Fingersmith

Fingersmith
by Sarah Waters

Fingersmith
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Book Summary Information

Author: Sarah Waters
Edition: Mass Market Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2002-10-01
ISBN: 1573229725
Number of pages: 582
Publisher: Riverhead Trade
Product features:
  • ISBN13: 9781573229722
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Book Reviews of Fingersmith

Book Review: A tale of corruption and treachery
Summary: 5 Stars

I've been indulging in historical novels lately, and one of the surprises that I have discovered is how much I have enjoyed the work of Sarah Waters. In particular, this book.

Fingersmith takes the tale of two women, one prosperous, one poor, and then weaves a tale of deception and some of the uglier aspects of human nature into it. Divided into three sections, the narrative is told from the view of the two women, each one in first person, which gives it all a very personal, immediate intensity to the story.

Susan, or as she is called sometimes, Sue or Sukey, lives in one of London's more notorious slums, the Borough. Outside of the doors of the house on Lant Street, pickpockets, theives and prostitutes work their trade, but within, the oddest of families have formed. While the business -- that of a fence of stolen goods, Mr. Ibbs, is technically the person in charge, everyone knows that it is Mrs. Sucksby who is actually running everything. And as a most modern woman, Mrs. Sucksby has her own profession -- operating a baby 'farm', where foundlings are raised, sort of, with the aid of gin, and either sold or buried, as the case might be. With these three, are three children of sorts -- red haired, slow Dainty, who can unpick monograms and clothing with the greatest of speed, and John Vroom, nasty and vile boy with bloody manners and ugly attitude, and finally, our heroine Sue.

Sue doesn't steal, or turn tricks, but rather is Mrs. Sucksby pet. The older woman, sly and quick, has taken a fancy to her, treating her as her adopted daughter, and cossetting her from the worst that Lant Street deals out. Sue has a distant feeling that something is planned for her, but also is content to drift, letting the dubious comforts of her life cocoon her. That is, until Mrs. Sucksby's sometimes lodger shows up.

Gentleman, as he is known, is a handsome charmer who manages to make everyone smile with his arrival. Well-dressed, soft-spoken, he is a prince here, and knows it. And when he extends an offer to Sue to come help him in a con with an heiress -- and Sue getting more than 3000 English pounds as her part of the take -- Sue just can't say no.

Finally, there is the mark in this tale of deception. Maud Lilly is a delicate heiress, working for her uncle as his secretary as he remains secluded in his library. The work is a vast catalog of books, with mammoth cross references and details, and Maud is kept as a near child, to Sue's eyes, with her hours of writing, and dresses that are more suited to a child than an adult, and her hands always encased in kid gloves. Maud is just as childish as her clothing, and Sue is soon consumed with doubts about what Gentleman is planning to do with Maud -- namely, get her to elope with him, marry him, and then shut Maud up in a madhouse. Maud clings to Sue, and when the relationship becomes very close indeed, the reader is left to wonder if Sue is going to leave her mistress in the none-too-pleasant clutches of Gentleman?

Of course, what really happens is a shocker, along with the revelations that come later in the story. It's a grim one, with plenty of doubledealing and mischief, where no one is really who they say they are, and a great deal of turmoil is gone through by both Maud and Sue. The setting is 1860's London, under a perpetual smog of coal smoke and fog, in a land where the sun is seen rarely if at all.

One aspect of the book is very disturbing, what with the use of pornography, and the fondness that the Victorians had for it, and the sexual -- and otherwise -- exploitation of children. Yes, most what Waters uses here really did happen, and more often than not, much worse. What is so chilling is that it is all presented rather routinely, which is how the Victorians must have viewed it, and Waters I think did not use it as a shock value. Today, one hopes, such behavior on the part of adults would be punished. So too, is the enviroment of the madhouse described, in ways that would make most of us recoil in horror. Despite all this, the book is nearly impossible to put down, with the story of Sue and Maud giving new twists and turns with each chapter and rising to an ending where justice, if it can be called that, is served.

The language here is rich, full of thieves' cant and slang, with plenty of rich descriptions of life in London, and at the remote manor of Briar that is Maud's home. Waters command of the language is subtle and disturbing, and while this isn't for everyone, it is certain to raise a shiver or two along your spine.

I just wish now I had not delayed in reading this novel. And I envy you your discovery of this one if you decide to take it on.

Highly recommended.

Summary of Fingersmith

Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby?s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.

One day, the most beloved thief of all arrives—Gentleman, an elegant con man, who carries with him an enticing proposition for Sue: If she wins a position as the maid to Maud Lilly, a naïve gentlewoman, and aids Gentleman in her seduction, then they will all share in Maud?s vast inheritance. Once the inheritance is secured, Maud will be disposed of—passed off as mad, and made to live out the rest of her days in a lunatic asylum.

With dreams of paying back the kindness of her adopted family, Sue agrees to the plan. Once in, however, Sue begins to pity her helpless mark and care for Maud Lilly in unexpected ways...But no one and nothing is as it seems in this Dickensian novel of thrills and reversals.

The New York Times Book Review has called Sarah Waters a writer of "startling power" and The Seattle Times has praised her work as "gripping, astute fiction that feeds the mind and the senses." Fingersmith marks a major leap forward in this young and brilliant career.


Fingersmith is the third slice of engrossing lesbian Victoriana from Sarah Waters. Although lighter and more melodramatic in tone than its predecessor, Affinity, this hypnotic suspense novel is awash with all manner of gloomy Dickensian leitmotifs: pickpockets, orphans, grim prisons, lunatic asylums, "laughing villains," and, of course, "stolen fortunes and girls made out to be mad." Divided into three parts, the tale is narrated by two orphaned girls whose lives are inextricably linked. Waters's penchant for byzantine plotting can get a bit exhausting, but even at its densest moments--and remember, this is smoggy London circa 1862--it remains mesmerizing. A damning critique of Victorian moral and sexual hypocrisy, a gripping melodrama, and a love story to boot, this book ingeniously reworks some truly classic themes. --Travis Elborough, Amazon.co.uk

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