Georges Seurat: The Drawings

Georges Seurat: The Drawings
by Jodi Hauptman, Karl Buchberg, Hubert Damisch, Bridget Riley, Richard Shiff, Richard Thomson, Georges Seurat

Georges Seurat: The Drawings
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Book Summary Information

Author: Bridget Riley, Georges Seurat, Hubert Damisch, Jodi Hauptman, Karl Buchberg, Richard Shiff, Richard Thomson
Edition: Hardcover
Published: 2007-11-01
ISBN: 0870707175
Number of pages: 272
Publisher: The Museum of Modern Art, New York

Book Reviews of Georges Seurat: The Drawings

Book Review: Mesmerizing drawings by a Neo-impressionist French painter.
Summary: 5 Stars

Parisian painter Georges Seurat (1859-1891) is perhaps best known as the founder of Neo-impressionism (Pointillism). His most famous painting, Sunday Afternoon on the Island of La Grande Jatte, altered the direction of modern art and is considered an icon of 19th century painting. For two years (1881-82) before working with colors, he devoted himself to mastering the art of black and white drawing in his small, Left Bank studio. I recently attended an exhibition of Seurat's cont? drawings at the Museum of Modern Art in NYC. Published by MOMA, this volume of approximately 130 works is the result of that exhibition, and includes some of "the most beautiful painter's drawings in existence." Seurat's drawings of nineteenth-century Parisian subjects are mysterious and mesmerizing in their relationship between light and shadow.

G. Merritt

Summary of Georges Seurat: The Drawings

Once described as "the most beautiful painter's drawings in existence," Georges Seurat's mysterious and luminous works on paper played a crucial role in his short, vibrant career. This comprehensive publication surveys the artist's entire oeuvre, from his academic training and the emergence of his unique methods to the studies made for his monumental canvases. Accompanying the first exhibition in almost 25 years to focus exclusively on Seurat's drawings, this volume presents approximately 130 works, primarily the artist's incomparable conte drawings along with a small selection of oil sketches and paintings. In an effort to bridge the seemingly opposite goals of description and evocation, Seurat masses dark and light tones to abstract figures, exploits medium and paper to amplify radiating light, and engages with the Parisian metropolis, revealing urban types, the industrial suburbs and nineteenth-century entertainment. Though Seurat is perhaps best known as the inventor of Pointillism, this volume demonstrates his tremendous achievement as a draftsman and his fundamental importance to the art of the twentieth century. It includes carefully selected details of the work, as well as reproductions from pages of Seurat's sketchbooks, which have never before been published. Texts by Jodi Hauptman, Karl Buchberg, Hubert Damisch, Bridget Riley, Richard Shiff and Richard Thomson address specific aspects of Seurat's techniques, materials, and subject matter. They are rounded out by a chronology, a selected bibliography and a detailed checklist.

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