Book of Five Rings: The Classic Guide to Strategy
by Miyamoto Musashi
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Book Summary Information
Author: Miyamoto MusashiEdition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1988-05-28
ISBN: 0517415283
Number of pages: 96
Publisher: Gramercy
Book Reviews of Book of Five Rings: The Classic Guide to Strategy
Book Review: Not influential in his own time, but who cares?!
Summary: 5 Stars
Musashi's now-famous 'Book of Five Rings' is simply not the most influential sword-fighting book written in Feudal Japan. The most important book on Japanese swordsmanship, and the text of the Shogunate's own selected shool of swordsmanship is 'The Sword and the Mind': available as a translation by Hiroaki Sato. Musashi had a very personal and unique style of fighting involving the long and short swords used together. Quite possibly his style developed through the influence of his father, who was an expert in the jitte: a parrying weapon held in the left hand. Even if wielding the long sword by itself, he recommends holding it only in one hand, and developing the strength to do so: he mentions how often you will have to grab enemy spears or other objects with your left hand while fighting, and how holding a sword in two hands limits your sword's movement. Musashi was fully devoted to swordsmanship, and it seems as if he spent all day every day of his life swinging his swords about: no wonder no one could match him! Musashi's main principles are: 1) Train as much as possible 2) Always be on the attack, and turn every defence into an attack 3) Do unexpected strange things to confuse the opponent 4) Attack while the opponent is in the middle of doing something else such as taking a step or breathing etc 5) keep yourself relaxed while fighting 6) Train to achieve complete control of movement. There are lots of little useful anecdotes he tells us about, such as how to keep the sun at your back and thus in the opponent's face. He also gives us a window into 17th Century battles concerning the benefits and detriments of the various weapons and so on. What clearly rings through the entire book is that this is the work of someone who is intimate to an incredible degree with the movements of the sword and the body. A great deal of his strategy involves timing and rhythms: catching the opponent at just the right moment. There is no doubt that these principles are of the utmost importance in winning any kind of sport; however, they are very simple principles and really depend on the swordsman having an incredible amount of skill and training which gives him enough freedom of movement and acute sense of timing to carry them out. One can sense the love Musashi has of fighting and the thrill he gets at his feeling of superiority at winning. However, Japan was not as impressed with his style as he was. It was the two-handed style outlined in 'The Sword and the Mind' that became the standard for samurai. I am not a duellist who's life is on the line, so I am not in a position to muse about why the preference remained for a two-handed grip, but certainly having more control of the blade, more speed, and a longer sword must have been factors. So, even though Musashi was undefeatable, he became so using apparently inferior weapons. While this is all the more impressive, it also means that his style is defective in its most basic element: its weapons! I should probably add here that Musashi clearly was acquainted with literature, and the fact that he was trying to immortalize himself through his book is obvious on every page. He was a great artist too, and his paintings and sculptures have been prized ever since he created them. He wanted to remain the best swordsman after his death, and this book was conceived as his means to that end. There is a great deal to be sure to be learned from this work - it is quite possibly the best book ever written on hand to hand combat, and it is very well organized. I should add too that where Musashi speaks of large-scale military manoeuvers he is speaking from experience, since he fought in and commanded in several battles. We however must remember that in his own time and later his style of two swords hardly had any students - and there are no fencers from his Nito school that ever became famous. While his very seemingly-practical 'hands-on' approach to swordsmanship appeals to us impatient moderns, the deeply introspective, psychological mind-games of Munenori's "The Sword and the Mind" appealed to the samurai of the Edo period. However, the samurai of that period took on the role of civil servants and their role as warriors became less and less important, so practical advice on winning battles such as Musashi gives seemed less relevant to them than spiritual cultivation. It is really a miracle that Japan's greatest samurai actually wrote a book telling us how to become as great a fighter as himself! This book is a guide to success in martial arts, and it will give your martial arts knowledge a touch of 'class', since this book is a true classic of the best kind: if you can quote Musashi in your teaching, it can only look good for you! I ought to note that Thomas Cleary's edition of the "Book of Five Rings" also contains the entire "Sword and the Mind" of Munenori, so Cleary's book would be ideal to buy!
Summary of Book of Five Rings: The Classic Guide to Strategy
Translated by V. Harris. Japan's answer to the Harvard MBA...Written over three centuries ago by a Samurai warrior, the book has been hailed as a limitless source of psychological insight for businessmen-or anyone who relies on strategy and tactics for outwitting the competition.To learn a Japanese martial art is to learn Zen, and although you can't do so simply by reading a book, it sure does help--especially if that book is The Book of Five Rings. One of Japan's great samurai sword masters penned in decisive, unfaltering terms this certain path to victory, and like Sun Tzu's The Art of War it is applicable not only on the battlefield but also in all forms of competition. Always observant, creating confusion, striking at vulnerabilities--these are some of the basic principles. Going deeper, we find suki, the interval of vulnerability, of indecisiveness, of rest, the briefest but most vital moment to strike. In succinct detail, Miyamoto records ideal postures, blows, and psychological tactics to put the enemy off guard and open the way for attack. Most important of all is Miyamoto's concept of rhythm, how all things are in harmony, and that by working with the rhythm of a situation we can turn it to our advantage with little effort. But like Zen, this requires one task above all else, putting the book down and going out to practice. --Brian Bruya
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