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Book Reviews of High Times Hard TimesBook Review: One of the greatest jazz vocalists ever knows how to tell a story Summary: 5 Stars
This autobiography is very entertaining. She comes off the pages like a real life character out of a Damon Runyon story. This is how she talked, there is nothing contrived or artificial about her manner. Her comments about other performers say a lot about her integrity. She said that Ella Fitzgerald was "number one" at the time of creating the book (~1980). Her opinion was that Billie Holiday was the best of all time, but Anita regretfully admitted that Billie had no use for her so she never got a chance to tell Billie how much she owed to her and admired her. She talked a lot about timing, and frankly, Anita really knew about timing, not merely a strength she was unequaled then or since among jazz singers. Carmen McRae did everything well in Anita's opinion, she has all the tools. She really liked the quality of Sarah Vaughn's voice. I found her observations about Bix Beiderbecke and Louis Armstrong very enlightening. Anita learned how to play the drums and improve her own rhythmic sense from her first husband, drumming great Don Carter. But she latched onto an even better drummer (in my opinion anyway), John Poole. No wonder she was always right on the beat. She and John Poole collaborated for 32 years and her description of their relationship is very interesting. She spends more time on her 15 year heroin addiction than it merited, but she admitted that most of the time she was "as high as a kite" and didn't remember too much about that period. What comes out loud and clear is her overwhelming joy at being able to sing. Boy could she sing. This book is a celebration of Anita O'Day, a national treasure and worth while for not only her fans.
Book Review: 1st person no holds barred honesty from Miss O'day Summary: 5 Stars
I have not finished the book yet. I have been savouring it over lunch for a few weeks. Not wanting to end the experience too soon. If it is not mostly the words of Miss O'day herself, the ghost writer should have received several awards for his work. So true does the voice of the teller read.
The writing style is so open and conversational, if not outright confessional, that at times, it feels as if, I am sitting at a bar stool, in one of the great old jazz clubs, on a rainy afternoon, Anita herself telling me her stories directly. So genuine is the voice that jumps off of the pages.
Pulling no punches on those she comments on, herself included. Told with a great sense of humor, even in the dark moments. When self pity creeps in, she calls it for what it is. Touching and sympathetic at times, as well, the Judy Garland episode particularly comes to mind.
I am amazed at how many names of my long favorites that I had not connected with her before, she herself cites as sources of inspiration. Zoot Sims being a strong case in point.
If you are already a fan, it is a must read. If you are not, but are interested in Jazz at all, read the book, then seek out and devour the Anita O'Day catalogue. Track down the Mosaic box set if you can.
While Ella and Sarah, "may" have had better voices according to some. Few would argue for the consistancy of their catalogues when compared to Anita O'Day's. Her book mirrors the consistancy of her catalogue, while giving her reader, the clearest and most open view "behind the looking glass", likely to found, of the Jazz era, and it's players, great and small.
Thanks Anita
Book Review: Excellent read with some editing flaws Summary: 5 Stars
At 3 a.m. last night I finally read a last chapter,couldnt put it down before.Yes,Anita O'Day writting voice sounds very much like her singing self: ironic,witty,tough hip "swing chick" (her words) who didnt give a damn what others think.Her self-destructivness very much echoes another famous artist (in rock music) Marianne Faithfull,in fact this two women have much more in common than you think.Both survivors,both eventually come back and yes,both are still live preformers.Her opinion about other jazz singers are sometimes strange ("Like me,Ella never had a great voice"?) - but think that she was commercially oversahdowed by Fizgerald.As much as Anita's "Verve" albums are beautiful and timeless (I really think woman was a highest-class jazz improvisator,she grew up from Billie Holiday and made her own style) this book is sometimes painful to read.I believe there is a general curiousity about somebody's dirty linen,in this case it almost overshadow her art - at some points it reads like 50's detective story,with smokey jazz clubs,jazz musicians as a drug addicts and cops always around to "find" (read:set up) drugs in dressing room.With all beautiful music she made,its a pity that editor of the book find more interesting to emphasise her drug addiction,since her arrests,sanatoriums,jails and courts get more space than anything else.I dont think this was her intention,probably publisher wanted scandalous story,but if you dont know her music,this book can make you think that Anita O'Day was a famous junkie who had a music as a hobby.
Book Review: Raw and Honest Summary: 5 Stars
Anita is raw, honest, and candid in this autobiography. Although this book is many many years old, I do not think I have read a book quite as raw and honest as this book. Anita may have been dealt a poor hand but turned her life into something beautiful. She may have made some bad choices when it came to drugs or the scene, but she took control and persevered. To me, this book is a story of Anita's life delivered in a way that we can all learn from her experiences and see past the forest... a witty and charming soul who strived for something more and found it in music even if her new family, music, was disfunctional she survived unlike her idol, Billie Holiday. A vocalist who sings with such soul and depth is full of pain, strength, and wisdom. Read the book, learn more about Anita O'Day and apply her life lessons to yourself - we all have something to learn from each other.
Book Review: Anita stands alone Summary: 5 Stars
Although I love jazz vocalists--Carmen McRae, Ella Fitzgerald, and Sarah Vaughn in particular--I had never heard of Anita O'Day until I listened to a replay of an interview she did with Terri Gross for Fresh Air. I actually bought and read her autobiography before (or at least while) I was getting to know her music.
What I enjoy about this book and O'Day's music is that she keeps it simple and honest. It is true that her career suffered because of heroin addiction. But it's her style to simply say: "And that's how that went down." Period. No regrets. Meanwhile, she made an important contribution to jazz, and she was there for much of its high season--swing, bebop, cool. There is so much joy in her singing--and that's what she said she wanted in life: to make people happy though music. Every time I hear Honeysuckle Rose, she lifts me up!
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