Deep South
by Sally Mann
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Book Summary Information
Author: Sally MannEdition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2005-09-28
ISBN: 0821228765
Number of pages: 120
Publisher: Bulfinch
Book Reviews of Deep South
Book Review: seeing through the opaqueness
Summary: 5 Stars
whether this is Mann's best work it certainly is the most thought-provoking, when you think of the Deep South, you think of a place much like Stravinsky's Russia,Eastern Europa,or parts of New York State intolerant,class-orineted;superstitious,but also one that savors progess and the science of the image, the sensual,the evocative,but a place also defeated,Appomattox, that really has takened long to live with, in fact defeat is covered everyday in the macho-isms that has been part of popular strains in music.
The opaqueness-es of Mann's reveals a fascinating abstraction,touched daguertypes, I don't know the correct technical affiliation,and that takes you someplace,it has rails to take you someplace,but more like an archeologist for you do merely sit and stare,and examine closely; where you need to decipher the layers of history,meanings seems to be held in abeyance for now, suspended the layers of reference, and this might be difficult for someone who has not really lived in these places, in Virginia,Antietam and Manassas, but these are works of art nonetheless you return, Mann does draw you into her work; to again and again and you cannot say that for other of post-modern forms, yes these are manipulations as if Mann had lived herself in the Civil War,as a recluse held up in a forgotten city, as Knoxville or as the viewer had lived then and these are remnants of this discovery.
Her photos are of natural landscapes, spots, where the horizon quickly becomes blurred, it is not the sense of things to have perspective here,merely one image, one-dimensional,like her subject matter is some respects; yet placed with layers of hue, mists,nebuli and filigrees of time,durations and their ruins,we see decapying Greek columns,made of wood, with chipped paint, white of course,now deteriorating like those of an ancient time in the USA, but we know the time of here where we live, lost civilizations, or Persopolis.
Curious how you really cannot find these works beautiful unless you know something about history USA for that matter,and then their beauty is arresting for a moment;Mann's voice here speaks within a distance,like the faces of her children in her previous work, a voice once or twice removed, here a voice that has no resonance; or if you have followed the forms and shapes of the human spirit, you come to understand these photos. Mann has created a work that can stand alone in a void, they refer to a time, well no one today knows from real experience,perhaps Toni Morrison's "Beloved" has some resonance here but only from a great distance between her prose in parametrical time exposed as you read. Mann has found a way between representation and abstraction two of the paradigms of the 20th Century,the late Kirk Varnedoe had wanted to devote a study to this very subject, why the two have persisted throughout a century, or barely less than one. You also not only come to understand the South, but most places where such similar occurences have takened place. The American Civil War seems closer in a way, like these places are icons, yet not icons that form a critique with them,asking questions, there are no special spiritual places, here only where men have died, slaughtered along with mosquitoes and peaceful trees, Magnolias gently alive to witness the human condition.
Summary of Deep South
DESCRIPTION: Sally Mann remains among the most innovative, talked-about, and daring artists working with a camera today. DEEP SOUTH is a much anticipated collection of her exquisite, ethereal landscape photographs, taken in the years since she rose to international fame with her groundbreaking book Immediate Family.The photographs in DEEP SOUTH, many produced with the 19th-century collodion process and a variety of toning techniques, capture what Mann calls the "radical light of the American South." Borrowing methods favored by early masters of landscape photography, Mann bends classic craftsmanship to serve the expressive needs of a heightened contemporary sensibility. Serendipitous technical imperfections, such as light leaks or scratches on negatives, echo the accidental, chaotic workings of time. From ghostly images of historic battlefields to painterly visions of Louisiana, Mississippi, Georgia, and her native Virginia, Mann's landscape photographs transport the viewer to another time and place.
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