Boggs: A Comedy of Values

Boggs: A Comedy of Values
by Lawrence Weschler

Boggs: A Comedy of Values
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Book Summary Information

Author: Lawrence Weschler
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2000-11-15
ISBN: 0226893960
Number of pages: 176
Publisher: University Of Chicago Press

Book Reviews of Boggs: A Comedy of Values

Book Review: Boggs
Summary: 5 Stars

This artist has good humor. Makes you question the value of art LITERALLY. He goes out and eats and pays with a $100 bill that he drew while he was eating. He asks the waiter if he will value his drawing as $100 because he drew it and the waiter thinks about it and takes it. Theres a lot of situations he gets himself into doing this. He usually gets away with it. I recommend this book if you are looking for an interesting book.

Summary of Boggs: A Comedy of Values

In this highly entertaining book, Lawrence Weschler chronicles the antics of J. S. G. Boggs, an artist whose consuming passion is money, or perhaps more precisely, value. Boggs draws money-paper notes in standard currencies from all over the world-and tries to spend his drawings. It is a practice that regularly lands him in trouble with treasury police around the globe and provokes fundamental questions regarding the value of art and the value of money.



James Stephen George Boggs is not a con artist, he's a talented artist who deftly renders his own currency and "spends" it. Struck by the value of money, and what paper notes represent, he draws U.S. dollar bills, English pound notes, Swiss francs, and other forms of paper money; then he barters his illustrious artwork in lieu of cash to willing merchants who agree to honor his currency for services and products. In Boggs: A Comedy of Values, Lawrence Weschler, author of the Pulitzer Prize and National Book Critics Circle Award-winning book Mr. Wilson's Cabinet of Wonder, documents Boggs's whimsical antics, offering a quirky and lively meditation on the value of currency and workmanship and a richly informative (albeit brief) social history of money.

Boggs does not sell his "money" directly, as Weschler learns, nor does he attempt to pass his drawings off as actual bills. For Boggs, the elaborate transaction of negotiation is a crucial element in his work, and the tangible proof of his success--receipts and proper change--is included in the final product. Of course, treasury departments from around the world are anything but pleased; the second half of the book deals extensively with the artist's court battle with the Bank of England. As Weschler notes, Boggs is not the first to question the value of money through art (Larry Rivers, Pablo Picasso, Timm Ulrichs, Adolf Wölfi, and Jurgen Harten are just some artists who have put currency to the test), but the author finds in Boggs's work an ideal subject for opening a probing inquiry into the economy of money, especially timely at the end of the 20th century as paper currency--which once directly represented precious-metal coins--evolves into "binary sequences of pulses racing between computers." --Kera Bolonik

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