Crossing Highbridge: A Memoir of Irish America (Irish Studies)

Crossing Highbridge: A Memoir of Irish America (Irish Studies)
by Maureen Waters

Crossing Highbridge: A Memoir of Irish America (Irish Studies)
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Book Summary Information

Author: Maureen Waters
Edition: Hardcover
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2001-04
ISBN: 0815606826
Number of pages: 149
Publisher: Syracuse University Press

Book Reviews of Crossing Highbridge: A Memoir of Irish America (Irish Studies)

Book Review: Growing up Irish: a pinch of guilt , ample pain of loss and finally, acceptance
Summary: 4 Stars

Frank McCourt must've penned a primer for those who write autobiographies profiling their rise out of quintessential Irish childhood to become successful teachers, pub owners or actors in the Big Apple. If not, we'll develop a one, having slogged through a few Irish experience autobiographies in the past few years. CROSSING HIGHBRIDGE, a soulful reflection penned by Maureen Waters, fits the bill. The first of her family not born in Ireland, Ms. Waters left a secure Irish Catholic Bronx neighborhood to become professor of English at Queens' College. In HIGHBRIDGE Waters revisits her old neighborhood and youth in an attempt to exorcise a few demons and make sense of tragic loss.

Speaking of school, name a primordial recollection that separates Catholic childhood experiences from those of the less fortunate. Stumped? Parochial school--does anything compare? I recall nuns swooping like hawks about the classroom slapping the ten-thumbed hands of boys while praising the girls, all who had mastered the fine motor skill control requisite to master the Palmer method of penmanship And priests, remember their surprise visits? They dashed about classrooms rooting out the heathens who failed to memorize today's catechism. Waters pens a charming reunion visit to that school we loved, where Sister Immaculata, or Sister Alvera, or Sister Whoever, ruled the roost with an iron claw, er, fist.

Waters infuses a recognizable dose of Irish Catholic guilt. To wit: "You want to be a teacher? Are you daft Maureen? The proper thing, young lady, is to save yourself, marry a decent man and have a dozen children!" Or the refrain heard by many a young Irish lad, "Pat, the family hasn't ordained a priest in two generations. Your mother and I want you to consider the seminary." Familial guilt threads its way through CROSSING HIGHBRIDGE.

No growing-up-Irish spiel should lack a smattering of old-country angst, and it doesn't hurt to parade a skeleton or two out of the family closet in the offing. Forced by her father to work the family farm at an age when she should've been in school, Water's Mayo-born mother exuded the lifelong melancholy of lost opportunity; melancholy she wore on her shirtsleeve. According to Waters, an aunt told her that her maternal grandfather beat the six daughters, including Maureen's mother, Agnes. Also prone to unleashing impressive levels of violence, maternal grandpa Ruane was once hush-hushed off to a mental institution. Further, Water's father, Daniel, witnessed his share of perverse Black and Tan justice and senseless political murder while caught in the flame of Ireland's republican fire of the 1920s. Waters also lost an uncle in a failed attack on a Sligo military garrison during the Free State revolution. There's more--but perhaps these are skeletons better left in the closet.

Which leads us to the subject of humor rampant in Irish tragicomedy. CROSSING HIGHBRIDGE is bound with all the Irish charm and storytelling one would expect---but not the leprechaun-like humor. Waters might've survived unscathed an abusive marriage, the lofty expectations of the Church, the vagaries of a difficult mother, and a professional career bound by the shackles of sexism, but the loss of a son in a tragic accident stopped her in her tracks. Waters wrote CROSSING HIGHBRIDGE, she offers, as a step to recovery and to pay homage to those who had gone before her. Writing with the passion of someone who needs to unlock the past in order to make sense of the present, she keeps an optimistic eye on the future. CROSSING HIGHBRIDGE is a worthwhile read.

Along with her title of Professor of English, Maureen Waters' r?sum? includes, Director of Irish Studies at Queens College in New York.

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