Book of Musical Anecdotes

Book of Musical Anecdotes
by Norman Lebrecht

Book of Musical Anecdotes
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Book Summary Information

Author: Norman Lebrecht
Brand: Simon & Schuster
Edition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1985-12-01
ISBN: 0029187109
Number of pages: 384
Publisher: Free Press
Product features:
  • Published by Simon & Schuster, Inc. 382 Pages
  • Hardcover by Norman Lebrecht
  • Author: Norman Lebrecht

Book Reviews of Book of Musical Anecdotes

Book Review: More light than usual in Lebrecht's little-known collection
Summary: 5 Stars

Lebrecht gives life to these composers/musicians much in the same spirit that they gave of themselves in their own works. In many ways, these stories are as informative as some music history texts. From Bach to Stravinsky, these stories will make you laugh and cry. If you've grown weary of Lebrecht's more recent dark outlooks on the future of classical music, this book looks back on the sunnier days. Full of humorous, informative and touching stories, you won't regret you bought this!

Summary of Book of Musical Anecdotes

Here is one of the most enjoyable and illuminating books ever published for the music lover, a feast of delightful anecdotes that reveal the all-too-human side of the great composers and performers.

There are stories of appetites (Handel eating dinner for three), embarrassments (Brahms falling asleep as Liszt plays), oddities (Bruckner's dog being trained to howl at Wagner), and devotions (a lovely admirer disrobing in tribute to Puccini). There are memorable accounts of Stravinsky telling Proust how much he hates Beethoven, of Tchaikovsky's first bewildering telephone call, of Dvorak's strange love of pigeons, and of Verdi's intricate maneuvering to keep the now-famous melody of "La donna e mobile" top secret.

There is also wonderful trivia (Beethoven loved to cat "bread soup" made with ten raw eggs), along with eccentric strategies (Verdi, disturbed by the sound of street organs playing arias from his operas, hired them all for a season and kept them locked in a room). There are examples of musicians munificent generosity (Haydn called Mozart "the greatest composer known to me, either in person or by name"), and scathing dismissal ("Have you heard any Stockhausen?" the conductor Sir Thomas Beecham was asked. "No," he replied, "but I believe I have trodden in some").

Collected from thousands of books, articles, and unpublished manuscripts (with historical sources provided in extensive notes), these anecdotes appear in their original form, throwing fresh light on familiar figures in the musical hall of fame. For browsing, reading, research and amusement, this book is a grand entertainment for concert-goers, record-buyers, operamanes, gossips and music lovers everywhere.

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