Disguised As A Poem: My Years Teaching at San Quentin

Disguised As A Poem: My Years Teaching at San Quentin
by Judith Tannenbaum

Disguised As A Poem: My Years Teaching at San Quentin
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Book Summary Information

Author: Judith Tannenbaum
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2000-09-01
ISBN: 155553452X
Number of pages: 224
Publisher: Northeastern

Book Reviews of Disguised As A Poem: My Years Teaching at San Quentin

Book Review: Poetry frees
Summary: 5 Stars

In "Disguised as a Poem," Judith Tannenbaum narrates her experience teaching poetry for four years in the maximum-security prison, San Quentin. The prisoners she taught are fiercely human, use poetry as a shout: "I am here!" Tannenbaum comes to San Quentin with California 60s-radical ideas of universal brotherhood, and is forced to confront not only the prisoners' ambiguous past, but also the humanity of the police guards she has always associated with authority and oppression.

Needless to say, the experience changed more than a few lives.

Most of the men found themselves in San Quentin for their involvement in violent crime. During "lockup," in their cells, the men must restrain their emotions, their dreams, their expression of humanity for fear of exposing weakness in the violent environment in which they live. Poetry offers the men a chance to reach out beyond the walls of San Quentin. Through Tannenbaum and the other arts' teachers, the men meet Nobel Prize winners, perform "Waiting for Godot" under the auspices of Beckett himself, and publish their poems for children at risk.

Tannenbaum must struggle with the men's past actions while reveling in providing an outlet for the men using an art form she adores. She also finds herself in some moments allying herself with the prison administration, with authority, against the prisoners who are dependant on her for emotional release and artistic expression.

The book shines when relating the poetry of the men, when we witness the blossoming of a caged man on paper. It is then that we connect to these men from our own ambiguous cages-no doubt less confining than iron and steel-and take heart from their actions that we, too, can still soar free.

Summary of Disguised As A Poem: My Years Teaching at San Quentin

When Judith Tannenbaum last met with her poetry writing class at San Quentin prison, one of the students commented, "Now I'm going to give you an assignment: write about these past four years from your point of view; tell your story; let us know what you learned." This beautifully crafted memoir is the fulfillment of that assignment.

In stirring and intimate prose, Tannenbaum details the challenges, rewards, and paradoxes of teaching poetry to maximum-security inmates convicted of capital crimes. Recounting how she and her students shared profound and complicated lessons about humanity and life both inside and outside San Quentin's walls, Tannenbaum tells provocative stories of obsession, racism, betrayal, despair, courage, and beauty. Contrary to the growing public perception of prisoners as demons, the men in this poetry class-Angel, Coties, Elmo, Glenn, Richard, Spoon-emerge not as beasts or heroes but as human beings with expressive voices, thoughts, and feelings strikingly similar to the free.

Tannenbaum provides revealing views of conditions in the cellblocks and shows how the realities of prison life often paralleled her own life experiences. She also relates such events as visits to her group by prominent poets (including Nobel Prize-winner Czeslaw Milosz); a prison production of Waiting for Godot sponsored by Samuel Beckett himself; and the presentation of her students' work to a class of sixth and eighth graders, who connected to the prisoners' words by writing their own poems to the inmates.

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