Company K (Library Alabama Classics)

Company K (Library Alabama Classics)
by William March

Company K (Library Alabama Classics)
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Book Summary Information

Author: William March
Introduction: Dr. Philip D. Beidler Ph.D.
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1989-10-24
ISBN: 0817304800
Number of pages: 288
Publisher: University Alabama Press

Book Reviews of Company K (Library Alabama Classics)

Book Review: a surprisingly modern old book
Summary: 5 Stars

This edition of "Company K," by William March (a native of Mobile, graduate of The University of Alabama's law school, and WW I veteran), is one in a series called The Library of Alabama Classics, and it warrants its status as a classic. It's a beautiful little book, nicely typeset in a somewhat nostalgic manner, and deserves to be better known than it is--as does its author. Kudos to Alabama's UP for making this book available in paperback for a wide audience.

The book, first published in 1933, is a collection of short first-person narratives by the members of a company caught in the frontline in the first World War. Remarkable is March's ability to place himself (and the reader) in the positions of a great many very different characters--the company is a cross section of American society. This, his first novel, shows that March is an intelligent and sensitive storyteller.

More remarkable, perhaps, is how easily this book might be hypertexted--since all the narratives intersect, and various characters appear in various guises in other's narratives, it would lend itself easily to an HTML version in which a reader could click their way through the book without having to follow the book's order. Surely March must have seen this as a possible way of reading, since the chapter headings are the characters' names, allowing a reader of the book to easily flip from one character to another. The book, which seems to be suitable more for a spatial than a chronological way of reading, disrupts the boundaries of its printed format. I don't mean to call March a post-structuralist avant la lettre, but it is a feature that enhances, in my opinion, one of the themes of the book: the horror of war recognizes no hierarchy; war disrupts the human order.

As for horror, there is plenty of that. The point of view March has chosen is excellent in that it allows for multiple readings of the same event (for instance, the unnecessary and criminal shelling of a recon party); some of the voices come from beyond the grave and are particularly chilling.

One final note on the edition: it is introduced (not designed, as the Amazon heading states erroneously) by Phil Beidler, a professor of American lit at U of A. Beidler has shown a great interest in and loyalty to the literature of Alabama (see, for instance, his anthologies "The Art of Fiction in the Heart of Dixie" and "Many Voices, Many Rooms"), and his introduction to this book is insightful and touching. Beidler obviously knows his stuff; he knows both war and Alabama.

I believe that this book, as has been noted by others, is of the rank of Remarque's "All Quiet," and it is a wonderful and chilling read. Like most good war novels, it says "don't let this happen again," while realizing that it probably will, knowing human nature.

Summary of Company K (Library Alabama Classics)

With an Introduction by Philip D. Beidler
 

This book was originally published in 1933. It is the first novel by William March, pen name for William Edward Campbell. Stemming directly from the author's experiences with the U.S. Marines in France during World War I, the book consists of 113 sketches, or chapters, tracing the fictional Company K's war exploits and providing an emotional history of the men of the company that extends beyond the boundaries of the war itself.

William Edward Campbell served courageously in France as evidenced by his chestful of medals and certificates, including the Croix de Guerre, the Distinguished Service Cross, and the Navy Cross. However, without the medals and citations we would know of his bravery. For it is clear in the pages of Company K that this book was written by a man who had been to war, who had clearly seen his share of the worst of it, who had somehow survived, and who had committed himself afterward to the new bravery of sense-making embodied in the creation of major literary art. It is of that bravery that we still have the record of magnificent achievement, the brave terrible gift of Company K.

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