How Equal Temperament Ruined Harmony: (And Why You Should Care)

How Equal Temperament Ruined Harmony: (And Why You Should Care)
by Ross Duffin

How Equal Temperament Ruined Harmony: (And Why You Should Care)
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Book Summary Information

Author: Ross Duffin
Edition: Paperback
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2008-10-17
ISBN: 0393334201
Number of pages: 208
Publisher: W.W. Norton & Co.

Book Reviews of How Equal Temperament Ruined Harmony: (And Why You Should Care)

Book Review: Tuning theory is quite interesting
Summary: 4 Stars

I found this book very readable and informative.
It seems like today there would be one solution to the Equal Temperament compromise that wasn't available in the past, namely that electronic instruments at least could be instantly and dynamically shifted to the optimal tuning for the key currently in use. I don't see any easy solution for real physical pianos and organs, though. Maybe heat the strings differently for different notes by passing currents through them, and changing the currents as the key changes? Because each tension affects the tension of neighboring strings indirectly, this might get pretty complex, which would be a problem for any method of adjusting individual string tensions dynamically.

Summary of How Equal Temperament Ruined Harmony: (And Why You Should Care)

"A fascinating and genuinely accessible guide....Educating, enjoyable, and delightfully unscary."-Classical Music What if Bach and Mozart heard richer, more dramatic chords than we hear in music today? What sonorities and moods have we lost in playing music in "equal temperament"-the equal division of the octave into twelve notes that has become our standard tuning method? Thanks to How Equal Temperament Ruined Harmony, "we may soon be able to hear for ourselves what Beethoven really meant when he called B minor 'black'" (Wall Street Journal).

In this "comprehensive plea for more variety in tuning methods" (Kirkus Reviews), Ross W. Duffin presents "a serious and well-argued case" (Goldberg Magazine) that "should make any contemporary musician think differently about tuning" (Saturday Guardian).

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