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Don't Let's Go to the Dogs Tonight: An African Childhood by Alexandra Fuller
Book Summary InformationAuthor: Alexandra Fuller Edition: Hardcover Audio: English (Unknown); English (Original Language); English (Published) Published: 2001-12 ISBN: 0375507507 Number of pages: 320 Publisher: Random House
Book Reviews of Don't Let's Go to the Dogs Tonight: An African ChildhoodBook Review: Powerful Summary: 5 Stars
As a person who has made numerous short trips on business over the years to Lusaka, Dar es Salaam, and Lagos, I have often wondered how people can live in Africa. In a tightly woven memoir, Ms Fuller vividly describes her growing up in Africa on four remote farms, 13 years in Zimbabwe, 2 years in Malawi , and 10 years in Zambia. She communicates a love for Africa that pierces the economic, political, and health hazards that her family endured. "In Rodesia, we are born and then the umbilical cord of each child is sewn straight from the mother onto the ground, where it takes root and grows" (p149). After describing her near death from dehydration from swallowing a bit of unboiled river water, she makes "a vow never to leave Africa" (p179). She describes how white kids from age five had to "learn how to loan an FN rifle magazine, strip and clean all the guns in the house, and ultimately, shoot to kill." (p74) A war that is ultimately lost. ... So far 2900 of the 3500 white farms in Zimbabwe have been taken under the guise of land distribution. The story is laced with wonderful dialogues, the result no doubt of Ms Fuller's love of reading in her media free environment and her years boarding at Arundel High School, a replica in Zimbabwe of the British Public School: "The focus is on a rigorous academic program and we will be expected to pass difficult examinations sent out from Cambridge in England" (p224). She describes with deep affection a number of black Africans who worked for her parents. In Zimbabwe, there is Cephas, an astute tracker, and the son of a witch doctor. In Zambia, there is Adamson, the cook, with a joint constantly hanging from his fat lips, easing the pain of a daughter stabbed to death with a spear and another born with severe disabilities, not even able to walk. Then there is the young Australian woman hitching in eastern Zimbabwe with no one around for miles. She wants a ride to where the Fuller's mineproofed Land Rover is going even though she is told by Dad that they are just going "'To the dogs, . . to the bloody dogs." She describes the defiance necessary for survival, -- her Dad telling a Zambian border guard "Fergoodsake, either let us go, or shoot us," her Dad fully aware that shooting deaths are treated lightly, as accidents: "We say, `Acci-didn't. Acci-didn't stop. Ha ha" (p264). She describes her Mum's coping with the deaths of three children and resorting to alcohol in desperation. She desribes her Mum's love of life, her efforts to rescue a spotted eagle owl, a symbol of bad luck to the Zambian men who broke his wing in an aborted attempt to kill him, and her bonding with Caesar, her big bay Thoroughbred. She describes the terrors of the environment: "The hairs [of the buffalo bean] can stimulate a reaction so severe, so burning and persistent, that it has been known to send grown men mad, tearing into the bush in search of mud to alleviate the torture" (p110); Putzi flies "lay eggs on damp patches of earth or unironed clothes, burrow under the skin, the eggs becoming maggots, bursting into living boils, emerging as full-blown, winged flies" (47). She is brutally honest. Describing her beautiful sister's London wedding to a Zimbabwen: "The little lump under the wedding dress, behind the bouquet of flowers, is my nephew" (p289). She marries an American, a safari guide at age 23. When asked how she feels before the wedding she replies "a bit queasy", not because she is nervous but because she has "had a dose of hard-to shake-off malaria for the last two weeks" (293). No doubt Ms Fuller's book will be turned into a movie, a movie that could rival Jamie Uys' film "The God's Must be Crazy".
Summary of Don't Let's Go to the Dogs Tonight: An African ChildhoodWhen the ship veered into the Cape of Good Hope, Mum caught the spicy, heady scent of Africa on the changing wind. She smelled the people: raw onions and salt, the smell of people who are not afraid to eat meat, and who smoke fish over open fires on the beach and who pound maize into meal and who work out-of-doors. She held me up to face the earthy air, so that the fingers of warmth pushed back my black curls of hair, and her pale green eyes went clear-glassy.
?Smell that,? she whispered, ?that?s home.?
Vanessa was running up and down the deck, unaccountably wild for a child usually so placid. Intoxicated already.
I took in a faceful of African air and fell instantly into a fever.
In Don?t Let?s Go to the Dogs Tonight, Alexandra Fuller remembers her African childhood with visceral authenticity. Though it is a diary of an unruly life in an often inhospitable place, it is suffused with Fuller?s endearing ability to find laughter, even when there is little to celebrate. Fuller?s debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time.
From 1972 to 1990, Alexandra Fuller?known to friends and family as Bobo?grew up on several farms in southern and central Africa. Her father joined up on the side of the white government in the Rhodesian civil war, and was often away fighting against the powerful black guerilla factions. Her mother, in turn, flung herself at their African life and its rugged farm work with the same passion and maniacal energy she brought to everything else. Though she loved her children, she was no hand-holder and had little tolerance for neediness. She nurtured her daughters in other ways: She taught them, by example, to be resilient and self-sufficient, to have strong wills and strong opinions, and to embrace life wholeheartedly, despite and because of difficult circumstances. And she instilled in Bobo, particularly, a love of reading and of storytelling that proved to be her salvation.
A worthy heir to Isak Dinesen and Beryl Markham, Alexandra Fuller writes poignantly about a girl becoming a woman and a writer against a backdrop of unrest, not just in her country but in her home. But Don?t Let?s Go to the Dogs Tonight is more than a survivor?s story. It is the story of one woman?s unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt.
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