Elliott Smith's XO (33 1/3 series)

Elliott Smith's XO (33 1/3 series)
by Matthew LeMay

Elliott Smith's XO (33 1/3 series)
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Book Summary Information

Author: Matthew LeMay
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2009-04-06
ISBN: 0826429009
Number of pages: 142
Publisher: Continuum

Book Reviews of Elliott Smith's XO (33 1/3 series)

Book Review: Changed the way I listen to XO/Elliott Smith!
Summary: 5 Stars

XO is one of my favorite albums, and after reading this book, I am able to appreciate it in a new, deeper and more nuanced way. Lemay strategically employs Smith's own words, whether it be in an interview or in his lyrics, to steer us to an interpretation of XO that seems closer to what Smith had originally intended. (Larry Crane's review above affirms this idea.)

The book is split into two parts: Part one is a guided tour of the subtleties buried within XO (both lyrical and musical). Part two is about why we, as listeners, should free ourselves from the romanticized yet simplistic image of Smith painted by the popular press.

Both parts are extremely well researched and it shows: Lemay has amassed and analyzed quite a back catalog of Elliott Smith demos, live shows, interviews, reviews, on top of having conducted his own interviews with Smith's friends/collaborators.

I highly recommend this book for anyone who wishes to enjoy this album more, and to understand Elliott Smith as a human being who is more than just a "sad guy singing sad songs."

Summary of Elliott Smith's XO (33 1/3 series)

Many albums could be cited to support the claim that great suffering yields great art. Elliott Smith's XO should not be one of them. Smith's 1998 major label debut defies the "tortured singer-songwriter" stereotype, and takes up this defiance as a central theme. At a time when Smith was being groomed for a particular (and particularly condescending) brand of stardom, he produced a record that eviscerated one of the central assumptions of singersongwriterdom: that pain is beautiful. XO insists that romanticizing personal tragedy can only leave you "deaf and dumb and done." And it backs up this claim with some of the most artful and intelligent music of its day. Matthew LeMay writes an original take on a widely beloved album, steering clear of the sensationalist suicide angles that have dogged most analysis of Elliott Smith's extraordinary work.

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