Becoming Jane Austen by Jon Spence
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Book Reviews of Becoming Jane Austen
Book Review: Becoming Jane Austen
Summary: 5 Stars
Very good book---I have read 6 other bios on Jane Austen this book was one
of the best.
Book Review: Wonderful!
Summary: 5 Stars
This is a wonderful book. It also arrived quickly and in perfect condition! Good Work.Book Review: Very engaging pop-history woven with lit crit
Summary: 4 Stars
Spence is a scholar but here he is writing for the public. He appears to draw heavily from published anthologies of Austen's letters, the Austen family will, etc., rather than primary sources themselves. This is information that readers could have sought out on their own or found in another biography. Where Spence shines is in his inter-weaving of family biography with literary critique, and, perhaps more controversially, his attempts to explicitly link events/people in Austen's life to her fictional characters and senarios.
I would consider this a fairly edgy enterprise relative to the work of "traditional" historians. Still, the discipline has, like others, changed over the past several decades, and not only recognizes the impossibility of objectivity, but allows for more explicit individual interpretation. And in fact, most of Spence's extrapolations are not only fascinating but well-supported; for example, his contention that Austen's own family history laid the groundwork for the three Ward sisters' differing marriages (in Mansfield Park) makes perfect sense. A minority of his contentions appears to have involved a bit too much creative interpretation, but one can simply research those on one's own or come to one's own conclusions.
To read this book is to be impressed by the very fragility of life--especially for childbearing women--in early 19th century England. The book is riddled with so many early (under 30) and childbirth deaths, it appears amazing women agreed to marriage in the first place. But that, of course, is Spence's second achievement: impressing upon us the deeply precarious financial position in which women found themselves, unable to earn their own keep and forced to rely on the support of a brother, husband, or the bequest of a dying relation.
My only problem with the book is the slightly prosaic writing style, the repeated use of slangy words (i.e. tetchy) and the puzzling reliance on second-person address (i.e. "You see.." "You read this and feel..."). I have never read a work by a professional historian to refer directly to readers and not to the general populace ("one feels..." "one can see...").
Novel-like in its readability, thoughtful and unafraid of contention, Becoming Jane Austen deserves a place on the shelf of every English lit or history fan, Austenite or no.
Book Review: The romantic life of a Romance writer...
Summary: 4 Stars
2003's "Becoming Jane Austen" is Jon Spence's highly readable biography of romance novelist Jane Austen. Spence is almost novelistic himself in his treatment of her life and literary work.
Spence believes the characters and events in Austen's novels can be traced back more or less directly to persons and events in Austen's life and those of her extended family. This premise leads to an intriguing mixture of biography and literary criticism, mingled with an exploration of Austen's evolving views about her life and writing. In some cases, the connections seem obvious and plausible; in others, a bit of a leap. Spence finds, for example, that Austen's rather exotic relative Eliza de Feuillide is the basis for several characters stretching from the Juvenalia to "Mansfield Park" and that Austen's stories were in effect her way of weighing in on family controversies.
Easily the most interesting theme of "Becoming Jane Austen" is Spence's claim that Austen's infatuation with Tom Lefroy at Steventon in January 1796 was deep, mutual, and lasting. He interprets Austen's surviving correspondence to indicate that she expected Lefroy to return for her once he was in a position to marry. She was obviously disappointed in this expectation; Spence sees indirect indications of Lefroy's continuing hold on her imagination in her novels. Spence's interpretation is neither impossible nor necessarily implausible; it is simply unprovable given the very limited authentic biographic material available at this remove of time. Other biographers are far more skeptical of the extent of the relationship.
"Becoming Jane Austen" was the basis for the very charming period romance "Becoming Jane," starring Anne Hathaway as Jane Austen and James McAvoy as Tom Lefroy. Spence is quick to note in his introduction that the movie screenplay exceeds even his admittedly generous interpretation of the record.
"Becoming Jane Austen" is highly recommended as an energetic, enjoyable, and intriguing life of Jane Austen. One need not agree with Jon Spence's every interpretation to appreciate his enthusiastic presentation.
Book Review: Good background reading for the Jane Austen fan
Summary: 4 Stars
This is an accessible biography of Jane Austen for the general reader, but the author includes a lot of genealogical information, maybe more than one needs, about Jane's parents, grandparents, cousins, etc. In addition there's the story of Jane's own romance with Tom Lefroy, which is the centerpiece of the movie Becoming Jane. The movie has some incidents in it that are not in this book; for example, in the movie, Jane elopes with Tom and then changes her mind and goes home. Apparently that didn't really happen. In reality, she waited for him for three years while he was in law school and he didn't come back to marry her.
Jane had two more marriage proposals, one of which she briefly accepted before changing her mind. Apparently at some point she decided she did not really want to be married at all, and she devoted herself seriously to the craft of being a writer. This was, however, some time after she had already published Sense and Sensibility, and Pride and Prejudice, both of which were written when she was quite young.
After finding out from this book that Jane wrote Mansfield Park and Persuasion later in life, as an "older" and more experienced woman, I was inspired to read them again. They are a bit darker than her earlier works. That used to put me off, but now I understand that they are this way because of her greater understanding of the often tragic situation of women in her time. She was apparently particularly upset at the way her brothers repeatedly impregnated their poor wives, so that the women gave birth every 18 months or so, and then finally died of exhaustion. One gets the impression that she was rather glad she never married.
Another interesting thing I learned from this book was that Jane Austen hated cities and could only work well on her writing in the country. I know the feeling. Learning this about her made me feel better about the fact that I think I work better at my projects in the quiet and isolation of the country. I had always thought that was something weird about me.