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Kesey's Jail Journal: Cut the M************ Loose by Ken Kesey
Book Summary InformationAuthor: Ken Kesey Introduction: Ed McClanahan Edition: Hardcover Audio: English (Unknown); English (Original Language); English (Published) Published: 2003-11 ISBN: 0670876933 Number of pages: 160 Publisher: Penguin Group / Viking
Book Reviews of Kesey's Jail Journal: Cut the LooseBook Review: An Immediate Work of Art, An Important Piece of History Summary: 5 Stars
The main question examined in this boisterous, original work of art is when you should "hold your mud." Ken Kesey - Hippie Number One - spent the summer of love incarcerated for a drug conviction. He was America's most promising young novelist when he announced that he was taking an indefinite break from writing novels. His first creative work after this was an unfinished marathon film of a bus ride to Furthur. What he produced next was an amalgam: a personal collage that grabs the reader's eyes and heart on every page.
If Kesey's Jail Journal had been published in its entirety when it was finished, (instead of decades later with some pages lost to prison guards) it probably would have been a sensation. At least it would have gotten a wide audience to see how a blend of images and words could be more immediately affecting and powerful than straight prose. Most pages of printed text are accompanied by that text incorporated into a collage drawing he made in jail. These pages appear like displays of Japanese Calligraphy at the Met. The words are given extra meaning by how they are presented visually.
His illustrations are disarming and masterful. The accompanying text tells easily understood stories in simple, poetic prose. These are seemingly small snippets of life, but Kesey uses them to demonstrate the power structures, personal motivations, and racial tensions underlying every interaction. Kesey wants to create, be free and play - but he must hold his mud enough to keep from losing all of his privileges; along with the book that he is making - which begins to have an importance of its own.
Every page of this book is an ode to the artistic spirit. In prison and at a work camp, Kesey has to contend with the whims of guards and their rules in order to keep his book alive as he creates it. On some pages, he has more varied materials to draw with than on others. The dance between Kesey's creative impulse and the repression of the state institution plays out within and above the book. The effect is a touching display of creativity rising above the obstacles it encounters.
Anyone who wants to have a discussion or book group on "One Flew Over the Cuckoo's Nest" should read this genre-busting book. From the institutional setting; from the imprisoned individuals who have transgressed society's mores; from the blunt way rules are imposed on the deficient; from the wily, red-haired, Oregonian protagonist; from the detailed look at the daily mechanisms of an on-going power structure; all the way down to the farcical (and mandatory) group meetings: there are numerous parallels to Kesey's first novel.
But this was Kesey's real life, not McMurphy's fictional morality play. Kesey has a wife and kids on the outside. He does not reach a point (like McMurphy does in "Cuckoo") where he sees a moral imperative to throw himself into a bitter and mortal struggle on behalf of his fellow inmates. In his Jail Journal, the real Kesey is careful to hold his mud: keeping a lid on his emotions, allowing guards to paint over his decorated shed, at times hiding and smuggling his book.
While he looks out for himself, he looks out at others and provides touching portraits of interesting characters he meets.
Kesey is a master at understanding power and how it is used and abused. His Jail Journal (which the publisher, holding his mud, calls "Kesey's Jail Journal" instead of its real title, "Cut the Loose") is a universal description of the struggle of the individual against the institution. (played out externally against the power structure's guardians and within the individual who pits his courage and principles against his pragmatic self-preservation)
It is also an important document of its time. Kesey sees and unflinchingly displays the divisiveness of race - the veneer of calm on the surface with root conflicts simmering below. Kesey also demonstrates the distrust of the establishment towards drugs, and how conservatives viciously defended the status quo on day-to-day behavior in the sixties. His fate and his evolving ideals serve an important counter-point to the standard tales of reckless freedom and blindness to consequence that are often set in the summer of 1967.
Highly recommended.
Summary of Kesey's Jail Journal: Cut the LooseFour years after the legendary 1964 bus trip immortalized in Tom Wolfe's Electric Kool-Aid Acid Test, Ken Kesey began serving time in San Mateo County Jail for pot possession. Transferred to an experimental low-security "honor camp" in the redwood forest, he spent six months clearing brush and immersing himself in the life of the jail community, attempting to "bring light and color" to it. "This is crazier here than the nuthouse ever was," Kesey noted, and proceeded to record the scene in numerous notebooks, illustrated with intense and brilliantly colored artwork. Upon returning to Oregon, Kesey turned the raw notebook material into an illustrated collage that stretched across dozens of 18" x 23" boards. Upon realizing that publication of the elaborate, handwritten book was more than his publisher was willing to attempt, he put it aside. Almost thirty years later he returned to the project and brought it to completion during the final years of his life. Fans of Ken Kesey's singular American voice will rejoice to hear it again in this unique and long-overdue volume. Those unfamiliar with Kesey's artwork are in for a revelation.
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