Faustus and the Censor: The English Faust-Book and Marlowe's Doctor Faustus

Faustus and the Censor: The English Faust-Book and Marlowe's Doctor Faustus
by William Empson, John Henry Jones

Faustus and the Censor: The English Faust-Book and Marlowe's Doctor Faustus
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Book Summary Information

Author: John Henry Jones, William Empson
Edition: Hardcover
Published: 1987-12
ISBN: 0631156755
Number of pages: 240
Publisher: Blackwell Pub

Book Reviews of Faustus and the Censor: The English Faust-Book and Marlowe's Doctor Faustus

Book Review: Faustus and the Censor
Summary: 3 Stars

While Empson's posthumous publication, "Faustus and the Censor," first came out in the 1980's, it remains a relevant document in Christopher Marlowe criticism. The oft-disputed authenticity of Marlowe's play "Doctor Faustus," and its two versions, the A and B-texts is the main focus of Empson's book. Empson begins with the beginning - Marlowe's sources, primarily the German Faust Book. Empson discusses the possible relationship with the translator of English Faust Book, a mysterious gentleman named 'P.F.' who may have provided Marlowe with information on German and Latin texts.

Empson's thesis is that the A text is the 'original' - but that its seeming inadequacies are due to the interference of the official censor of plays in the late 1500s. Scenes missing that Empson argues were removed for reasons of state and morality are an appearance of the chorus and an episode in a Turkish harem.

The censor, Empson argues, had three major problems with Marlowe's play that required change: 1)the women Faustus consorts with must be real women - because Anglican belief did not allow that devils could consort with humans. 2)Mephistopheles must be a devil - again, Anglicanism does not allow for middle spirits. 3)Faust must be punished eternally at the end of the play; apparently, the original version when acted, left some ambiguity about this issue.

Empson's "Faust and the Censor" tends to be somewhat repetitive on supporting these points. However, the repetition is done well, so that the points he makes are continuously reinforced and consistently developed. This is an engaging piece of literary criticism - the language is familiar, even colloquial, making the book an interesting and even entertaining read - very unusual in the field of literary criticism. I don't even like Marlowe, but Empson's style and substance make this a critical work worth checking out.

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