classmates or terrorized by their teachers. Everything begins to change for Tom when he finds his dead father's copy of Catcher in the Rye, containing a secret code and some obscure clues. Suddenly Tom is trying to unravel the decades-old mystery of his father's death, meeting not one but two semi-hot girls, learning how to say "whips and chains" in French, and generally turning his life upside down.
Portman's portrayal of the confusion about ourselves and other people that often typifies adolescence is both occasionally painful and also grimly humorous, and Tom is a likeable narrator despite his flaws. Especially touching is Tom's ongoing attempt to understand his father's life and death across the gulf of time, typical of the struggles that so many of us undergo to understand our fathers even while they are still alive. Tom's relationship with his hapless hippie stepfather, Little Big Tom, also explores this same issue.
This book does contain some portrayals of teenage sexuality, although the scenes are not graphic. The excellent audiobook reading (ISBN 0739331132) includes a revealing interview with the author - a member of the influential punk band MTX - and performances of several original songs written for the book.
Summary of King DorkTom Henderson (a.k.a. King Dork, Chi-mo, Hender-fag, and Sheepie) is a typical American high school loser until he discovers the book, The Catcher in the Rye, that will change the world as he knows it. When Tom discovers his deceased father?s copy of the Salinger classic, he finds himself in the middle of several interlocking conspiracies and at least half a dozen mysteries involving dead people, naked people, fake people, ESP, blood, a secret code, guitars, monks, witchcraft, the Bible, girls, the Crusades, a devil head, and rock and roll. And it all looks like it?s just the tip of a very odd iceberg of clues that may very well unravel the puzzle of his father?s death and?oddly?reveal the secret to attracting semihot girls. Being in a band could possibly be the secret to the girl thing?but good luck finding a drummer who can count to four.
From the Hardcover edition. In Frank Portman's dazzling debut novel, frustrated song-writer and high school student Tom Henderson finds his dead father's copy of The Catcher in the Rye, and his life changes forever. Part social satire, part mystery, with a healthy dose of rock music (and angst), King Dork is one of our must-read favorites of the year.
Bonus Content from Frank Portman Frank Portman (aka Dr. Frank) is not just an author, he's also a musician. We were lucky enough to get a few tracks and a few words from the man behind King Dork, his band The Mr. T. Experience, and the relationship between his book and his music. "King Dork" This is the "title track" for my new book. No matter how many times I say that (and I've now said it at least twice by my count) it still sounds strange...Anyhow, I wrote this song for my band, the Mr. T Experience, back in the mid-nineties (you can hear the electrified rock and roll version on the MTX album The Mr. T Experience... and the Women Who Love Them). While I was gingerly, sheepishly exploring the idea of trying to write a book, and not really knowing where to begin, Krista Marino (who was to become my editor at Delacorte) suggested that I try to turn a song into a novel as a way of getting started. I can't remember why I settled on "King Dork" as the song to "novelize," but I started thinking about the narrator/character of this song and after quite a bit of staring at a blank Word document and banging my head against the bar I eventually started typing. I didn't tell anyone at the time, but for months the file entitled "King Dork_(novel)_ms" had only the words "there's no way I can write a whole book, absolutely no way, who am I kidding?" on it. The fact that this did turn into a sort of novel in the end continues to mystify me. So this is an acoustic recording of the song that started it all, in effect. "I'm King Dork and I want you to be my Queen..." Listen to "King Dork" "Thinking of Suicide" The narrator of King Dork, Tom Henderson, has a band and is trying to figure out how to play his guitar and how to write songs. He writes several songs through the course of the book, and I thought it might be fun actually to come up with the songs rather than just alluding to them in the text. The songs were written by me "as Tom Henderson," know what I mean? "Thinking of Suicide" is one of the first complete songs Tom writes. The title comes from an informational pamphlet for troubled teens handed out by the school. He likes the drawing of the girl on the cover. "This would make a pretty good song," he thinks: "all I had to do was give the girl a name and feel sorry for myself while pretending to be her. And figure out some lyrics and chords and stuff." This song, which incidentally ends up echoing through and complicating his family life, his social life, and his psychological life, is the result.
Listen to "Thinking of Suicide" "I Wanna Ramone You" This one is a little hard to "set up," but I'll give it a shot. There are three strands all tangled up in this song. Strand A: Tom is doing research on the life and times of his mysteriously deceased father, and part of that involves poring over ancient texts like the Bible and The Catcher in the Rye. It's a long story, but in the course of this research he inadvertently learns that the French verb ramoner (which literally means "to scrub out a chimney") can be used as a sexual metaphor. As a rock and roller, he of course immediately thinks of the Ramones, and, voilą, a new English euphemism for sex is born - I ramone, you ramone, he, she or it ramones... (This is useful to him, as it gives him a much cooler metaphor for sex than any of the other ones available; and it proved useful to the author, i.e., me, as well, for pretty much the same reason.) Strand B: Tom is taking Advanced French, which he describes as "a form of the French language in which only the present tense is used. Primarily employed for telling time and for describing the activities of this one guy named Jean and this other guy named Claude." So in writing his song about the timeless power of love, he decides to include some sophisticated, romantic French phrases in the lyrics. Strand C: He has this pretty big crush on a girl from a neighboring town, so he writes a song about her. (As one does in those situations.) "I Wanna Ramone You" is the result, one of his first full-on love songs.
Listen to "I Wanna Ramone You" |
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