Brisingr (Inheritance, Book 3) (The Inheritance Cycle)

Brisingr (Inheritance, Book 3) (The Inheritance Cycle)
by Christopher Paolini

Brisingr (Inheritance, Book 3) (The Inheritance Cycle)
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Book Summary Information

Author: Christopher Paolini
Brand: Alfred A. Knopf
Edition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2008-09-20
ISBN: 0375826726
Number of pages: 763
Publisher: Alfred A. Knopf

Book Reviews of Brisingr (Inheritance, Book 3) (The Inheritance Cycle)

Book Review: Paolini has developed his characters more deeply and brought an even greater intensity to the action throughout
Summary: 5 Stars

Still a boy and not yet a man, he is one of the greatest Dragon Riders and bravest of warriors. Eragon is on the edge of many discoveries and great changes. Though his sword has been taken by Murtagh, he still fights with the Varden against the madness of Galbatorix as they try to save the kingdom of Alagaesia. Shamed by the knowledge that he and Murtagh are brothers (both share Morzon for their father), he longs to understand more of his past. As a Dragon Rider, he continues to learn, to test himself and to push all of his limits with the help of Saphira. The beautiful, dangerous Saphira is only one of four dragons left. She is his constant companion. Without her, Eragon knows that he, like Galbatorix, would go mad. There is nothing they do not share --- or so he thinks.

"To know that you were with one who cared for you, and who understood every fiber of your being, and who would not abandon you in even the most desperate of circumstances, that was the most precious relationship a person could have, and both Eragon and Saphira cherished it."

On the battlefield, always the unexpected happens. Sometimes his spells, his magic, his strength are enough to save them. Sometimes the soldiers of Galbatorix are more demon than man, and in one battle with his ally, King Orrin, they encounter the following:

"The man was a soldier of medium height, with a purple birthmark on his neck and brown hair plastered flat by the helmet he had been wearing. His shield was a splintered ruin. His sword was notched, bent, and broken, missing the last six inches. River mud caked his mail hose. Blood sheeted from a gash along his ribs. An arrow fletched with white swan feathers had the shaft buried in the hard dirt. From the man's throat, a horrid gurgling laugh emanated. It rose and fell with a drunken cadence, pitching from note to note as if the man were about to begin shrieking with horror."

Though his cousin, Roran Stronghammer, has united with Katrina, he remains one of Eragon's true friends. Roran is not only brave but a natural leader. He proves himself time after time to be indispensable to Nasuada's armies. Still playful as boys, both Eragon and Roran are ready to sacrifice anything for their love of Alagaesia.

Despite all his successes as a great warrior, Eragon is in need of his most important weapon: his own sword. Not until a number of battles are fought, much blood shed and many sacrifices made does Eragon finally meet one of the most renowned of sword makers --- Rhunon-elda. This is where another story begins:

"A sword should feel like an extension of your arm, as if it had grown out of your very flesh. You shouldn't have to think about how you want it to move: you should simply move it as instinctively as an egret his beak or a dragon her claws. The perfect sword is intent incarnate: what you want, so it does."

In this third book of the Inheritance Cycle, more surprising secrets are revealed and readers get even better acquainted with Selena Black Hand, Eldunari, Tamerlein, Glaedr, Oromis, Fairth, Memoa Trees, Snowfire, Ra'zacs, Urgals, scrying mirrors, crossbows, Carn, Nasuada, Trial of the Long Knives, Shrrgs, Elva, Solembum, Angela, spells, Arya, true names, Thorm and brisingr --- and so much more.

Christopher Paolini has developed his characters more deeply and brought an even greater intensity to the action throughout. Very helpful information is given at the end of the book on the origin of names, a pronunciation index and listings of languages from the ancient, the dwarf, the Nomad and the Urgal.

When readers are finished with BRISINGR, not only will they be dying for the next installment (they will probably want to read this one again just for fun), they undoubtedly will want a dragon --- especially one like Saphira.

--- Reviewed by Sally M. Tibbetts

Summary of Brisingr (Inheritance, Book 3) (The Inheritance Cycle)

OATHS SWORN . . . loyalties tested . . . forces collide.

Following the colossal battle against the Empire?s warriors on the Burning Plains, Eragon and his dragon, Saphira, have narrowly escaped with their lives. Still there is more at hand for the Rider and his dragon, as Eragon finds himself bound by a tangle of promises he may not be able to keep.

First is Eragon?s oath to his cousin Roran: to help rescue Roran?s beloved, Katrina, from King Galbatorix?s clutches. But Eragon owes his loyalty to others, too. The Varden are in desperate need of his talents and strength?as are the elves and dwarves. When unrest claims the rebels and danger strikes from every corner, Eragon must make choices? choices that take him across the Empire and beyond, choices that may lead to unimagined sacrifice.

Eragon is the greatest hope to rid the land of tyranny. Can this once-simple farm boy unite the rebel forces and defeat the king?
Tad Williams and Christopher Paolini: Author One-on-One

Tad Williams is the New York Times bestselling author of several epic fantasy series. He lives in California.

Tad Williams Read on for Williams and Christopher Paolini's discussion about why they write fantasy, their upcoming projects, and more.

Tad: Hi, Christopher. Nice to talk to you, albeit virtually. It was great hanging out with you and your family this summer. Pretty much all of us fell in love with your part of the world, too.

Be warned: this isn't my best time of the day, so if I start calling you "Herman" and asking what it was about whaling that interested you, please forgive.

The first thing I'd like to ask you as a starter question is: why fantasy? I mean, there's the obvious answer (which is also true for me) that it was something I loved to read growing up, but I guess I'm curious what is it that still resonates for you. Why do these kind of stories, these kinds of characters, these kinds of worlds, still speak to you?

In a similar vein, do you have another kind of fiction, another genre, that you'd really like to try? If so, why? Any genres you think you'll never write but wish you could?

Christopher: Hi Tad. Great talking to you as well. We all had a wonderful time when you guys visited. Definitely one Of the highlights of the year.

I'm still waking up as well -- takes a few cups of tea and a few strips of bacon before the little gray cells start firing properly -- so if I sound a bit muddled, that's why. Still, we can make a stab at coherency, eh?

Christopher Paolini Hmm. Why do I write fantasy? As you said, it's because I enjoy reading it, but I enjoy reading it because . . . well, for a number of reasons, I suppose. First of all, fantasy allows for all sorts of dangerous situations, and those can provide a lot of excitement in a story. And excitement is always fun. Also, epic fantasy usually deals with themes and situations that everyone can relate to, such as the challenge of growing up, or how one is supposed to deal with moral quandaries. Fantasy is the oldest form of literature; the very first stories that humans told while crouched around campfires were stories about gods and monsters and tragic mistakes and heroic feats. Even now, those topics still resonate with us on a primal level, which is one reason I think fantasy will remain popular with readers as long as humans are still human. And I love the sense of awe and wonder one can often find in fantastical literature. . . . Fantasy can allow you to see and hear and experience things that have never existed and never *could* exist. To me, that is the closest we come to real magic in this world.

That said, there are a number of other genres I'd like to try my hand at: mystery, thriller, horror, science-fiction, romance, etc. I love stories of all kinds -- although mythic ones certainly hold the greatest appeal to me -- and I'm very much looking forward to experimenting once I finish the Inheritance cycle. Any genres I think I'll never write but wish I could? . . . Probably long-form epic poetry or a witty comedy of manners. Poetry is fun, but my grasp on it is rather shaky, and a comedy of manners (while I enjoy them) is so different from my usual life, I'm not sure I could pull it off properly.

And now a question for you: You have just finished your third (large) series. What is it about big epic stories that so fascinates you? Why not write small, intimate books about a fishmonger whose greatest love is his toothpick sculpture of the Brooklyn Bridge?

Read the full conversation

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