Four Parts, No Waiting: A Social History of American Barbershop Quartet (American Musicspheres)

Four Parts, No Waiting: A Social History of American Barbershop Quartet (American Musicspheres)
by Gage Averill

Four Parts, No Waiting: A Social History of American Barbershop Quartet (American Musicspheres)
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Book Summary Information

Author: Gage Averill
Edition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2003-02-20
ISBN: 0195116720
Number of pages: 248
Publisher: Oxford University Press, USA

Book Reviews of Four Parts, No Waiting: A Social History of American Barbershop Quartet (American Musicspheres)

Book Review: Very good
Summary: 5 Stars

"Four Parts" is authoratative but very readable. The accompanying CD has rare tracks that would be difficult to find anywhere else. If you want a book to help you understand barbershop and it's importance in the american art forms this is the best you will find.

Summary of Four Parts, No Waiting: A Social History of American Barbershop Quartet (American Musicspheres)

Four Parts, No Waiting investigates the role that vernacular, barbershop-style close harmony has played in American musical history, in American life, and in the American imagination. Starting with a discussion of the first craze for Austrian four-part close harmony in the 1830s, Averill traces the popularity of this musical form in minstrel shows, black recreational singing, vaudeville, early recordings, and in the barbershop revival of the 1930s. In his exploration of barbershop, Averill uncovers a rich musical tradition--a hybrid of black and white cultural forms, practiced by amateurs, and part of a mythologized vision of small-town American life. Barbershop harmony played a central -- and overlooked -- role in the panorama of American music. Averill demonstrates that the barbershop revival was part of a depression-era neo-Victorian revival, spurred on by insecurities of economic and social change. Contemporary barbershop singing turns this nostalgic vision into lived experience. Arguing that the "old songs" function as repositories of idealized social memory, Averill reveals ideologies of gender, race, and class. This engagingly-written, often funny book critiques the nostalgic myths (especially racial myths) that have surrounded the barbershop revival, but also celebrates the civic-minded, participatory spirit of barbershop harmony. The contents of the CD have been replaced by a companion website with helpful links, resources, and audio examples.

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