Girl with a Pearl Earring (movie tie-in edition)

Girl with a Pearl Earring (movie tie-in edition)
by Tracy Chevalier

Girl with a Pearl Earring (movie tie-in edition)
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Book Summary Information

Author: Tracy Chevalier
Edition: Paperback
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2003-09-30
ISBN: 0452284937
Number of pages: 240
Publisher: Plume

Book Reviews of Girl with a Pearl Earring (movie tie-in edition)

Book Review: suprisingly good
Summary: 5 Stars

I started to read it and could not put it down.

Some authors will spend pages describing a scene or a person, making a book drag out. This author, with a few words, made you feel like you where standing next to the character.

Summary of Girl with a Pearl Earring (movie tie-in edition)

The runaway New York Times bestseller with over one million copies sold

Now a major motion picture from Lions Gate Films opening November 2003


History and fiction merge seamlessly in Tracy Chevalier's luminous novel about artistic vision and sensual awakening. Through the eyes of sixteen-year-old Griet, the world of 1660s Holland comes dazzlingly alive in this richly imagined portrait of the young woman who inspired one of Vermeer's most celebrated paintings.
With precisely 35 canvases to his credit, the Dutch painter Johannes Vermeer represents one of the great enigmas of 17th-century art. The meager facts of his biography have been gleaned from a handful of legal documents. Yet Vermeer's extraordinary paintings of domestic life, with their subtle play of light and texture, have come to define the Dutch golden age. His portrait of the anonymous Girl with a Pearl Earring has exerted a particular fascination for centuries--and it is this magnetic painting that lies at the heart of Tracy Chevalier's second novel of the same title.

Girl with a Pearl Earring centers on Vermeer's prosperous Delft household during the 1660s. When Griet, the novel's quietly perceptive heroine, is hired as a servant, turmoil follows. First, the 16-year-old narrator becomes increasingly intimate with her master. Then Vermeer employs her as his assistant--and ultimately has Griet sit for him as a model. Chevalier vividly evokes the complex domestic tensions of the household, ruled over by the painter's jealous, eternally pregnant wife and his taciturn mother-in-law. At times the relationship between servant and master seems a little anachronistic. Still, Girl with a Pearl Earring does contain a final delicious twist.

Throughout, Chevalier cultivates a limpid, painstakingly observed style, whose exactitude is an effective homage to the painter himself. Even Griet's most humdrum duties take on a high if unobtrusive gloss:

I came to love grinding the things he brought from the apothecary--bones, white lead, madder, massicot--to see how bright and pure I could get the colors. I learned that the finer the materials were ground, the deeper the color. From rough, dull grains madder became a fine bright red powder and, mixed with linseed oil, a sparkling paint. Making it and the other colors was magical.
In assembling such quotidian particulars, the author acknowledges her debt to Simon Schama's classic study The Embarrassment of Riches. Her novel also joins a crop of recent, painterly fictions, including Deborah Moggach's Tulip Fever and Susan Vreeland's Girl in Hyacinth Blue. Can novelists extract much more from the Dutch golden age? The question is an open one--but in the meantime, Girl with a Pearl Earring remains a fascinating piece of speculative historical fiction, and an appealingly new take on an old master. --Jerry Brotton

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