Glitter and Doom: German Portraits from the 1920s (Metropolitan Museum of Art)

Glitter and Doom: German Portraits from the 1920s (Metropolitan Museum of Art)
by Sabine Rewald, Ian Buruma, Matthias Eberle

Glitter and Doom: German Portraits from the 1920s (Metropolitan Museum of Art)
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Book Summary Information

Author: Ian Buruma, Matthias Eberle, Sabine Rewald
Edition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2006-12-01
ISBN: 0300117884
Number of pages: 304
Publisher: Metropolitan Museum of Art

Book Reviews of Glitter and Doom: German Portraits from the 1920s (Metropolitan Museum of Art)

Book Review: A Lively Look at the Decadence of the Weimar Republic Years
Summary: 5 Stars

Author Sabine Rewald has written a fascinating survey that integrates the German psyche of the period between the gloom of World War I with its decimation of hope for a revolution and the rise of Hitler who ended any fantasies about the dreams of glitter that infused the artists and wealthy people of Germany.

In this beautifully designed and lushly illustrated book are the works of the major artists of the time, the ones we immediately recognize such as Otto Dix, Georg Grosz and Max Beckmann, as well as names less familiar to the general reading audience. These artists captured the decadence and 'cabaret' atmosphere that permeated the denying culture, using as models not only fellow artists and actors but also the spectrum from prostitutes and crime bosses to doctors and lawyers, none being shown in a very flattering light.

The many illustrations in the book are true to the original color and seem to capture the delusional elegance and grime that mixed the time so well. The portraits are veneer-like in that they depicted the doomed generation of people on the brink of destruction. If ever there existed a book that reveals the 'decay' and decadence against which Hitler railed this is it. The author wisely elected to employ essayists Ian Buruma and Matthias Eberle whose contributions to the flavor of the times and the influence of the disintegration of morals and taste make the texts readable and very informative.

Yale University Press has once again produced an art volume that focuses on a certain period of time that influenced the development of art in the history of a change - in visual art, in literature (from German writers as well as those who flocked to Berlin such as Christopher Isherwood), in music, and in film. It is a book of great importance and one that encourages repeated readings. Grady Harp, November 06

Summary of Glitter and Doom: German Portraits from the 1920s (Metropolitan Museum of Art)

In the 1920s Germany was in the grip of social and political turmoil: its citizens were disillusioned by defeat in World War I, the failure of revolution, the disintegration of their social system, and inflation of rampant proportions. Curiously, as this important book shows, these years of upheaval were also a time of creative ferment and innovative accomplishment in literature, theater, film, and art.
Glitter and Doom is the first publication to focus exclusively on portraits dating from the short-lived Weimar Republic. It features forty paintings and sixty drawings by key artists, including Otto Dix, Max Beckmann, and George Grosz. Their works epitomize Neue Sachlichkeit (New Objectivity), in particular the branch of that new form of realism called Verism, which took as its subject contemporary phenomena such as war, social problems, and moral decay. Subjects of their incisive portraits are the artists? own contemporaries: actors, poets, prostitutes, and profiteers, as well as doctors, lawyers, businessmen, and other respectable citizens. The accompanying texts reveal how these portraits hold up a mirror to the glittering, vital, doomed society that was obliterated when Hitler came to power.

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