Chronicle of the Seven Sorrows

Chronicle of the Seven Sorrows
by Patrick Chamoiseau

Chronicle of the Seven Sorrows
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Book Summary Information

Author: Patrick Chamoiseau
Foreword: Edouard Glissant
Afterword: Linda Coverdale
Translator: Linda Coverdale
Edition: Paperback
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2003-05-01
ISBN: 0803264267
Number of pages: 226
Publisher: University of Nebraska Press

Book Reviews of Chronicle of the Seven Sorrows

Book Review: I recommend this to any Chamoiseau fan
Summary: 4 Stars

If you have read Chamoisaeu's other novels, you should appreciate this. Although it is not as fully developed as his later novels, Solibo Magnifique and Texaco, it is a wonderful first novel. His style and personality as a writer are clear from the start.

The reader gets a treat at the end. Included are several poems that Chamoiseau wrote that evoke the people, places, etc. These poems were written as part of the planning process of the book and even though they were left out the text of the book, they capture the spirit.

Summary of Chronicle of the Seven Sorrows

Chronicle of the Seven Sorrows traces the rise and fall of Pipi Soleil, ?king of the wheelbarrow? at the vegetable market of Fort-de-France, in a tale as lively and magical as the marketplace itself. In a Martinique where creatures from folklore walk the land and cultural traditions cling tenuously to life, Patrick Chamoiseau?s characters confront the crippling heritage of colonialism and the overwhelming advance of modernization with touching dignity, hilarious resourcefulness, and truly courageous joie de vivre.

Pity the poor translator who has to grapple with Martinican writer Patrick Chamoiseau's playful and imaginative mélange of formal French and Caribbean Creole--but envy the lucky reader who gets to enjoy his tasty gumbo, Chronicle of the Seven Sorrows. First published in France in 1987, Chamoiseau's debut novel is reminiscent of the work of Gabriel García Márquez and Salman Rushdie in its wild tumbling cataracts of language, its host of characters, and its freewheeling use of magical realism. Consider, for example, the origins of protagonist Pierre Philomene "Pipi" Soleil:
That evening, Héloïse went to bed a virgin for the last time, because meanwhile, black Phosphore had revealed to his sorrowing son the Method he'd learned from a sepulcher, and had turned him into a dorlis. Anatole-Anatole's modus operandi remains unknown. People get lost in conjecture trying to figure out if he used the technique of the toad hidden beneath the bed, the one of the ant that slips through keyholes, or the one of three-steps-forward-three-steps-back that lets you walk through walls. The fact remains that on the evening in question, he found himself in Héloïse's bedroom despite all locks and barricades. Putting his new expertise as a dorlis to work, he went inside her without waking her up and spent eight delicious hours on her sleeping body.
When Héloïse wakes up the next morning, bruised and bloodied, she knows she's been assaulted by an incubus and takes measures (a pair of black underpants worn backwards) to protect herself against him. Unfortunately, the damage has already been done, and nine months later she gives birth to a son, who eventually grows up to be "king of the djobbers." The novel's plot, such as it is, follows Pipi's fortunes as he wields his wheelbarrow through the crowded market streets of Fort-de-France. Chamoiseau structures his tale like a collection of oral histories, dipping in and out of the life stories of minor characters, circling back and forth in time to cover a wide range of topics from slavery to World War II to relations between the white and black Martinicans. There's little if any real character development, but that's not what this "word scratcher" is after. In his dizzying cut-and-paste collage of Caribbean life, Chamoiseau is attempting nothing less than to communicate the soul of his homeland--a challenge at which he succeeds brilliantly. --Alix Wilber

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