Exit Ghost (Vintage International)

Exit Ghost (Vintage International)
by Philip Roth

Exit Ghost (Vintage International)
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Book Summary Information

Author: Philip Roth
Edition: Paperback
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2008-11-11
ISBN: 0307387291
Number of pages: 304
Publisher: Vintage
Product features:

Book Reviews of Exit Ghost (Vintage International)

Book Review: The right to your Memory
Summary: 4 Stars

Nathan Zuckerman is back, old and sick with impotence and incontinence. This last condition makes him leave his self imposed exile, trying a treatment to lessen its effects. All the humiliating feelings are masterfully woven in a gut rending description of what it feels not controlling our own body and the realization of our own mortality...no matter how high we've reached in life.

This initiates a plot in wich Nathan exchanges home with a New York couple, Jamie and Billie and meets Kliman, the biographer of Lonoff, a long dead and "forgotten by the world" mentor figure for Nathan. Also our hero run into Amy, Lonoffs lover till his death!

One of the main plots of this book (don't worry, I will not reveal unmarked spoilers), it's the fight for the Memory of Lonoff. Kliman, the ambitious, young, potent, virile, ex-boyfriend of Jamie wants to put Lonoff on the literary map again, but he will reveal a possible dark secret of the writers past...Amy and Nathan want to preserve their memories of Lonoff, and his will, not minding in the least that the world will eventually forget him.

In the matter of memories, the author brilliantly describe us the consequences of living for a memory...the positive and the negative through the eyes of Nathan and the actions of Amy.

The infatuation of Nathan for Jamie is another great secondary storyline; with the realistic but fictional dialogs between fictionalized characters of themselves serving has an erotic catharses for the real Nathan.

Great book; five star writing, five star theme and mood, five star characters and drives. I gave four stars to this book for two reasons:

1 - The sheer impossibility of the coincidences of such magnitude that makes 007 movies realistic! (SPOILER) Nathan Zuckerman goes to New York, and he finds Amy in the same city, the same Hospital, at the same day, at the same hour! More unbelievable: Jamie that wrote an ad in the newspaper for a house swap, and that Nathan responds too, has a great friend, ex-boyfriend that his writing a biography of Lonoff and had contacted Amy for information!!!???! New York has more inhabitants than my whole country! The USA has more or less 300 000 000 people living in it! How many of them are writing biographies of Lonoff? So to put it straight: Nathan goes one day to NY, finds by chance Amy, respond to an Ad to Swap places, and the owner of that home has an ex-boyfriend that his writing a biography on Amy's dead lover...wow. (END OF SPOILER).

2 - Through all the book, the experienced Nathan, remarks not only on the beauty but also on the intellect of Jamie. Well, she doesn't say one single phrase that shows any intelectual superiority, she is just a weak girl that cries and weeps and say silly things when her political party loses an election (almost has if Nazis or the Red Khmers had rose to power!!!), a completely unexperienced moronic rich daddies girl. Well, in that part maybe Phillip shows strong insight...even a genius like Zuckerman might get infatuated by a "Jamie" and forget the flaws, seeing virtues where there are none...but the character is so weak willed that becomes annoying; not the "fictional" Jamie, the "real" Jamie.

But this is a great work. Read it and meditate a bit on it. So many times we don't realize that our ambition and drive can hurt others, even when our purpose has absolutely no ill intent...just like Kliman's actions.

Summary of Exit Ghost (Vintage International)

Nathan Zuckerman returns to New York in the long-awaited final installment of Philip Roth's renowned Zuckerman series.

Alone for eleven years on his New England mountain, Zuckerman has been nothing but a writer: no media, no terrorist threats, no women, no tasks other than his work and the enduring of old age. Walking the streets of New York after so many years away, he quickly makes three connections that explode his carefully protected solitude. Suddenly involved, as he never wanted or intended to be again, with love, mourning, desire, and animosity, Zuckerman plays out an interior drama of vivid and poignant possibilities.

Revisiting the characters from Roth's much-heralded The Ghost Writer, Exit Ghost is an astounding leap into yet another phase in this great writer's oeuvre.
The last ordeal of Nathan Zuckerman, the indomitable literary adventurer of Roth's nine Zuckerman books, like Rip Van Winkle returning to his hometown to find that all has changed, Nathan Zuckerman comes back to New York, the city he left eleven years before. Alone on his New England mountain, Zuckerman has been nothing but a writer: no voices, no media, no terrorist threats, no women, no news, no tasks other than his work and the enduring of old age.

Walking the streets like a revenant, he quickly makes three connections that explode his carefully protected solitude. One is with a young couple with whom, in a rash moment, he offers to swap homes. They will flee post-9/11 Manhattan for his country refuge, and he will return to city life. But from the time he meets them, Zuckerman also wants to swap his solitude for the erotic challenge of the young woman, Jamie, whose allure draws him back to all that he thought he had left behind: intimacy, the vibrant play of heart and body.

The second connection is with a figure from Zuckerman's youth, Amy Bellette, companion and muse to Zuckerman's first literary hero, E. I. Lonoff. The once irresistible Amy is now an old woman depleted by illness, guarding the memory of that grandly austere American writer who showed Nathan the solitary path to a writing vocation.

The third connection is with Lonoff's would-be biographer, a young literary hound who will do and say nearly anything to get to Lonoff's "great secret." Suddenly involved, as he never wanted or intended to be involved again, with love, mourning, desire, and animosity, Zuckerman plays out an interior drama of vivid and poignant possibilities.

Haunted by Roth's earlier work The Ghost Writer, Exit Ghost is an amazing leap into yet another phase in this great writer's insatiable commitment to fiction.

Exit Zuckerman: Talking with Philip Roth

When we talked with Philip Roth for the Amazon Wire podcast, we asked him about his long relationship with his fictional surrogate, Nathan Zuckerman, his decision to bring Zuckerman back (and say goodbye to him) in Exit Ghost, and the difficulties of aging for novelists, and we managed to touch on George Plimpton, Annie Dillard, Grace Paley, and The Tempest, along with nearly all of the nine Zuckerman books. You can listen to interview in the podcast above, or read the full transcript.

Zuckerman Returns to Manhattan: Philip Roth Reads from Exit Ghost

When Nathan Zuckerman returns to Manhattan from his self-imposed rural retreat for the first time in 11 years in Exit Ghost, what does he find? Along with his surprising and unsettling encounters with an aged and ill woman who had once been a young mystery to him, an aggressive biographer who won't take no for an answer, and an alluring young writer who tempts him back into the adventure of seduction, he is confronted with a city whose streets are filled with people behaving quite differently than a decade before. "For one who frequently went without talking to anyone for days at a time," he thinks. "I had to wonder what that had previously held them up had collapsed in people to make incessant talking into a telephone preferable to walking about under no one's surveillance, momentarily solitary, assimilating the street through one's animal senses and thinking the myriad thoughts that the activities of a city inspire." Listen to Philip Roth read an excerpt from Exit Ghost.

Looking Back on Zuckerman
The Ghost Writer: Introduces Nathan Zuckerman in the 1950s, a budding writer who spends a night in the secluded New England farmhouse of his idol, E. I. Lonoff, and meets a haunting young woman whom he imagines could be the paradigmatic victim of Nazi persecution.
Zuckerman Unbound: Zuckerman, with newfound fame as a bestselling author, ventures onto the streets of Manhattan in the final year of the turbulent '60s, where he is assumed by fans and enemies to be his own fictional satyr, Gilbert Carnovsky ("Hey, you do all that stuff in that book?").
The Anatomy Lesson: At 40, Zuckerman comes down with a mysterious affliction--pure pain, beginning in his neck and shoulders, invading his torso, and taking possession of his spirit. Zuckerman is unable to write a line, but the novel provides some of the funniest and fiercest scenes in all of Roth's fiction.
The Prague Orgy: In quest of the unpublished manuscript of a martyred Yiddish writer, Zuckerman travels to Soviet-occupied Prague in the mid-1970s, where he discovers, among the oppressed writers with whom he quickly becomes embroiled, an appealingly perverse kind of heroism.
Zuckerman Bound: The latest in the Library of America's collected Roth works brings together his first Zuckerman trilogy, The Ghost Writer, Zuckerman Unbound, and The Anatomy Lesson, along with the epilogue, The Prague Orgy.
The Counterlife: From New Jersey to England to the West Bank, the characters in The Counterlife, illuminated by the skeptical, enveloping intelligence of Nathan Zuckerman, are tempted unceasingly by the prospect of an alternative existence that can reverse their fate.
American Pastoral: Swede Levov, legendary high-school athlete and boyhood idol of Nathan Zuckerman, is wrenched overnight out of the American pastoral and into the indigenous American berserk when his teenage daughter proves capable of an outlandishly savage act of political terrorism.
I Married a Communist: The rise and fall of Ira Ringold, a big American roughneck who becomes a big-time 1940s radio star, takes the young Zuckerman under his wing, and is destroyed, as both a performer and a man, in the McCarthy witchhunt of the 1950s.
The Human Stain: Coleman Silk, an aging classics professor forced to retire when his colleagues decree that he is a racist, has a secret, kept for 50 years from all around him, including his friend Nathan Zuckerman, who sets out to understand how this ingeniously contrived life came unraveled.

Roth, Philip Books

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