Confessions of an Ugly Stepsister

Confessions of an Ugly Stepsister
by Gregory Maguire

Confessions of an Ugly Stepsister
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Book Summary Information

Author: Gregory Maguire
Edition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1999-10-06
ISBN: 0060392827
Number of pages: 384
Publisher: Regan Books
Product features:
  • Signed by Maguire

Book Reviews of Confessions of an Ugly Stepsister

Book Review: Even better the second reading
Summary: 5 Stars

Confessions of an Ugly Stepsister, for me, at least, only improved the second time around. This beguiling retold tale of Cinderella puts all others I've read so far to shame, becoming much more than that which it can easily be marketed for. The first time I read it, I was perplexed at many of the twists and turns, as well as the ending itself, which even now remains a little too ambiguous for my tastes. Things cleared up considerably, however, when I read it again after waiting a time. I am in a state of amazement still at how many simple truths about people and life can be packed into a fictional work, and one in fact based on the simplest of all stories, a fairy tale. Characters are so well drawn so as to have been plucked from the land of the living to be laid on the pages of the novel, more than making up for the fact that the age-old plot bears many small, but few or no large, surprises. A happily-ever-after ending is, however, avoided with the addition of a dash of unresolved mystery, which if resolved, could have made the book clearer but perhaps less tantalizing. Further on, an epilogue in all but name succeeds in tying everything together with splendidly if with few bangs. All this, I only found a real appreciation for after I had had a second go at it.

Summary of Confessions of an Ugly Stepsister

Is this new land a place where magics really happen?

From Gregory Maguire, the acclaimed author of Wicked, comes his much-anticipated second novel, a brilliant and provocative retelling of the timeless Cinderella tale.

In the lives of children, pumpkins can turn into coaches, mice and rats into human beings.... When we grow up, we learn that it's far more common for human beings to turn into rats....

We all have heard the story of Cinderella, the beautiful child cast out to slave among the ashes.But what of her stepsisters, the homely pair exiled into ignominy by the fame of their lovely sibling? What fate befell those untouched by beauty . . . and what curses accompanied Cinderella's exquisite looks?

Extreme beauty is an affliction

Set against the rich backdrop of seventeenth-century Holland, Confessions of an Ugly Stepsister tells the story of Iris, an unlikely heroine who finds herself swept from the lowly streets of Haarlem to a strange world of wealth, artifice, and ambition. Iris's path quickly becomes intertwined with that of Clara, the mysterious and unnaturally beautiful girl destined to become her sister.

Clara was the prettiest child, but was her life the prettiest tale?

While Clara retreats to the cinders of the family hearth, burning all memories of her past, Iris seeks out the shadowy secrets of her new household--and the treacherous truth of her former life.

God and Satan snarling at each other like dogs.... Imps and fairy godmotbers trying to undo each other's work. How we try to pin the world between opposite extremes!

Far more than a mere fairy-tale, Confessions of an Ugly Stepsister is a novel of beauty and betrayal, illusion and understanding, reminding us that deception can be unearthed--and love unveiled--in the most unexpected of places.


Gregory Maguire's chilling, wonderful retelling of Cinderella is a study in contrasts. Love and hate, beauty and ugliness, cruelty and charity--each idea is stripped of its ethical trappings, smashed up against its opposite number, and laid bare for our examination. Confessions of an Ugly Stepsister begins in 17th-century Holland, where the two Fisher sisters and their mother have fled to escape a hostile England. Maguire's characters are at once more human and more fanciful than their fairy-tale originals. Plain but smart Iris and her sister, Ruth, a hulking simpleton, are dazed and terrified as their mother, Margarethe, urges them into the strange Dutch streets. Within days, purposeful Margarethe has secured the family a place in the home of an aspiring painter, where for a short time, they find happiness.

But this is Cinderella, after all, and tragedy is inevitable. When a wealthy tulip speculator commissions the painter to capture his blindingly lovely daughter, Clara, on canvas, Margarethe jumps at the chance to better their lot. "Give me room to cast my eel spear, and let follow what may," she crows, and the Fisher family abandons the artist for the upper-crust Van den Meers.

When Van den Meer's wife dies during childbirth, the stage is set for Margarethe to take over the household and for Clara to adopt the role of "Cinderling" in order to survive. What follows is a changeling adventure, and of course a ball, a handsome prince, a lost slipper, and what might even be a fairy godmother. In a single magic night, the exquisite and the ugly swirl around in a heated mix:

Everything about this moment hovers, trembles, all their sweet, unreasonable hopes on view before anything has had the chance to go wrong. A stepsister spins on black and white tiles, in glass slippers and a gold gown, and two stepsisters watch with unrelieved admiration. The light pours in, strengthening in its golden hue as the sun sinks and the evening approaches. Clara is as otherworldly as the Donkeywoman, the Girl-Boy. Extreme beauty is an affliction...
But beyond these familiar elements, Maguire's second novel becomes something else altogether--a morality play, a psychological study, a feminist manifesto, or perhaps a plain explanation of what it is to be human. Villains turn out to be heroes, and heroes disappoint. The story's narrator wryly observes, "In the lives of children, pumpkins can turn into coaches, mice and rats into human beings. When we grow up, we learn that it's far more common for human beings to turn into rats." --Therese Littleton

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