Dead Man Blues: Jelly Roll Morton Way Out West
by Phil Pastras

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Book Reviews of Dead Man Blues: Jelly Roll Morton Way Out West

Book Review: Not a full picture but useful, especially for the specialist
Summary: 4 Stars

Summary of Dead Man Blues: Jelly Roll Morton Way Out West

In Dead Man Blues, Phil Pastras sets the record straight on the two periods (1917-1923 and 1940-1941) that Jelly Roll Morton spent on the West Coast. In addition to rechecking sources, correcting mistakes in scholarly accounts, and situating eyewitness narratives within the histories of New Orleans or Los Angeles, Pastras offers a fresh interpretation of the life and work of Morton, one of the most important and influential early practitioners of jazz. Pastras's discovery of a previously unknown collection of memorabilia--including a 58-page scrapbook compiled by Morton himself--sheds new light on Morton's personal and artistic development, as well as on the crucial role played by Anita Gonzales.

In a rich, fast-moving, and fascinating narrative, Pastras traces Morton's artistic development as a pianist, composer, and bandleader. Among many other topics, Pastras discusses the complexities of racial identity for Morton and his circle, his belief in voodoo, his relationships with women, his style of performance, and his roots in black musical traditions. Not only does Dead Man Blues restore to the historical record invaluable information about one of the great innovators of jazz, it also brings to life one of the most colorful and fascinating periods of musical transformation on the West Coast.

Authors Books

• Biographies & Memoirs > Arts & Literature
• Composers & Musicians > Jazz
• Ethnic & National > African-American & Black
• General
• Specific Groups > Women
• General
• Entertainment > Music > Musical Genres > Jazz
• History > Americas > United States > 20th Century > General
• Literature & Fiction > History & Criticism