Girls Like Us: Carole King, Joni Mitchell, and Carly Simon--And the Journey of a Generation
by Sheila Weller
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Book Summary Information
Author: Sheila WellerReader: Susan Ericksen
Edition: Music CD
Audio: English (Original Language); English (Unknown); English (Published)
Format: Audiobook, CD
Published: 2008-04-01
ISBN: 1400106494
Publisher: Tantor Media
Book Reviews of Girls Like Us: Carole King, Joni Mitchell, and Carly Simon--And the Journey of a Generation
Book Review: A Cultural Document of Music for the Ages
Summary: 5 Stars
Sheila Weller creates an insightful look at three individually talented singer-songwriters and their lives as they attain increased cultural signifigance. As a 38-year old male, I found it a very interesting look back at a lot of the cultural attitudes in the 1970s. It's not that it was the Dark Ages but there were plenty of boggy undersides to the groovy chic of the time. As some of those my age can attest, I didn't grow up in a household where these three singers were considered Most Relevant by my 20-ish Mom. Sure, we had Laura Nyro, Nancy Wilson, Streisand, Melba Moore and Dionne Warwick, but Carly Simon was an FM radio staple. You almost didn't need to buy her singles, they were that ubiqitous and welcomed. Carole King was the domain of your slightly older sisters or teenaged aunts, penning their initials into 45s of Carole King's 'It's Too Late'- the universal lament crossing any age lines. Joni Mitchell, until 'Court and Spark' (in my house, anyway), was someone you found in your local library, intrigued by her album covers (there's Joni as...a Black man!? Hmm. Let's listen to this!). Perhaps the very interior mastery of their work, especially Mitchell's, made them less a communal indulgence from time to time. You didn't get to sit in a room while your sister wrote in her diary with 'Blue' on the stereo. Wasn't happening!
Ms. Weller weaves a thorough, respectful narrative of the three musicians and isn't too heavy-handed in placing them in the cultural context of their time. The book is an excellent example, especially to writers, of how powerful the written word is, especially when a lyric, song or sentence can express sentiment that becomes globally received and appreciated. The book will clearly steer you to your own memories of classic songs and where you may have been at the time. It made me remember being in Union City in California when "You're So Vain" came on the radio in the family car as we took in a stormy blue sky and thinking that Carly's song would open the heavens. It was that powerful to me at a very young age. It's flashpoint moments like that which make the book an extra-sensory look back in cultural history. Music was more of an integrated landscape then and if a song went to #1 on "the charts" then it was a part of the national zeitgeist, even if for a week. The supposed and real decadence of musicians then, as now, never really translated beyond their origins in Los Angeles or New York. For one, who else could afford it? It wasn't practical for the consumer. Still, a lot of misadventure and lost years can be supported by wealth, but for most of the country the decadence translated to towns in different ways of open-mindedness, cocktail parties with a different soundtrack (and more drinks) and a more decadent sexual assertion with music its ubiquitous background.
The current lives of these three singular women is certainly not a let-down and it's a testament to their individual endurance that they were able to stay culturally and emotionally viable. It's disappointing to see that many of their men let them down and took them through what their stardom, on the surface, would never seem to leave room for. Weller underlines throughout the book the breaking of sexual and social taboos that women advanced in this country. As a parent of a single mother, I sure remember my Mom, post-divorce, in the late 70s going into 'the city' to make a wage beyond the suburban rate; how her style changed more to her expression and how she single-handedly raised her kids. Millions of women, not just a selct few cultural icons, pushed through the real-life gains and advances that eradicated some of the danger/economic peril of being considered constrained minorities. As for the often-louche lovers of the women in this book, many are now deceased, or liquor-bloated semblances of their former shining selves or parodies, still hovering over the younger gliteratti of today. Time waits for no one, so if you find someone and the love is mutual, don't fu** it up! Carole comes across as a grounded woman who supported her core group of friends/musicians enough to embark, on her own terms, the relationships she chose, whether disastrous or not....and hadn't she earned those attempts? Carly Simon made a marriage to a heroin addict work for 9 years, which is like 30 years in real-time when you don't know that love can't replace a blood-and-bone addiction. Joni Mitchell, aggregating the finest points of disappointment and romantic fancy, is still a formidable woman and musician. I found this book extremely honest, even just the lyrics alone speak for their writers thoughts and imagination. I wish enduring happiness for all of them.
At one point in the book, the early 80s, when Joni, Carol and Joni are all close to or past their 40th birthday, Weller notes that with the change of musical icons and chart-burners, they all become aware that music, especially rock/popular music, is for the young. True, true. But don't the young always go back to the past and what isn't exactly right-this-minute? Just like I found my way at 13 years old to The Doors, The Mamas and The Papas, Jefferson Airplane and Hendrix, long after their 'hit' status, I still bought their albums and claimed my own memories to the songs, as people have done decades before and since. Mitchell, Taylor and King will always have their music rediscovered and listened to for the first time and for that they will always be relevant.
Summary of Girls Like Us: Carole King, Joni Mitchell, and Carly Simon--And the Journey of a Generation
Girls Like Us is an epic treatment of Joni Mitchell, Carole King, and Carly Simon, midcentury women who dared to break tradition and become what none had been before them---confessors in song, rock superstars, and adventurers of heart and soul.General Books
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