Gone Tomorrow (Jack Reacher, No. 13)

Gone Tomorrow (Jack Reacher, No. 13)
by Lee Child

Gone Tomorrow (Jack Reacher, No. 13)
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Book Summary Information

Author: Lee Child
Edition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2009-05-19
ISBN: 0385340575
Number of pages: 432
Publisher: Delacorte Press

Book Reviews of Gone Tomorrow (Jack Reacher, No. 13)

Book Review: Reacher and Child at their Best
Summary: 5 Stars

Everyone who has read Lee Child's Jack Reacher books has a favorite. Mine happens to be the newly published GONE TOMORROW, and there are a number of reasons for this. For one, the novel is set in New York City, where Reacher, at least for me, seems to be at his best. Another is that the always self-assured Reacher reveals a side and quantity to his wit and wisdom heretofore unseen. A third is the nuggets of information about New York that are dropped appropriately and generously throughout the book. And then, of course, there is the story, which is perhaps the most interesting and complex tale with which Child has graced us to date.

GONE TOMORROW begins with Reacher on the subway, undertaking the first leg of a journey to take him out of town. We learn soon enough that his entire reason for being in the city was to visit some Bleecker Street clubs and listen to music. But his travels are interrupted when he spots a woman who meets almost all the criteria for a suicide bomber (the criteria list, if you haven't seen it, is worth the price of admission all by itself). When he approaches her and attempts to quietly and civilly ascertain her intentions, she shoots herself. Suddenly, Reacher is a person of interest in the eyes of a number of different groups of people.

First are the two officers investigating the death of the woman, whose name is Susan Mark. The police are almost immediately followed by a trio of nameless federal agents from an unidentified federal agency. Next are a quartet of gentlemen from a private investigator's office that does not exist, as Reacher soon finds out. Then there is the brother of the unfortunate Mark, a cop from a small town in New Jersey who cannot believe that his sister committed suicide. While each group seeks information from Reacher, it is Reacher who manages to extract a crumb, a thread, or a nugget of information regarding Mark, and the events that led to her killing herself on a New York subway train, alone and far from home.

Reacher soon ferrets out two vital pieces of information: Mark knew something about John Sansom, an up-and-coming Senatorial candidate from North Carolina, and she was in New York to meet with a woman named Lila Hoth, a foreign national who was waiting for that information, supposedly with benign and benevolent intent. Everyone (except for the police and Mark's brother) is lying to Reacher, as they all think that Reacher knows more than he actually does. What develops is that Mark was in possession of a memory stick containing documentation of an incident that occurred decades before and could cause some earth-shaking, and world-changing, embarrassment to a number of people for different reasons.

Reacher, for his part, is initially compelled to find out why Mark killed herself in front of him. His private investigation leads him from Manhattan to Washington, D.C. and back again, down streets that are on and off the beaten path and into buildings that few if anyone ever notice. Everybody is playing for keeps; when Reacher learns the what, the why and the who behind Mark's suicide, however, the matter becomes intensely personal for him, and he unleashes himself in a manner rarely seen thus far in the series.

There are some nice touches throughout GONE TOMORROW, brilliant in their simplicity. A loner who is always on the move (though not on the run), Reacher has let technology pass him by. One scenario involves Reacher needing to avoid a spot of trouble by turning off the ringer on a cellular phone, something he does not know how to do. Another displays his unfamiliarity with playing a DVD on a computer, a mildly amusing vignette that sets up a stark contrast for what follows. Whatever Reacher lacks in technological familiarity, however, he more than makes up for in urban knowledge. His apparently encyclopedic knowledge of the city, encompassing information that is useful as well as that which only seems to be trivial, serves him well, especially near the end of the book, when Reacher pulls off a neat trick that had me howling as much from its execution as from its truly brilliant setup. Then there is the ticking clock of the plot, which starts at the beginning and gets louder and louder, even as there is some misdirection as to what the clock actually is, and where.

The best part of GONE TOMORROW, though, is the mystery behind all that occurs, a puzzle that Reacher slowly and painstakingly unravels while on his way to a climax that is stunning in its violence yet brutally satisfying. Both Reacher and Child are at their best here.

--- Reviewed by Joe Hartlaub

Summary of Gone Tomorrow (Jack Reacher, No. 13)

Susan Mark, the fifth passenger, had a big secret, and her plain little life was being watched in Washington, and California, and Afghanistan?by dozens of people with one thing in common: They?re all lying to Reacher. A little. A lot. Or just enough to get him killed. A race has begun through the streets of Manhattan, a maze crowded with violent, skilled soldiers on all sides of a shadow war. For Jack Reacher, a man who trusts no one and likes it that way, the finish line comes when you finally get face-to-face and look your worst enemy in the eye.
 
Book Description
New York City. Two in the morning. A subway car heading uptown. Jack Reacher, plus five other passengers. Four are okay. The fifth isn?t.

In the next few tense seconds Reacher will make a choice--and trigger an electrifying chain of events in this gritty, gripping masterwork of suspense by #1 New York Times bestseller Lee Child.

Susan Mark was the fifth passenger. She had a lonely heart, an estranged son, and a big secret. Reacher, working with a woman cop and a host of shadowy feds, wants to know just how big a hole Susan Mark was in, how many lives had already been twisted before hers, and what danger is looming around him now.

Because a race has begun through the streets of Manhattan in a maze crowded with violent, skilled soldiers on all sides of a shadow war. Susan Mark?s plain little life was critical to dozens of others in Washington, California, Afghanistan . . . from a former Delta Force operator now running for the U.S. Senate, to a beautiful young woman with a fantastic story to tell?and to a host of others who have just one thing in common: They?re all lying to Reacher. A little. A lot. Or maybe just enough to get him killed.

In a novel that slams through one hairpin surprise after another, Lee Child unleashes a thriller that spans three decades and gnaws at the heart of America . . . and for Jack Reacher, a man who trusts no one and likes it that way, it?s a mystery with only one answer?the kind that comes when you finally get face-to-face and look your worst enemy in the eye.


Amazon Exclusive Essay: Lee Child on Gone Tomorrow

My career as a writer has been longer than some and shorter than others, but it happens to span the internet era more or less exactly. My first book, Killing Floor, came out in 1997. It probably sold some copies on Amazon, but not many, because the company was in its infancy then, barely two years old. In that book I even referred to ?an e-mail,? thinking I was showing two of the characters to be amazingly cutting-edge and modern.

A year or so later I actually got e-mail, and a year or so after that I got a web site, and a couple of years after that I got broadband, and over the following few years I got into the habit of starting the day internet surfing, reading the news and the gossip.

But it is not until now that I can say that one of my books--the thirteenth Reacher thriller, Gone Tomorrow--is truly and exclusively a product of the internet age.

I started the surfing years in a sensible, structured manner, but I eventually learned that the best stuff comes randomly. I started to follow links on a whim, bouncing from place to place, Googling other people?s references, following the maze, looking for rabbit holes.

I found an anonymous police blog from Britain.

It was apparently hosted by a London copper, and because it was secure and anonymous it was uninhibited. The people who posted there said all kinds of things. There were complaints and there was bitching, of course, but also there was a frank and unexpurgated view of police work from behind the lines. I got there in the summer of 2005, just after the suicide bombings on London?s transportation system, and just after a completely innocent Brazilian student had been shot to death by London police, who were under the mistaken impression that the guy had been involved.

Now, as a thriller writer, I?m familiar with the idea that cops can be bent or reckless. But I?m equally aware that?s mostly literary license. I know lots of cops, and they?re great people doing a very tough job. Years ago I met a friend?s eight-year-old daughter--a sweet little girl with no front teeth--and she grew up to be a cop. She won a bravery medal for a difficult solo arrest during which she was stabbed and had her thumb broken. She?s tough, but she?s not bent or reckless. So are the other cops I know.

So I was curious: what happened with the Brazilian kid? How was the mistake made?

So I eavesdropped while the coppers on the anonymous site were asking the same question. And I learned something interesting.

Their first consensus explanation was: because of ?the list.? The Brazilian boy was showing ?all twelve signs.? I thought, what list? What signs? So I clicked and scrolled and Googled, and it turned out that years earlier Israeli counterintelligence had developed a failsafe checklist of physical and behavioral signifiers, that when all present and correct mean you are looking at a suicide bomber. The list had entered training manuals, and after 9/11 those manuals were studied like crazy all over the world. And the response was mandatory: you see a guy showing the signs, you put him down, right now, before he can blow himself up.

And by sheer unlucky coincidence, the Brazilian kid had been showing the signs. A winter coat in July, a recent shave, and so on. (Read Gone Tomorrow if you want to know all twelve, and why.)

All writing is what if? So I tried to imagine that moment of... disbelief, I guess. You see a guy showing the signs, and probably every fiber of your being is saying, ?This can?t be.? But you?re required to act.

So for the opening scene of Gone Tomorrow, I had Reacher sitting on a subway train in New York City, staring at a woman who is showing the signs. Reacher is ex-military law enforcement, and he knows the list forward and backward. Half of his brain is saying, ?This can?t be,? and the other half is programmed to act. What does he do? What if he?s wrong? What will happen?

That?s where the story starts. It ends hundreds of pages later, in a place you both do and don?t expect. --Lee Child

(Photo © Sigrid Estrada)

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