Celluloid Skyline: New York and the Movies
by James Sanders
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Book Summary Information
Author: James SandersEdition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2003-10-14
ISBN: 0375710272
Number of pages: 512
Publisher: Knopf
Book Reviews of Celluloid Skyline: New York and the Movies
Book Review: Yes, but...
Summary: 3 Stars
James Sanders does some nice bit of cheerleading for his clearly beloved city, in the process furnishing us with some surprising insights into the tangled relations between the actual New York, in particular Manhattan, and its representation or recreation in films. But, finishing the book, I was left wondering how well his pitch, and the reader's appreciation of it, were served by his deployment of such an array of forgettable and often frankly abysmal movies to buttress his argument. Really, what does it say about this city (or any other, for that matter) that it has to depend on such clunkers as Wolfen, or Escape from New York or countless, similarly painful to watch others to establish its relevance? Rosemary's Baby, Mean Streets, Annie Hall, or even The Naked City which Jules Dassin himself, its director, thought had been botched by its need to function as propaganda, sure, but Green Card? By God, I mean Depardieu, who even remembers (or cares to) that piece of junk? By the end then, after yet another unforgivable plot summary of yet another mediocre flick, I was sure of one thing: Mr. Sanders is a fine, clear writer with an excellent grasp of both New York architecture and movie history, but his taste in film is lamentable.
Summary of Celluloid Skyline: New York and the Movies
A tale of two cities -- both called "New York."The first is a real city, an urban agglomeration of millions. The second is a mythic city, so rich in memory and association and sense of place that to people everywhere it has come to seem real: the New York of such films such as 42nd Street, Rear Window, King Kong, Dead End, The Naked City, Ghostbusters, Annie Hall, Taxi Driver, and Do the Right Thing ? a magical city of the imagination that is as complex, dynamic, and familiar as its namesake of stone and steel.
As James Sanders shows in this deeply original work, the dream city of the movies ? created by more than a century of films, from the very dawn of the medium itself ? may hold the secret to the allure and excitement of the actual place. Here are the cocktail parties and power lunches, the subway chases and opening nights, the playground rumbles and rooftop romances. Here is an invented Gotham, a place designed specifically for action, drama, and adventure, a city of bright avenues and mysterious side streets, of soaring towers and intimate corners, where remarkable people do exciting, amusing, romantic, scary things. Sanders takes us from the tenement to the penthouse, from New York to Hollywood and back again, from 1896 to the present, all the while showing how the real and mythic cities reflected, changed, and taught each other.
Lavishly illustrated with scores of rare and unusual production images culled from Sanders's decade-long research in studio archives and private collections around the country, Celluloid Skyline offers a new way to see not only America?s greatest metropolis, but cities the world over.
From the Hardcover edition.
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