 |
Glengarry Glen Ross: A Play by David Mamet
Book Summary InformationAuthor: David Mamet Edition: Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 1994-01-11 ISBN: 0802130917 Number of pages: 108 Publisher: Grove Press
Book Reviews of Glengarry Glen Ross: A PlayBook Review: A snappy, taut, intense social commentary about life. Summary: 5 Stars
Glengary Glenn Ross is a dense, throttling work in which the lead characters - day-to-day salesmen at a real estate firm - take on the role of career-hungry hatchet men whose primary goal is to sell, sell, sell at whatever cost, for the word 'No' does not exist in the global lexicon. The characters: Roma, Williamson, Levene, Moss and Aaronow, must mark their territory, must carve their niche in the rigorous business world, must clasp on to, in sheer desperation, their paltry slice of the American pie, for if they do not, others will not hesitate to use their cunning deceit and quenchless greed to take that opportunity which others are reluctant to take. One would believe that Mr. Mamet wrote this play to showcase to his readers and audience the avariciousness, hypocrisy, indifference and duplicity that seemed to be an inherent characteristic of the corporate business person and booming yuppie generation of the eighties. But this play can not be pigeonholed as a representation of a single decade, for the corporate mentality can not be boxed in. It can and will expand, but to the dismay of many, it can't be stopped, because if it does, only economic and social horror will arise. For some individuals in this line of work, it is a Catch-22. David Mamet elucidates the Catch-22 factor very palpably in this play. In one sense, to be reasonably prosperous in business, you have to be tough and occasionally rotten to the core. If you are, success may come in your direction. On the other hand, if you are kind and a sort of middle man or below that in respects to leadership qualities, the attainment of wealth and success might as well be nil. There is no middle ground; the characters are either one or the other, and God help the person who does not have the thick skin to survive emotionally in business. It is hard to keep moving on with something when (the characters especially) have so much invested in it, and worse, when they hate it:Aaronow: Did they find the guy who broke in the office yet? Roma: No. I don't know. Aaronow: Did the leads come in yet? Roma: No. Aaronow: Oh, God, I hate this job. (Page 108) Glengary Glenn Ross does not read like a traditional literary play that tugs at the heartstrings like some other works. And that is why it is so unusual; the language, the dialogue, is gritty, curt and quick-witted. The profanity is sometimes excessively base. The whole play is unreserved. Needless to say, a crime is committed in the firm. Who did it? Why was it done? And what does the crime teach the person? This work isn't just about the exploration of morals and priorities in the business world, for if it was, it would severely limit and mollify its power and depth. What the play teaches is that the all mighty dollar and all the material accoutrements that come with a fine and flourishing career might be more of a detriment to the true inner qualities that we do not allow ourselves as human beings to show for fear of being dumped upon and cast aside to the gutter. This play is not embossed with excessive dripping sweetness or philiosophical musings; it is emotionally volatile, and as a 'practical' sales dictum or truism might communicate: If you can't handle it, get off the ship.
Summary of Glengarry Glen Ross: A PlayWinner of the 1984 Pulitzer Prize, David Mamet?s scalding comedy is about small-time, cutthroat real estate salesmen trying to grind out a living by pushing plots of land on reluctant buyers in a never-ending scramble for their fair share of the American dream. Here is Mamet at his very best, writing with brutal power about the tough life of tough characters who cajole, connive, wheedle, and wheel and deal for a piece of the action—where closing a sale can mean a brand new Cadillac but losing one can mean losing it all. This masterpiece of American drama is now a major motion picture starring Al Pacino, Jack Lemmon, Alan Arkin, Alec Baldwin, Jonathan Pryce, Ed Harris, and Kevin Spacey.
|
 |
|
|
August: Osage County - Acting Editionby Tracy Letts Dramatists Play Service, Inc.; Published: 2009-11-10; Paperback; BookBest price: $7.82Price in other shops: $8.00
How I Learned to Drive - Acting Editionby Paula Vogel, Paula Vogel Dramatists Play Service; Published: 1997-10-01; Paperback; BookBest price: $4.96Price in other shops: $8.00
Who's Afraid of Virginia Woolf?by Edward Albee Signet; Published: 1983-03; Mass Market Paperback; BookBest price: $3.49Price in other shops: $7.99
Our Town: A Play in Three Actsby Thornton Wilder Samuel French, Inc.; Published: 2010-02-16; Paperback; BookBest price: $6.99Price in other shops: $7.50
Angels in America, Part One: Millennium Approachesby Tony Kushner Theatre Communications Group; Published: 1993-05-01; Paperback; BookBest price: $7.58Price in other shops: $12.95
A Streetcar Named Desire (New Directions Paperbook)by Tennessee Williams New Directions; Published: 2004-09; Paperback; BookBest price: $6.21Price in other shops: $10.95
Long Day's Journey into Nightby Eugene O'Neill Yale University Press; Published: 2002-03-01; Paperback; BookBest price: $6.75Price in other shops: $12.95
Sam Shepard : Seven Plays (Buried Child, Curse of the Starving Class, The Tooth of Crime, La Turista, Tongues, Savage Love, True West)by Sam Shepard Dial Press Trade Paperback; Published: 1984-05-01; Paperback; BookBest price: $7.94Price in other shops: $16.00
Death of a Salesman (Penguin Plays)by Arthur Miller Penguin (Non-Classics); Published: 1998-10-06; Paperback; BookBest price: $6.96Price in other shops: $13.00
Who's Afraid of Virginia Woolf?by Edward Albee NAL Trade; Published: 2006-08-01; Paperback; BookBest price: $5.85Price in other shops: $14.00
|