Howl and Other Poems (City Lights Pocket Poets Series)

Howl and Other Poems (City Lights Pocket Poets Series)
by Allen Ginsberg

Howl and Other Poems (City Lights Pocket Poets Series)
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Book Summary Information

Author: Allen Ginsberg
Edition: Paperback
Published: 2001-01-01
ISBN: 0872860175
Number of pages: 57
Publisher: City Lights Publishers

Book Reviews of Howl and Other Poems (City Lights Pocket Poets Series)

Book Review: Ginsberg the 'greatest'?.. hmmm
Summary: 5 Stars

Don't get me wrong. I attended 3 readings by Allen Ginsberg and Peter Orlovsky at Harvard Square, Cambridge, Massachusettes in the late 1970's and even recorded "Contest of the Bards" and handed him a copy of it at his request,... I 'absolutely' consider his oratory style of delivery and poetic verse and style amazing and brilliant and so very very entertaining and inspiring.. but the 'greatest' epic poem or poet of his century I just can't agree with. Gary Snyder made such an impact with introducing the marriage of Zen and the Orient into modern poetry style of his day (as Vincent vanGogh and Gauguin did in painting in the Expressionest era in painting/art), and Gary's poems of the passing of a day's events are so brilliant and open and revealing, and Jack Kerouac's style and impact, and Ferlinghetti's brilliance stemming from such a variety of different drugs... T.S. Eliot, Walt Whitman, Patty Smith, Bob Dylan, ... Marianne Moore,... grins... there are so many just 'great' poets from that and before and after generations in American history... one can really not call one the 'greatest' of any of their peers when there is such an overabundance of wealth to choose from and to have been entertained and inspired by. Howl is about the 'awakening' of american society, the public, the 'beginning' of awakening that could happen. But we actually have reverted, we actually believe that it was 'only' Russians or Chinese or Cubans or the Germans of WWII who were lied to or not told the truths by their governments whether led by Political Action Groups, Special Interest, drug companies, oil companies, insurance companies, etc. The rending of the veil of sleepiness of being 'content' socially is what Howl is all about, the 'rage' against that as we should be enraged against the last moment of breath to deaths' face as deat come to take us to the next realm. I don't know if anybody actually feels the rage of "Howl" within anymore, whether it was worth it after all, after all of the tea and ices... shrugs.

Summary of Howl and Other Poems (City Lights Pocket Poets Series)

"Allen Ginsberg's Howl & Other Poems was originally published by City Lights Books in the fall of 1956. Subsequently seized by U.S. Customs and the San Francisco police, it was the subject of a long court trial at which a series of poets and professors persuaded the court that the book was not obscene.

Allen Ginsberg was born June 3, 1926, the son of Naomi Ginsberg, Russian migr, and Louis Ginsberg, lyric poet and schoolteacher, in Paterson, New Jersey. To these facts Ginsberg adds: "High school in Paterson till 17, Columbia College, merchant marine, Texas and Denver copyboy, Times Square, amigos in jail, dishwashing, book reviews, Mexico City, market research, Satori in Harlem, Yucatan and Chiapas 1954, West Coast 3 years. Later Arctic Sea trip, Tangier, Venice, Amsterdam, Paris, read at Oxford Harvard Columbia Chicago, quit, wrote Kaddish 1959, made tape to leave behind & fade in Orient awhile. Carl Solomon to whom Howl is addressed, is a intuitive Bronx dadaist and prose-poet.""


The epigraph for Howl is from Walt Whitman: "Unscrew the locks from the doors!/Unscrew the doors themselves from their jambs!" Announcing his intentions with this ringing motto, Allen Ginsberg published a volume of poetry which broke so many social taboos that copies were impounded as obscene, and the publisher, poet Lawrence Ferlinghetti, was arrested. The court case that followed found for Ginsberg and his publisher, and the publicity made both the poet and the book famous. Ginsberg went on from this beginning to become a cultural icon of sixties radicalism. This works seminal place in the culture is indicated in Czeslaw Milosz's poetic tribute to Ginsberg: "Your blasphemous howl still resounds in a neon desert where the human tribe wanders, sentenced to unreality".

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